03/27/2026
It is with profound sadness that we share that one of our own, neighbor and friend, Judy Pace, made her peaceful transition in her sleep while visiting relatives in Marina Del Rey, CA, on March 11, 2026, at the age of 83. She was such a vibrant, high-spirited, elegant, and ageless beauty! A FLAIR Alum and 2017 Honoree, Judy Pace attended all of our FLAIR Events. It was a privilege to work closely with her at our initial 2013 FLAIR Reunion event and at our 2017 FLAIR Event, where she was honored as a recipient of our Legacy Award. She was so excited to reconnect with our alum organization and see fellow alums that she toured with - Virginia Tibbs, Claudette Marie Johnson Muhammad, and Teri Spring Walker, among others. She gave a wonderful interview discussing the legacy of the Ebony Fashion Fair in 2015; and followed up with a terrific down-to-earth interview with EFF/FLAIR Alum and 2017 Honoree Richard Roundtree, on the We Luvv Rare Grooves podcast.
Judy Lenteen Pace was born in Los Angeles, CA, on June 15, 1942. Her parents came west from Jackson, Mississippi - her father, Edward Pace, was an airplane mechanic, and her mother, Luretha "Kitty" (Griffin) Pace, was a dressmaker who built and ran Kitty’s Place (said to be the largest Black-owned ladies' apparel shop west of the Mississippi). Judy attended Marvin Avenue Elementary School, Louis Pasteur Junior High School, and graduated from Dorsey High School in 1960. Thereafter, she attended Los Angeles City College, where she majored in sociology. Her sister, Betty, trained her in the art of modeling. Judy grew up in a household where Black women made things, ran things, and dressed other Black people with intention, regardless of who they were or how they arrived. Judy was deeply committed to Black History and the education of youth. Her knowledge and holistic grasp of history was vast and solid.
She constantly shared history with me during our visits and trips together. She shared that early on, she was determined to be an Ebony Fashion Fair model. One such sharing was that she auditioned and was selected for the Ebony Fashion Fair in 1962-63, the 5th tour, "An Oriental Flair". One of the Ebony executives met her and decided that her small frame could not wear the couture clothing well enough, standing only 5'5 1/2" tall, and sent her back home to Los Angeles. Undeterred, she returned to Chicago again the following year. She passed the auditions again and actually toured with the Ebony Fashion Fair in 1963-64, the 6th tour, "Ebony Fashion Fair Americana" under Commentator Virginia Tibbs. At that time, she was the youngest model in the show's history. As the first model from the West Coast and a trailblazing dark-skinned model, she was highlighted as one of the prominent models in our tour history. She became the first print and television spokesperson for Fashion Fair Cosmetics. She was considered a key part of the "Black is Beautiful" movement through her work with EFF. Judy was featured in numerous Jet magazines, declaring EFF “a beauty revolution.”
The visibility from the EFF helped launch her successful acting career. She had no aspirations for film or television until director William Castle saw her images in Ebony magazine and cast her in "13 Frightened Girls" (1963), making her the first Black actress signed to a major motion picture studio contract. She shared that Johnson Publishing Company Founder, Mr. John H. Johnson, reached out to the studio to ensure that she received a fair contract for her services. She hadn’t been looking for Hollywood. Hollywood came looking for her. She realized that she was meant to be an actress, so she began taking acting classes and performing in L.A. theater. Her sister, singer Jean Pace Brown, was the wife of musician and activist Oscar Brown, Jr. Small parts on television and films started coming her way, leading to bigger and better roles, such as "Three in the Attic" (1968). She was the first Black woman to appear as a bachelorette on "The Dating Game". The first model in a continuing Pepsi campaign, she was a mainstay in Fashion Fair Cosmetics advertising. The NAACP awarded her its Image Award for "The Young Lawyers" in 1970. Nearly two decades before Diahann Carroll’s self-described “black b*tch” Dominique Devereaux arrived on "Dynasty", Judy Pace became the first Black villainess on American primetime as Vickie Fletcher on "Peyton Place" in 1968. “I had a ball playing the manipulative, cheating, backstabber who ruins the life of everyone who crosses her path,” she said. “Before then, no other actress of color had been given such a challenge. Playing complicated roles on network television as a Black woman in that era was not a performance. It was resistance." Every black female who watched Judy in "Young Lawyers" in 1970 fantasized about attending law school and becoming a lawyer. Unfortunately, the series was short-lived and replaced later by "The Paper Chase."
Judy won acclaim for her role as Iris Brown in the Ossie Davis-directed "Cotton Comes to Harlem" (1970). She gave us Linda Sayers, wife of Gale Sayers (Billy Dee Williams), in the acclaimed TV movie "Brian’s Song" - seen by an estimated 50 to 60 million viewers in a single 1971 broadcast, still one of the most-watched television films in American history. Her wide range of film credits, among others, included “The Fortune Cookie” (1966), "Batman" (1966), "The Flying Nun" (1967), “The Thomas Crown Affair” (1968), “Frogs” (1972), and “Cool Breeze” (1972). In 1973, she starred in 'The Slams", played Adelaide in a Las Vegas production of "Guys and Dolls", and played the character Mama June in the 2004 television film "Sucker Free City", directed by Spike Lee. She logged guest star roles on some of the most popular TV series of the 1960s and ’70s - “Bewitched”, “I Spy”, “I Dream of Jeannie”, “The Mod Squad”, “Sanford and Son”, “That’s My Mama”, “Good Times” and “What’s Happening”. Her final acting credit was for playing the character Delores in a four-episode arc on the television series "Beauty and the Baller" in 2017.
Judy Pace was married to "Ironside" actor Don Mitchell from 1972 to 1984, and they had two daughters - Attorney Shawn Pace Mitchell and actress Julia Pace Mitchell. She took time out for civic duties and to raise her daughters during the 1980s. She was married to baseball revolutionary and free agent pioneer Curt Flood from 1986 to 1997, until his death. She spent the years following Curt's death as the most committed keeper of his legacy, pushing for him to be enshrined in the Baseball Hall of Fame in Cooperstown (to date, it has not happened yet). She co-founded The Kwanza Foundation alongside her friend, actress Nichelle Nichols, supporting Black women in film and providing scholarships to minorities in the arts.
The history of Black models, Black film, and Black fashion has too many women like her - indispensable, under-documented, and only fully celebrated at the end. This is a naming of the doors she opened, and an insistence that the young woman who toured with the Ebony Fashion Fair, our FLAIR Alum, refused to be ignored, be understood for exactly what she was. "I hope there are ripples of change that I have caused by helping others,” she said.
Our FLAIR family sends love, comfort, prayers of peace and healing to her daughters, Attorney Shawn Pace Mitchell, actress Julia Pace Mitchell; her grandson, Stephen Lamar Hightower III; son-in-law, Otto Strong, extended family members, and close friends. A private funeral service, a burial, and a repast at Dulan's Restaurant on Crenshaw with family, thespians, and close friends was held on March 20. The family plans to hold a public service to celebrate Judy's contributions to the arts and creative community. Judy Pace is not a footnote - she is a foundation!
In lieu of flowers, the family of Judy Pace Flood asks that donations be made in her honor to the NAACP.