SlipStitch

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SlipStitch SlipStitch is Seattle’s neighborhood art gallery and community space—spotlighting socially relevant work by BIPOC and underrepresented artists.

Follow for new exhibitions, artist stories, openings, and ways to show up for local creativity in Georgetown. SlipStitch is a Post Contemporary Art Space in Seattle's historic district, Pioneer Square. Where community and creativity recognize each other, and something deeper comes alive.

Andie DeRoux’s Sapphire Pools feels like walking into a secret place you weren’t supposed to find—until you do, and sudd...
10/03/2026

Andie DeRoux’s Sapphire Pools feels like walking into a secret place you weren’t supposed to find—until you do, and suddenly you can’t stop staring.
It’s oil on canvas, lush and atmospheric, with a surface that looks almost weathered into existence—velvety blacks, mossy greens, and smoky grays layered like a canopy at dusk. And then, there it is, that electric ribbon of sapphire blue cutting across the composition like a current. Not a polite little “pop” of color. A full-body, late-night, can’t-look-away kind of blue. The kind that reads as water, memory, and mood all at once.

The paint has real texture—built up, scraped back, stained, and reworked—so the whole piece feels alive, like it’s still shifting. Drips and softened edges make it feel organic, uncontained, like nature refusing to stay inside the lines.
And I couldn’t help but wonder… is it a landscape? A feeling? Or the exact moment you realize you’ve been holding your breath—and finally, finally let go?

SlipStitch presents Where the Light Holds, a solo exhibition by Andie DeRoux, on view October 9 to November 21, 2026.DeR...
10/01/2026

SlipStitch presents Where the Light Holds, a solo exhibition by Andie DeRoux, on view October 9 to November 21, 2026.

DeRouxs new body of paintings is created on Cast Acrylic & Resin, a high-end acrylic surface selected for its optical clarity and its ability to hold and reflect light. In this material choice, light is not simply an effect but a structural element—a way to think about interior and exterior landscapes as mutually informing states.

Rooted in mindfulness and deep immersion, DeRoux paints intuitively, allowing each work to evolve in small sets and ongoing series. The exhibition is organized into four color-led environments that echo the Pacific Northwests elemental registers: Water, Rock, Air, and Forest. Near the center of the gallery, a site-specific work operates as an anchor between zones, encouraging sustained looking and a slower awareness of shifting tonalities.

An invitation to witness, learn, and hold what remains. “Herbal Echoes” asks visitors to engage with Persian flora as be...
09/30/2026

An invitation to witness, learn, and hold what remains. “Herbal Echoes” asks visitors to engage with Persian flora as beauty, as record, and as responsibility. It honors friendship and scientific labor while foregrounding conservation and cultural memory. In a time when so much is at risk of being lost, the exhibition insists on careful attention as a meaningful act.

Ever wonder what happens when a landscape stops being “out there” and starts telling the truth about what’s happening in...
09/29/2026

Ever wonder what happens when a landscape stops being “out there” and starts telling the truth about what’s happening in here?

This fall, SlipStitch presents Where the Light Holds, a solo exhibition by Andie DeRoux, on view Oct 9 to Nov 21, 2026. DeRoux’s new paintings on Cast Acrylic & Resin (a high-end acrylic surface with optical clarity that literally carries light) move through the Pacific Northwest like a personal coming-of-age; an awakening, transformation, and self-acceptance.

The show unfolds in several color-led environments, each one a different kind of element: Aquatic, Lithosphere, Atmosphere, and Woodland. A site-specific work anchors the space, inviting you to linger and notice how light shifts when you do.

Come spend time with the work, follow the colors through the gallery, and leave with a little more room to breathe.

Material choices reflect an ethic of sustainability and transformation. Nahal incorporates reclaimed materials; scrap CD...
09/28/2026

Material choices reflect an ethic of sustainability and transformation. Nahal incorporates reclaimed materials; scrap CDs/DVDs, fabrics, and used aluminum sheets—through iterative experimentation. This is not presented as a trend, but as a practice aligned with ecological responsibility and resource awareness. The method reinforces the exhibition’s conservation-oriented foundation.

Printed with integrity, meant to be seen as it was made. Peace Prints is printed on Strathmore 80lb (130 g/m²) micro-per...
09/26/2026

Printed with integrity, meant to be seen as it was made. Peace Prints is printed on Strathmore 80lb (130 g/m²) micro-perforated drawing paper. The perforated edges are intentionally preserved as part of the artwork’s integrity and should not be removed. In September 2024, Peter Hristoff—working in collaboration with master printer Alejandro Chen Li—printed the full edition at the School of Visual Arts Printshop, 133 West 21st Street, NYC.

Anger as an act of love and an act of survival. Living Bones is an angry series because it has to be, it “unearths” what...
09/26/2026

Anger as an act of love and an act of survival. Living Bones is an angry series because it has to be, it “unearths” what has been buried, destroyed, or denied, and brings it back into the room with you. It confronts the viewer with death without cushioning the impact, insisting that spirits remain even when the world tries to erase them. In the face of ongoing destruction, Reem continues to piece her grandmother together—bone by bone, memory by memory, refusing disappearance.

The work translates organic complexity into visual language. Nahal’s paintings and sculptural forms draw from biomimicry...
09/25/2026

The work translates organic complexity into visual language. Nahal’s paintings and sculptural forms draw from biomimicry, geometry, and ecological systems. She balances abstraction and realism through layered texture and controlled color relationships. The exhibition invites viewers to recognize pattern, structure, and interdependence.

Architectural training informs the exhibition’s spatial ethics. With a Master of Architecture from the University of Ari...
09/24/2026

Architectural training informs the exhibition’s spatial ethics. With a Master of Architecture from the University of Arizona, Nahal considers how bodies move through space and how environments shape feeling. Her research into multisensory perception guides the exhibition’s pacing, atmosphere, and visitor flow. The result is an installation that is designed, not simply arranged.

Nahal is an interdisciplinary artist, architect, and researcher from Tehran, now based in Seattle. Her practice examines...
09/23/2026

Nahal is an interdisciplinary artist, architect, and researcher from Tehran, now based in Seattle. Her practice examines the intersections of ecology, architecture, cultural memory, and material experimentation. She approaches art-making as a form of inquiry—where observation leads to structure, and structure leads to experience.

Address

6107 13th Avenue South
Seattle, WA
98108

Opening Hours

Tuesday 11am - 6pm
Wednesday 11am - 6pm
Thursday 11am - 6pm
Friday 11am - 6pm
Saturday 11am - 6pm

Telephone

+12532604616

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