Alliance for New Music-Theatre

Alliance for New Music-Theatre We nurture the creation, development, and performance of new works through collaboration, and promote an appreciation of music-theatre in many forms.

In this time of regrouping, when there are more questions than answers about what lies ahead – such as when and how we can mount live productions in theaters -- we are nonetheless committed to partnerships, conversations, and explorations that will bring us together, and to search out the words to tell the stories we need to hear and create music that breaks open hearts. We invite our composers, l

ibrettists and lyricists, performers, directors, choreographers, designers, and filmmakers to collaborate on new projects and discover new ways of sharing works through different forms in the following productions and programs in development:


Short Gems:
Iconic Works Celebrating the Centennial of The Phillips Collection - America’s First Modern Art Museum
In the spirit of the founding of New Music-Theatre, the company has invited Tim Nelson, Artistic Director of In Series, to collaborate on commissioning a group of artists by pairing composers, librettists/lyricists and performers to create short music-theatre “gems” toasting our neighborhood’s artistic anchor, The Phillips Collection, on its Centennial Celebration in 2021. Originally conceived to be performed live in the individual galleries where the art works are hung, as our artistic response to the current crisis we are now exploring filming them in the galleries then making the works available on line for free as an extended virtual tour, followed up by conversations. The works will represent not only different music-theatre styles but a rich diversity of artists that speak to the complex mix of local cultures that make up

Washington including Afghan composer Quraishi Roya, Cuban-American lyricist Claudia Rosales, Native-American composer/cellist Dawn Avery, and African-American composer Steven M. Allen with Librettist Tom Jones and the inimitable singer-actress Roz White. (The last three who are joining forces will create a solo piece based on Lawrence Jacob Lawrence’s “The Washer Woman” from his Migration series.) On the Road to Arivaca
Developing this chamber opera continues through collaboration with local and international partners, including composer Rosino Serrano, who resides in Mexico City, and at least three local companies. The work humanizes the story, that until Covid-19 dominated our national conversation, by putting the audience “on the road” in difficult encounters that surround the many issues of immigration, national boundaries, and cross-cultural and linguistic engagement. Ortiz wrote the original poem on which the opera is based and serves as advisor on the project. The work will also feature a local Latinx children’s chorus. New Music-Theatre is partnering with In Series and the Sitar Arts Center in Adams Morgan, to embark on a two-year pilot program of ongoing workshops developing a Latinx Children’s Chorus which will participate in “bookend” productions by both companies and opportunities for young participants to build relationships, be exposed to professional performances of the highest caliber, and find outlets for their own creative expressions. This project will extend our commitment to building and serving community. Women of Troy: Voices from Afghanistan
H.E. Ambassador Roya Rahmani has joined us in partnership, believing as we do there is no more important time to champion the women of Afghanistan to light the way for peace. In a music-rich retelling of Euripides’ most famous anti-war play, Trojan Women, the creative team of writers Yalda Baktash and Susan Galbraith and composers Quraishi, Milad Yousofi and Dawn Avery represent the project’s fertile cross-cultural collaboration by setting the work in modern day Afghanistan. Against the backdrop of America’s longest war, and fragile democracy, audiences hear another side - a tale that entwines the rich cultural history and stories of resilient Afghan women into a tapestry as beautiful and rich as their voices and embroidered arts. We now reach out to Afghan artists across the diaspora to collaborate with us further intertwining stories, dance and singing. We plan to share digitally and when possible in workshops. The full production will feature16 performers, including musicians (rubab, tabla and cello,) plus puppetry.

UPDATE!With the streets (and parking spots) still icy, Arts Club of Washington and Alliance for New Music-Theatre have d...
02/04/2026

UPDATE!

With the streets (and parking spots) still icy, Arts Club of Washington and Alliance for New Music-Theatre have decided to reschedule Javier Arrey’s transcendent cabaret (Cab-Arrey!) to February 27. His performance of “Music Without Borders” will go on as scheduled this Friday, February 6, at the Alexandria History Museum at The Lyceum. We hope to see you there!

Find more information about this events that defies the boundaries of nationality, language, and genre, as well as links to tickets for both performances at www.newmusictheatre.org

“Art in general, especially music, has long been a way to express deep feelings without words. In a way, music elevates ...
02/03/2026

“Art in general, especially music, has long been a way to express deep feelings without words. In a way, music elevates us and connects us with the divine essence. It has also served as an ‘exhaust valve’ throughout history for people from different cultures, fulfilling a fundamental human need for expression in a deep and beautiful way. Cabaret is often associated with specific popular
music in small venues, but this music can come from different eras and cultures—truly, music without borders. Music from composers like Dvořák was considered ‘popular music’ in their time, largely because of the strong folk influence in their work.

“Music Without Borders” will be a journey through various periods, cultures, languages and musical influences. This informal musical experience aims not just to entertain, but to inspire through a universal and divine language that has no borders or barriers: music.”

-Javier Arrey.

Join us!
The George Fulginiti Cabaret Series
Javier Arrey
Music Without Borders
Friday, February 6, 7:30 p.m.
The Lyceum in Alexandria
Friday, February 27, 7:30 p.m.
The Arts Club of Washington
www.newmusictheatre.org

The next installment in our George Fulginiti Cabaret series is Javier Arrey, presenting “Music Without Borders.”Javier h...
01/29/2026

The next installment in our George Fulginiti Cabaret series is Javier Arrey, presenting “Music Without Borders.”

Javier has curated a delicious Valentine’s program for our cabaret series that spans his vast experience from world opera stages to intimate pops performances. The evening begins with a selection of love songs by Dvorak, celebrating Javier’s years lived in the Czech Republic, then falls rapturously into the passion of Ravel’s songs from Don Quixote to Dulcinea, followed by a melodic bouquet of Argentine Flowers by Guastavino. A finale of devastatingly romantic, touchingly familiar contemporary songs promises to melt even the hardest heart, wrapped in the tender caress of Javier’s wine-dark baritone.�

The Arts Club of Washington performance includes a small bites buffet, signature cocktail, and other beverages. Please stay after both shows to meet and mingle with the artist and audience.

Javier Arrey: Songs Without Borders

Tuesday, February 3, 7:00 p.m.
Doors open at 6:30 for signature cocktail
Arts Club of Washington

Friday, February 6, 7:30 p.m.
The Lyceum in Alexandria, VA

Tickets at www.newmusictheatre.org

“To repeat,” continues Mr. Ruble, “the Opera house was packed… and not just the opera house. The arts have consistently ...
01/27/2026

“To repeat,” continues Mr. Ruble, “the Opera house was packed… and not just the opera house. The arts have consistently given sustenance to Ukrainians throughout this horrible war. The arts are central to understanding Ukraine right now, as tonight’s performance also reveals.

ince the full-scale Russian invasion began, the arts have represented survival – recall in the play how the trumpeter keeps saying that survival is most important…The arts continued to evolve. They moved from supporting survival to shouting resistance, from encouraging to securing a new cultural foundation.

And now to consolidation as Ukrainian arts are heading out into the world through hundreds of performances in various genres including tonight. But the centrality of the arts in all their forms to independent Ukraine predates this war. A Ukrainian nation has come into being since independence; a realm bound together by a shared imagination transcending prior divisions of language, religion, region, and ethnicity. This imagination began and continues to find strength. It is a strength that lies at the core of this play.”

- Blair Ruble, on the importance of arts as resistance during wartime.

See “The Trumpeter” for yourself January 29, 30 , 31 and February 1 at Dupont Underground.

Tickets at https://alliancefornewmusic-theatre.thundertix.com/events/253873

Photo by features Michael Kevin Darnall as The Trumpeter

The first review of “The Trumpeter” is in! John Stoltenberg of DC Theater Arts raves that our production is “immersive a...
01/24/2026

The first review of “The Trumpeter” is in! John Stoltenberg of DC Theater Arts raves that our production is “immersive and propulsive,” and “simply extraordinary.” And in addition to praising the performances, the design, the direction, and the musicianship of our artists, he uplifts our mission by pointing to the necessity of creating and consuming art like this in times like these:
“The trumpeter-composer blithely seeks to create art under siege. He wants to make sense of senseless conflict and to find harmony in war’s chaos. Could there be a more apt metaphor for the vulnerable and maybe delusional will to live free and survive?... This play points in precarious hope to a future peace. There is no better place to see The Trumpeter... There is also no better time than now.”

Read the full review at https://dctheaterarts.org/2026/01/23/the-trumpeter-explodes-in-dupont-underground-as-art-under-siege/

And get tickets to the remaining performances https://alliancefornewmusic-theatre.thundertix.com/events/253873

Opening night of The Trumpeter received a standing ovation from the sold out audience! Don’t miss your chance to be a pa...
01/23/2026

Opening night of The Trumpeter received a standing ovation from the sold out audience! Don’t miss your chance to be a part of this important story of the fight for a nation. Additional performances January 23,. 24, 26, 29, 30, and 31, and February 1 at Dupont Underground.

Tickets are available at https://alliancefornewmusic-theatre.thundertix.com/events/253873

Photos depict Michael Kevin Darnall, Lise Bruneau, Kevin McKee, and a Ukrainian Men’s ensemble of Ruslan Bondar, Volodymyr Sukhin, Oleksii Fishchuk, and Vlad Tomilin.

Photo Credit: Erika Nizborski

The stage is set for the resistance!Opening night of The Trumpeter is sold out, but join us January 23-February 1 in Dup...
01/19/2026

The stage is set for the resistance!

Opening night of The Trumpeter is sold out, but join us January 23-February 1 in Dupont Underground to bear witness to a harrowing story of heroism and survival beneath the steelworks of Mariupol.

Tickets: https://alliancefornewmusic-theatre.thundertix.com/events/253873

01/16/2026

Michael Kevin Darnall plays The Trumpeter in “The Trumpeter” opening January 22 in Dupont Underground. THe last surviving member of a Ukrainian military band, he takes shelter against Russian bombardment under the steelworks of Mariupol. Join his resistance in this immersive theater experience, which resonates in DC’s subterranean artistic hub with the voices of a quartet of Ukrainian men and the haunting echoes of Kevin McKee’s trumpet.

Tickets at www.newmusictheatre.org

Address

2242 Decatur Place NW
Washington D.C., DC
20008

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