Haggerty Museum of Art

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Haggerty Museum of Art Free & Open to the Public 6 days a week. All Museum events (online and in-person) are free and open to the public, unless otherwise noted.

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The Haggerty Museum of Art works to create an inclusive, inspiring, informative, and engaging social media community filled with a range of voices. We welcome engagement and constructive dialogue. Every community member has the right to participate in respectful discussions on our social media channels. The guidelines outlined below will help foster a courteous and dynamic environment for all community members. The Haggerty Museum of Art enforces the user policy described below on all social media channels. We do not review or moderate all comments. However, we reserve the right to remove any content posted that does not adhere to our policy, and to block or report users who share such content. The following will not be tolerated on any of the Haggerty Museum of Art’s social media channels, and will be immediately removed:

- Harassment, bullying, profanity, threatening language, attacks on or intimidation of any party including our online community, Haggerty Museum of Art staff members, and/or Marquette University students, faculty, administration, and staff

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Contact Us
If you have an issue, question, or suggestion, please email us at [email protected]. For privacy reasons, we cannot use our social media forums to resolve many individual issues and will often request that you engage in a private email conversation with us. We thank you for being a part of our community, and for engaging in thoughtful, respectful dialogue on our social media channels.

10/29/2026

Experience the living traditions of the African diaspora through food, storytelling, dance, conversation, and more at our upcoming free Community Day. Register now for “Living Archives: An African Community Day” on Saturday, Nov 14, from noon to 4 p.m. https://www.eventbrite.com/e/living-archives-an-african-community-day-registration-1994368111709

Presented in conjunction with the Haggerty Museum of Art's Fall 2026 exhibition theme “The Otherworld is Home”, these experiences explore how cultural memory is preserved, shared, and renewed across generations, transforming the museum into a vibrant space for community connection and exchange. Support for this program is generously provided by Lilly Endowment Inc.

Students in Dr. Chima Korieh’s class in African history recently visited our current exhibitions for a deeply immersive ...
10/28/2026

Students in Dr. Chima Korieh’s class in African history recently visited our current exhibitions for a deeply immersive learning experience.

Dr. Korieh, Director of Africana Studies and Professor of History, guided students through Daniel Minter’s work in the "Thresholds" exhibition. He drew powerful connections between Minter’s use of patterns and totems and the Bantu and Igbo history and culture the class is currently studying, highlighting the deep, enduring influence of African culture on African-American culture.

Having these artworks on view provided students with tangible evidence of the values embedded in these symbols, encouraging them to reflect on their resonance in our world today.

"Art has never been for art's sake. It has always been for human sake." – Henry John Drewal Dr. Drewal spent more than t...
10/26/2026

"Art has never been for art's sake. It has always been for human sake." – Henry John Drewal

Dr. Drewal spent more than two years researching the Haggerty’s collection of African art and filling in the blanks with his vast knowledge. This research led to the “African Art: Ancient Roots, Enduring Values” exhibition currently on view featuring more than 40 works described in great academic detail.

Dr. Henry John Drewal is the Evjue-Bascom Professor Emeritus, Departments of Art History and African American Studies, University of Wisconsin–Madison. Dr. Drewal specializes in the arts of the Yorùbá-speaking peoples of West Africa and the African Diaspora.

Please join us for a noon Lunchtime Talk on Wed, Oct 28 by Dr. Rita George-Tvrtković, Dean and Professor of Theology at ...
10/22/2026

Please join us for a noon Lunchtime Talk on Wed, Oct 28 by Dr. Rita George-Tvrtković, Dean and Professor of Theology at the University of Saint Mary of the Lake. “Our Lady of Victory or Our Lady of Beauty? Christian Marian Art for/against Muslims” will contrast two sets of Christian Marian images that relate to Islam: those that show Mary against Muslims ("Our Lady of Victory"), versus more positive images with the potential to bring Christians and Muslims together. Register at https://www.eventbrite.com/e/theotokos-lecture-by-rita-george-tvrtkovic-phd-registration-1994885146173

Please join us for a dialogue on Tues, Oct 27, 5 pm, considering where, when, and how Mary has been used to connect or d...
10/21/2026

Please join us for a dialogue on Tues, Oct 27, 5 pm, considering where, when, and how Mary has been used to connect or divide Christians and Muslims. The Theotokos Lecture: “The Virgin Mary as a Shared Figure? A Christian-Muslim Dialogue” will be led by Dr. Rita George-Tvrtković, Dean and Professor of Theology at the University of Saint Mary of the Lake, followed by a response from Marquette professor Dr. Irfan Omar, and further conversation with the audience. Register at https://www.eventbrite.com/e/theotokos-lecture-by-rita-george-tvrtkovic-phd-registration-1994885146173

Inspired by Dionne Brand’s concept of "voluptuous intrigue," artist Portia Cobb explores head coverings and masking as p...
10/20/2026

Inspired by Dionne Brand’s concept of "voluptuous intrigue," artist Portia Cobb explores head coverings and masking as powerful technologies of transformation, protection, and ancestral memory.

In her response to the Kuba headpiece in the Haggerty Museum’s African collection, Cobb draws connections between West African traditions such as the Sowei guardian figures of Sierra Leone and Gullah Geechee Seeking rites of passage.

Her “Conjure” headpieces are crafted from dyed straw, cane, and felt, embellished with materials like sea grass, shells, okra seeds, and her own hair. Rooted in Gullah Geechee ancestral knowledge, these pieces function as protective amulets, summoning mystical forces, guidance, and healing across the Black Atlantic.

Please join us for The Eleanor H. Boheim Distinguished Lecture 2026 on Mon, Oct 26, 6:30p featuring Dr. Kim Sajet, the D...
10/15/2026

Please join us for The Eleanor H. Boheim Distinguished Lecture 2026 on Mon, Oct 26, 6:30p featuring Dr. Kim Sajet, the Donna and Donald Baumgartner Director of the Milwaukee Art Museum and former director of the Smithsonian National Portrait Gallery in Washington, D.C. Dr. Sajet will share her recent experiences and offer insights into how scholars might begin safeguarding the historical record for future generations. The lecture will take place in Marquette University’s Alumni Memorial Union Monaghan Ballroom, 1442 W Wisconsin Ave. Register by tomorrow at https://www.givecampus.com/schools/MarquetteUniversity/events/the-eleanor-h-boheim-distinguished-lecture-2026

As a Black American trained in traditional West African art forms, Stephen Hamilton approaches weaving, dyeing, and wood...
10/12/2026

As a Black American trained in traditional West African art forms, Stephen Hamilton approaches weaving, dyeing, and woodcarving not just as artmaking, but as ritualized acts of reclamation. By using traditional techniques and materials native to West Africa, Hamilton works to reclaim ancestral knowledge that was dissociated from Africans in the Americas during the transatlantic slave trade. These intensely time-intensive processes are also his way of honoring and reclaiming Black labor.

Hamilton’s work explores the Black body through time and space, building visual bridges between the ancient and the modern. In “Thresholds”, he responds to pieces from the Haggerty Museum’s collection spanning from Nigeria and Cameroon to the DRC in an examination of shared vocabularies of power, beauty, and gender.

These objects aren't just relics of the past; they are ideas in motion. Hamilton calls them “A series of echoes in the spiral of time.”

The Haggerty Museum of Art on the campus of Marquette University has received AIA Wisconsin’s inaugural 25 Year Award, h...
10/08/2026

The Haggerty Museum of Art on the campus of Marquette University has received AIA Wisconsin’s inaugural 25 Year Award, honoring architecture that delivers lasting impact and excellence. Designed by O’Neil Ford and completed by David Kahler in 1984, the Museum continues to be a vital cultural cornerstone for Milwaukee, proving that great design enriches communities for generations.

The 2026 AIA Wisconsin Design Awards were presented during the AIA Design Awards Gala last Friday at The Wisconsin Club. The Haggerty was featured in a commemorative video highlighting its legacy, continued relevance, and lasting contribution to Wisconsin's architectural heritage.

We are delighted to welcome artist, educator, and curator CK Ledesma Borrero as our new Academic Engagement Associate! I...
10/07/2026

We are delighted to welcome artist, educator, and curator CK Ledesma Borrero as our new Academic Engagement Associate! In this role, Ledesma Borrero will connect the museum with educators across all subjects to design special art-filled tours, bringing their rich background in community-engaged culture and identity to life. Photo by Tara Bogart.

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