10/11/2026
We OPEN TOMORROW NIGHT!
And before we do we’d like to celebrate the people who make the magic happen!
SWIPE TO HELP US CELEBRATE OUR ARTIST!
Flying V Theatre presents:
The Royale by Marco Ramirez
Oct 12-31st at The Silver Spring Black Box.
🎟️ available now.
Angie Rupper (Stage Manager) is thrilled to make her debut with Flying V. She is excited for the
opportunity to work alongside passionate artists and be part of a company dedicated to creating
bold, imaginative, and engaging theatre. Angie is a multidisciplinary theatre artist with
experience in stage management, costume design, directing, performance, and technical
theatre. She began her stage management journey at Montgomery College with And So Ad
Infinitum, where she discovered a passion for bringing together the many moving parts of a
production and creating an organized, collaborative environment for artists and technicians.
August Henney (Scenic Design) received an M.F.A. in scenic design from the University of
Maryland and a B.S. in Theatre Arts from the University of Oregon. Previous production roles
include scenic designer for “Once” at Nextstop Theatre Company,
“Roaring Girl” at Theatre
Prometheus, 2025 World Pride Float by ECC,
“Pride and Prejudice” at Compass Rose Theatre
Company,
“So Late into the Night” at Rorschach Theatre Company,
“The Figs” at the Rorschach
Theatre Company,
“A Game of Love and Chance” at American University,
“Metamorphoses” at
University of Maryland,
“Henri IV, Part One” at American University, and “Florencia En El
Amazonas” at University of Maryland. August Henney has also received a Helen Hayes
nomination for “So Late into the Night” (augusthennneydesign.com
Delaney Bray (Sound Designer) is excited to be working with Flying V for the first time. Local
credits include, Rules for Living (Round House Theatre), What the Constitution Means to Me
(Round House Theatre), Radio Golf (Round House Theatre), Hurricane Diane (Avant Bard),
Beastgirl (Kennedy Center) and Acoustic Rooster’s Barnyard Boogie (Kennedy Center), as well
as audio engineering credits Constellation Theater Company, and Studio Theater. Additionally
she serves as the Sound & Projections Supervisor at Ro
