29/08/2026
photo access is pleased to be returning to Sydney Contemporary for Photo Sydney 2026, presenting the works of Danica Chappell, Sonia Mangiapane, and unseen photographs from the personal archive of celebrated architect Enrico Taglietti (1926–2019).
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Danica Chappell is a visual artist, creating on the traditional lands of the Boon Wurrung and Wurundjeri peoples, in Naarm (Melbourne). Through her darkroom practice, Danica examines the intersecting paths of abstraction and the history of photography. Distilling the malleability of a photograph, Danica orientates her work in the cameraless, constructing shadows activated by the photogram. Light, shadow, form, colour and actions collide in the haptic darkroom and become fixed as both concrete and abstract traces. Folding known conventions, the abstracted pictorial frame is an expression of cadence and light sensitive substrates.
Danica’s work has exhibited widely in various settings including Colour Bleeds and Light Folds (2023), Direct Contact: Cameraless Photography Now (2023), Sidney and Lois Eskenazi Museum of Art, Bloomington In., USA, Thickness of Time at Heide III MoMA Project Gallery (2018-19), New Matter: Recent Forms of Photography (2016), AGNSW Sydney, Emanations: The Art of the Cameraless Photograph (2016), Govett-Brewster, New Plymouth NZ and recent completed commissioned installations include Slippery Images (2023) for NGV’s Melbourne Now and Far From The Eye (2021) for PHOTO2021.
In 2025 Danica was a photo access Dark Matter resident and in 2026 she is the inaugural Australian Tapestry Workshop and Linden New Art mid-career artist in residence.
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Please email [email protected] or DM to request a preview catalogue.
Images:
Danica Chappell, Light Folds (Doublet #2 & #8), 2023–2026, layered chromogenic photographs, 47.3 x 51.8 cm
Danica Chappell, Shadow Shaping (Light-modulated-form #5), 2025, chromogenic photograph, 125.1 x 110 cm
Danica Chappell, Shadow Shaping (Light-modulated-form #6), 2025, chromogenic photograph, 142 x 121 cm