04/19/2022
Conflict Zone" by Nancy Willis
I was first introduced to Nadia Murad when I saw her on 60 Minutes in 2014, giving anonymous testimony about her capture, enslavement and escape from ISIS. I felt helpless and overwhelmed with empathy and continued to follow the story of the Yazidis, and the ISIS-led genocide against them.
I read Nadia’s book, The Last Girl, which was a first hand account of life before, during and after ISIS. In May 2018, I went to London to meet with Nadia Murad and help her create a monotype to add to the project.
During the art making process, I was fulfilling something within me, which was to give her some relief from the weight and grief that she carries, through an art making process. To not be Nadia Murad, victim, activist, role model, celebrity…but be Nadia from Kocho, with her brother and her sister, or Nadia, a girl playing around with printmaking.
She created an image based on a photo in her book. It is of Nadia, her sister Katherine and brother Hezni on the family tractor. I knew then I wanted to paint the same image and asked her permission to do so. I wanted to give her back some of what she lost, her innocence, her childhood and family security, and safe on the family farm.
Since then, Nadia has been awarded the Nobel Peace Prize and continues to speak out relentlessly against strategies of war aimed at harming women and children. Her fearlessness in turning trauma into activism is inspiring.