Community-Word Project

Community-Word Project Community-Word Project's arts education programs help young people develop leadership, creative, and literacy skills. www.communitywordproject.org

Intentional Collaboration | Hispanic Heritage MonthFrom September 15 through October 15, we celebrate Latine artists and...
10/11/2026

Intentional Collaboration | Hispanic Heritage Month

From September 15 through October 15, we celebrate Latine artists and educators who proved that the most powerful art isn’t made alone. It’s made side by side, with communities, in public, and in service of one another.

Judith Baca, Chicana muralist and co-founder of SPARC (Social and Public Art Resource Center) in Los Angeles, brought professional artists and hundreds of young people together to paint The Great Wall of Los Angeles, a half-mile mural telling the histories that textbooks left out. Every brushstroke was a collaboration, and every young painter left knowing their community’s story was worth monumental scale.

Photo 1: Judith Baca - Photo from https://www.judybaca.com/about/

Judith Baca, Chicana muralist and co-founder of SPARC (Social and Public Art Resource Center) in Los Angeles, brought professional artists and hundreds of young people together to paint The Great Wall of Los Angeles, a half-mile mural telling the histories that textbooks left out. Every brushstroke was a collaboration, and every young painter left knowing their community’s story was worth monumental scale.

Photo 2: Favianna Rodriguez - https://favianna.com/

Amalia Mesa-Bains, Chicana installation artist, scholar, and educator, transformed the tradition of the home altar into museum-scale works of memory and devotion. Her scholarship helped the art world recognize what our communities already knew: that art made in and with community is serious, essential work.

Photo 3: Amalia Mesa-Bains - https://womenshistory.si.edu/blog/amalia-mesa-bains-creates-sacred-space-women-and-memory

Tato Laviera, Puerto Rican-born poet raised on the Lower East Side, helped shape the Nuyorican poetry movement that turned New York’s streets, cafes, and stoops into stages. In his hands, Spanish and English weren’t two languages competing but one voice speaking for a whole community.

Four artists. Four practices rooted in honoring each other’s lived experiences, talents, and communities. That’s what intentional collaboration looks like, and it’s the spirit our teaching artists and students bring into the learning spaces we share.

Who taught you

CWP TAP Alum | Hispanic Heritage MonthNext up: sumaiya hernández, Dominican-born poet from Queens and proud alum of our ...
10/10/2026

CWP TAP Alum | Hispanic Heritage Month
Next up: sumaiya hernández, Dominican-born poet from Queens and proud alum of our Teaching Artist Project. ✨

sumaiya writes from the heart, in English and in Spanish, on pages strong enough to hold the full weight of both languages. Drawing on their multicultural background, they craft poems full of reverie, telling the tale of a poet in love with the mystical side of life.

Proudly bi and genderqueer, sumaiya writes with sensuality and openness, and as a Muslim in New York City, they use poetry to contemplate life’s moments as they walk a path of spirituality. Their work holds many truths at once, which is exactly what makes it so powerful.

sumaiya reminds us that identity is never just one thing, and that poetry is one of the few places big enough to hold all of who we are. 💛

CWP Teaching Artists | Hispanic Heritage MonthNext up: Nicco Diaz, Q***r Afro-Nuyorican poet, playwright, actor, directo...
10/07/2026

CWP Teaching Artists | Hispanic Heritage Month

Next up: Nicco Diaz, Q***r Afro-Nuyorican poet, playwright, actor, director, teaching artist, and cultural entrepreneur reppin’ the Bronx and East Harlem. 🎤

Nicco’s voice first hit the page in Harvard’s Latinx literary journal PALABRITAS and the Out Loud LGBTQ Literary Art Anthology. Since then, he’s performed all over NYC and built a stage of his own: he founded and curates Poetry & Potions, an open mic that has brought poets together at Uptown cultural institutions like Barrio BX, The Bronx Brewery, and La Marqueta.

A first-gen graduate of Cornell University and former Chief of Staff of the legendary Nuyorican Poets Cafe, Nicco carries the Nuyorican tradition forward in everything he does. In August 2024, he self-published his debut poetry collection, Un Chin Chin. In May 2025, his debut short play How Electrons Move won Outstanding Achievement in Playwriting at the Hispanic Federation’s FUERZAFest. And in June 2025, he served as Grand Marshal of the Bronx Pride March. 🏳️‍🌈

In the classroom, Nicco teaches poetry and theater to young people across the city, showing them that their stories, their neighborhoods, and their many identities all belong on the stage at once.

Here’s a taste of his work:
I love thee for thy vibes, teteos y coros
Bright flashing lights, milky clouds of ho**ah smoke
Dembow booming, perreo, true tesoros.
Here, we honor our cultura, our kinfolk
Our love is lit, our love cannot be deterred
So without further adieu, can I get a yerrrr?
— Nicco Diaz

Poet, organizer, teacher, and community builder: Nicco is the power of voice in action, one open mic at a time. Drop your loudest “yerrrr” in the comments for him. 💛

“Go to the park together and have fun. Ride bikes home and make food. Share popcorn and watch movies…”In this mural by P...
10/06/2026

“Go to the park together and have fun. Ride bikes home and make food. Share popcorn and watch movies…”

In this mural by P.S. 279 students, everyone is in the circle. The treehouses, the rooftops, the sun, even the monsters in the corner all have a place.
That’s what great teachers make possible: a room where every young voice belongs.

This World Teachers’ Day, we honor the classroom teachers and teaching artists who lead with radical love and open the door to learning for every kind of learner. Our founder Michele Kotler started Community-Word Project because one teacher, a drummer, taught her in a way she could learn. We’re still paying that gift forward.

👇 Who was the teacher who made you feel seen? Tell us their name and what they taught you in the comments. 🎨✏️

October is National Arts & Humanities Month, and we’re beginning it with a blank space.The first time I made art, I felt...
10/01/2026

October is National Arts & Humanities Month, and we’re beginning it with a blank space.

The first time I made art, I felt ___.
Free? Seen? Brave? Maybe it was the first time a classroom finally made sense.

For our founder, Michele Kotler, that moment came in 6th grade. Her teacher, who was also a drummer, brought music into the lesson. For a kid with an undiagnosed learning disability, in a school where budget cuts had erased the arts, it was the first time she was taught in a way she could learn. That feeling became Community-Word Project.

Nearly three decades later, our teaching artists create that same opening for young people across NYC in schools. These students carry a lot: underinvested classrooms, new languages, unequal access to care. What they find through poetry, movement, music, and visual art is a voice, and the confidence to use it.

So this month, we’re asking you to finish the sentence. Teaching artists, students, parents, donors, neighbors: tell us in the comments. Every answer adds to a collective voice, and that’s where the work begins. 🧡

Help keep the door to creativity open for the next young artist. Link in bio!

Every voice deserves to be heard. 💛September is National Su***de Prevention Month, and at Community-Word Project, we sta...
10/01/2026

Every voice deserves to be heard. 💛

September is National Su***de Prevention Month, and at Community-Word Project, we start where we always do, with Voice.

When a young person writes a poem, paints a feeling, or reads their words aloud, they’re being seen, heard, and connected.

The research agrees. A World Health Organization review of more than 3,000 studies found the arts play a major role in promoting health and wellbeing. And there’s hope in the latest numbers: persistent sadness among high schoolers fell from 42% in 2021 to 33% in 2025. Progress is possible when communities show up for young people.

To our teaching artists, families, and supporters: thank you for making room for every voice. Our work is a practice in radical love, and part of love is making sure everyone knows where to turn.

If you or someone you love is struggling, call or text 988 or chat at 988lifeline.org. It’s free, confidential, and available 24/7. Support is offered in more than 240 languages.

On August 26th, Teaching Artist Project (TAP) Director Dale Novella Anderson-Lee traveled to Antwerp, Belgium, for the 8...
09/30/2026

On August 26th, Teaching Artist Project (TAP) Director Dale Novella Anderson-Lee traveled to Antwerp, Belgium, for the 8th biennial International Teaching Artist Collaborative (ITAC) conference.

Teaching artistry is not a localized effort—it is a vital global infrastructure. On day three of the conference, Dale facilitated an interactive workshop showcasing findings from TAP’s white paper, A Career, Not a Gig: Building Sustainable Teaching Artistry. Developed alongside TAP Coordinator Libby Mislan and Research Consultant Katie Rainey—with crucial support from The Altman Foundation—the study centers on five critical pillars of field sustainability: Career Opportunity, Community & Belonging, Financial Stability, Structural Equity, and Work-Life Balance.

The session engaged international delegates to translate research into real-world strategies. Participants from across the globe collaborated to generate actionable approaches aimed at converting teaching artistry from piecemeal gig work into sustainable, lifelong careers. By bringing NYC-rooted data to an international forum, TAP continues to amplify teacher-artist voices and shape equitable practices for the global field.

Curiosity is a magnifying glassglowing in your mindpacing in a classroomthe freedom of windthrough a window.Students at ...
09/29/2026

Curiosity is a magnifying glass
glowing in your mind
pacing in a classroom
the freedom of wind
through a window.

Students at P.S. 84 wrote these lines together, then painted them into being. The school’s walls open up, a lightbulb glows above one dreamer’s head, and a wide-eyed student holds a magnifying glass up to the world.

This is what happens when young people are taught in a way they can learn: the poem becomes the picture, and the picture becomes a voice.

🌬️ Help us keep the windows open. Link in bio.

🎨 Poem and mural by students at P.S. 84

The Power of Voice | Hispanic Heritage MonthAt Community-Word Project, we believe in the power of individual and collect...
09/26/2026

The Power of Voice | Hispanic Heritage Month

At Community-Word Project, we believe in the power of individual and collective voice, and in the confidence and agency that grow when young people are given the tools to use it. From September 15 through October 15, we celebrate the Latine writers whose voices refused to be quieted, and who opened the door for the next generation to speak.

Elizabeth Acevedo found her voice on the slam stage as a Harlem teenager, then carried it all the way to the National Book Award with The Poet X, a story about a girl who learns her words can’t be silenced. It’s the journey we witness in our classrooms every day.

Photo 1: Elizabeth Acevedo - PBS News

Sandra Cisneros gave The House on Mango Street a voice that belonged to the neighborhood itself, proving that the language you grow up speaking is powerful enough for literature.

Photo 2: Sandra Cisneros - Ulf Andersen/Getty Images

Julia Alvarez lost one language and gained another as a young immigrant in New York, then wrote How the García Girls Lost Their Accents about what it means to find your voice between two worlds. Our students who are new to this country know that story well.

Photo 3: Julia Alvarez - Brandon Cruz González / El Vocero de Puerto Rico

Martín Espada uses his voice as advocacy. A former tenant lawyer turned poet, he shows that a poem can speak up for neighbors when no one else will.

Photo 4: Martín Espada - Mespada

Yosimar Reyes amplifies the voices of undocumented youth, standing beside them as a poet and educator. He is the teaching artist we train every day to become.

Photo 5: Yosimar Reyes - nalac.org

Ada Limón, a poet of Mexican heritage, became the first Latina to serve as U.S. Poet Laureate, and used the role to carry poetry into national parks and public spaces, because a voice is meant to be heard where people gather. Early in her career, she taught second graders in the Bronx as one of our Community-Word Project teaching artists, a chapter she has written about with real tenderness.

Six writers. Six voices that insisted on being heard. When one person speaks their truth, it gives someone else permission to speak theirs. That is how individual voice becomes collective voice, and how collective voice builds a more equitable future.

Photo 6: Ada Limón - Photo credit: Rose Marie Cromwell for the New York Times & NASA/JPL-Caltech

09/26/2026

We stepped away for a couple of days, and came back looking forward. 🌱

At our staff retreat, the Community-Word Project team honored how far we’ve come and turned toward what’s next. Like a garden planted for every season, good work keeps growing. We leaned in with blue sky thinking and left with notebooks full of ideas, a roadmap to the future, and a lot of radical love for this team.

Here’s to the next chapter, written together. ✍️🎨

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