Recreation of 1977 Performance Three Weeks in May, held in conjunction with LACE's LA Goes Live and the Getty's Pacific Standard Time. The R**e Map will be on display from January 12-February 1st in front of the Los Angeles Police Department headquarters at 1st St and Main St, right across from City Hall.
“Lacy’s epic civic event Three Weeks in May, stood at the forefront of a movement changing
the way society viewed sexual violence” (Cara Baldwin, Art in America, 2007). As part of the Getty’s Pacific Standard Time Performance and Public Art Festival (January 19-29, 2012), LACE (Los Angeles Contemporary Exhibitions) presents Three Weeks In January, a new work by Suzanne Lacy with scores of Los Angeles-based partners. Recreating key aspects of Three Weeks in May (1977)—an art project exposing the true incidence of r**e in Los Angeles – the work focuses on where Los Angeles is now, thirty years into the anti-r**e movement, and how we will end violence against women in the coming decades. The initial Three Weeks in May project had a forceful political imperative: to bring hidden experiences of gender-based violence to public attention. The project engaged the city and its politicians and media in an examination of how r**e impacted Los Angeles women. Now, over thirty years later, we can no longer say that r**e is unspoken, nor that services and policies do not exist. Yet violence against women remains, locally and globally, with implications more pronounced than ever. This project will mobilize young women, men, and an intergenerational coalition across the region to consider next steps in an ever-increasingly necessary, and prominent, agenda against violence. Project Overview
Three Weeks in January consists of a Los Angeles R**e Map – a large map, installed in Downtown Los Angeles, on which young women mark, each day, the prior day’s police reports; and Critical Conversations -- region-wide, multi-vocal events that take place in January at the site of the maps and elsewhere by partnering organizations. As in the original artwork in 1977, we will use art as a platform to organize a series of events, consciousness-raising sessions, and presentations that collectively bring renewed focus and attention to the work to end r**e. Featured events include a mobilization of students at high schools, college campuses, and community organizations to host consciousness-raising conversations and to attend a Candlelight Ceremony on January 27, 2012 at the site of the maps; and Storying Violences – a performance of policy deliberation — by experts in r**e prevention and education, legislative advocacy, criminal justice, the media, and direct service delivery. Three Weeks in January includes activism, education, media, city politics and art, and people from all of these areas as part of the form and structure of the work. A schedule of 30+ events organized across the LA metropolitan region will begin on January 12 and continue through February 1, 2012. The Three Weeks in January advisory board includes Gail Abarbanel, Founder and Director, The R**e Treatment Center; Chief Charles Beck, Los Angeles Police Department; Deputy Mayor Eileen Decker; Jodie Evans, Co-Founder, CODEPINK; Olga Garay-English, Executive Director, Department of Cultural Affairs, Los Angeles; Patti Giggans, Executive Director, Peace over Violence; Wendy Greuel, Los Angeles City Controller; Cora Mirakitani, President and CEO of the Center for Cultural Innovation; Councilwoman Jan Perry; Ruth Slaughter, former Vice President of Community Outreach Prevention and Education Programs at PROTOTYPES; Amy Elaine Wakeland, Board Member, Just Detention International; Lisa Watson, Executive Director, Downtown Women’s Center. Three Weeks In January is one of the anchor performance events for the Getty’s Pacific Standard Time Performance and Public Art Festival organized by LA>
