23/01/2026
Have you ever wondered about the difficulties of music where the composer indicates a slow tempo but within an alla breve time signature? If so then a new post from Jonathan Brett about the introduction of Mozart's overture to Die Zauberflöte might help.
A recent post on a Facebook conductors group about the tempo connection between the Adagio and Allegro in Mozart’s overture to Die Zauberflöte drew a great deal of comment about the opening of this piece. Although not the only matter with which I would be inclined to take issue, there was one pro...