10/08/2026
Fall 2026 curriculum: Half & One-Day Workshops
Swipe through for course details in the captions + a guide for selecting tuition at the end.
Just two spots left in next week’s Mini Series: Kallitype workshop with Jarrett Esaw (Jarrett Tyler Esaw)!
Patented in 1889, the kallitype is made by coating paper with a ferric oxalate and silver nitrate solution, producing images with remarkable depth and detail. Developing solutions can be used to achieve different colors, including brown, sepia, blue, maroon, or black.
In this 3-hour workshop, participants will gain a basic understanding of the kallitype process. Through demonstration and hands-on learning, students will learn how to make digital negatives, coat paper, and process prints.
Wednesday, October 14 | 6-9pm
Zines offer an opportunity to put into the hands of the producer the power to tell their own story.
This one day zine-making session with is intended to act as an approachable workshop that touches upon important historical and theoretical aspects of zine-making and zine culture. With an emphasis on the conceptual and critical language of zines, culminating in taking practical steps to create your own zines, this workshop is aimed at both teenagers and adults with a desire to learn the basics for creating their own tangible self-published works.
During this workshop, students will consider visual flow, question how images can complement or detract from one another, experiment with layout and sequencing content in varying size, number, and spatial layouts, while developing a narrative and having a clear outcome for their work and how they wish to tell their story. Using simple tools such as a bone folder, scissors, a blade, needle and thread, and a stapler – at the end of this workshop, the participants know the basics of how to fold, collate, and bind with various rudimentary techniques allowing them to take mockups and maquettes to be replicated for a future of zine-making explorations in their own practice.
Saturday, October 24 | 10am-6pm
Learn to identify and distinguish a variety of historic 19th-century photographic processes, including daguerreotypes, ambrotypes, tintypes,
