HAIL ~ Henson Arts In Learning 501(c)(3)

HAIL ~ Henson Arts In Learning 501(c)(3) The Henson Arts In Learning supports the belief that the teaching of the arts is necessary and they

12/30/2024

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02/21/2022
Celebrate community.......
10/12/2019

Celebrate community.......

Chapuchi continues the legacy of weavers from Ghana. His father came to  Woodridge Elementary in the 90's. Join us tomor...
10/12/2019

Chapuchi continues the legacy of weavers from Ghana. His father came to Woodridge Elementary in the 90's. Join us tomorrow at Emery Recreation.

Traditional Weaver Chapuchi demonstrates strip weaving from Ghana.
10/05/2019

Traditional Weaver Chapuchi demonstrates strip weaving from Ghana.

Abdul Karim Kanu will demonstrate  how to make a thirty minute skirt with two yards of fabric.I
10/05/2019

Abdul Karim Kanu will demonstrate how to make a thirty minute skirt with two yards of fabric.
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Save the date! October 12 at Emery Heights Recreation from 9:00 AM - 4:00 PM!
09/23/2019

Save the date! October 12 at Emery Heights Recreation from 9:00 AM - 4:00 PM!

40 years ago, when I was introduced to Percy Martin and WD Printmaking Workshop, I knew it would be a special place to e...
09/11/2019

40 years ago, when I was introduced to Percy Martin and WD Printmaking Workshop, I knew it would be a special place to explore my vision through printmaking. After all the heart of being in the darkroom is making prints. Percy allowed me to create a darkroom in the studio for photomechanical printmaking techniques.

The Maestro, Percy Martin, explains the voodoo of image-making within the craft, science, and art of printmaking. American University Museum at the Katzen Arts Center

There are many things that stand to be corrected in history as we've been taught it. Sometimes you can't sit and wait fo...
12/17/2018

There are many things that stand to be corrected in history as we've been taught it. Sometimes you can't sit and wait for it to do so.

Online archives of female artists endeavor to uncover the contributions of women to art history—and the systemic bias that hid them for so long.

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