08/14/2026
When Glenbow reopens, one of its inaugural exhibitions will highlight a groundbreaking chapter in Calgary's artistic history.
The Calgary Group: Modern, Experimental, Controversial explores the story of a remarkable community of artists — Cliff Robinson, Vivian Lindoe, Janet Mitchell, Marion Nicoll, Maxwell Bates, Wes Irwin, Luke Lindoe, H. B. Hill, William LeRoy Stevenson, and Dorothy Willis — who challenged artistic conventions and helped establish Calgary as an important centre for art in Canada following the Second World War.
It will be the inaugural exhibition from the JR Shaw Institute for Art in Canada, a program within Glenbow for research and creative practice made possible thanks to a $10 million endowment from Shaw Family Foundation.
To learn more, we spoke with Jocelyn Anderson, Director of the JR Shaw Institute for Art in Canada and curator of the exhibition: https://bit.ly/4cCXXgk
Images:
1. William LeRoy Stevenson, On Prince's Island, 1957, oil on hardboard, 60.0 x 75.0 cm. Collection of Glenbow. Gift of the Devonian Foundation, 1979. Formerly in the Collection of the Calgary Allied Arts Foundation, purchased from the artist, 1957.
2. Maxwell Bates, Untitled [Prairie Scene], 1951, oil on board, 29.4 x 39.5 cm. Collection of Glenbow. Gift of Gail Metzlaff, in memory of Bill Metzlaff, 2000.
3. Marion Nicoll, Mountain Water, ca. 1940, watercolour on paper, 25.4 x 34.8 cm. Collection of Glenbow. Gift of Margaret Read, 1995.
4. Luke Lindoe, Green Landscape, 1952, oil on board, 49.0 x 59.0 cm. Collection of Glenbow.
5. Marion Nicoll, Untitled, 1947, oil on hardboard, Collection of Glenbow, Anonymous Gift, 1998.
6. William LeRoy Stevenson, Woman, Fruit & Drink, ca. 1948, oil on canvas board, 30.5 x 40.6 cm. Collection of Glenbow, Gift of Christopher Varley.
7. Clifford Foard Robinson, Alberta Scene, ca. 1942, linocut on paper, 50.5 x 38.4 cm. Collection of Glenbow. Purchased, 1983.
8. Vivian Lindoe, Antelope, 1969, silkscreen on paper, 28.4 x 46.5 cm. Collection of Glenbow. Gift of Mr. Peter J. Mortimer-Rae, 2001.