Piano Spheres

Piano Spheres L.A.-based Piano Spheres supports and encourages the composition and performance of major new works for the piano.

It expands the piano repertoire by commissioning new music and sustaining a contemporary concert series of the highest artistic quality. In 2004 Leonard Stein, founder of Piano Spheres, wrote the following words in the forward of the 10th Anniversary commemorative book, Piano Spheres: the first ten years 1994-2004.

“As we conclude our tenth year, we can look back with great pride and satisfaction

on our first nine, both as to the quality of the music performed and also to the adventurous spirit of the audiences that have come to the concerts of Piano Spheres. What started as a cooperative venture between four – later five – of the most interesting pianists of Los Angeles in 1994 soon grew into an annual series of five programs featuring new and unusual works, some of them special commissions given their world premieres. Throughout all ten seasons, each of the pianists has chosen his or her own repertoire and, although all agreed on the types of music to be performed, each program turned out to be very distinctive, according to the temperament of the individual artist. The pianists of Piano Spheres are Gloria Cheng, Vicki Ray, Mark Robson, Susan Svrcek, and Leonard Stein. Great master works of the 20th century have been presented, including compositions by Schoenberg, Stravinsky, Bartok, Shostakovich, and many others. The first concert took place on September 13, 1994, appropriately an all-Schoenberg program performed by Leonard Stein, a former assistant to Schoenberg and later Director of the Arnold Schoenberg Institute of the University of Southern California. This was almost exactly sixty years after Schoenberg’s arrival in Los Angeles, and also honored Schoenberg’s 120th birthday. This first program was held in Pasadena’s Neighborhood Church, where all Piano Spheres concerts were presented for the next eight years. Year by year the concerts grew until attendance of 100 or more made it necessary to find a larger space to accommodate our growing audience…

The range of the works performed during our nine years is very extensive, and a tenth anniversary is a very special occasion… We hope to welcome you as dedicated listeners to future exceptional events, as participants in the unusual musical adventures they provide. The Piano Spheres series, so far as we know, is the only one of its kind in the world, a real American ‘original.’”

Leonard Stein didn’t live to see the Piano Spheres Tenth Anniversary celebration, but his mark on Piano Spheres is indelible: make great programs, stretch yourself, help create new works. Now in its 16th season in 2009-10, under the direction of Catherine Uniack, Executive Director, the four pianists and board of directors, Sally Mosher, President, have continued the series, each year inviting a guest pianist to fill the special spot left by Leonard Stein. Guests have included Ursula Oppens, Thomas Schultz, Christopher O’Riley, Liam Viney, Eric Huebner and Thomas Adès, among others. Piano Spheres has commissioned composers and given world, US and local premieres over the course of its sixteen years including works by John Harbison, Don Davis, Stephen Hartke, Julie Wolfe, Shaun Naidoo, and many others. It has also collaborated with the Los Angeles Philharmonic in performances by all four pianists in Disney Hall at the LA Phil Minimalist Jukebox (March 2006) and West Coast/Left Coast (November 2009) festivals. The series is located in Zipper Concert Hall of the Colburn School where Piano Spheres moved after its eighth season in the Pasadena Neighborhood Church. Piano Spheres continues to receive critical acclaim for the artistic excellence of its pianists and for its adventurous programming, drawing audiences from all over the Southland.

Pianist / Composer David Rhodes's "Bright Traces" rounds out the three new pieces to be performed tomorrow at Vicki Ray'...
03/09/2026

Pianist / Composer David Rhodes's "Bright Traces" rounds out the three new pieces to be performed tomorrow at Vicki Ray's "The Rilke Project."

"Composed for Vicki Ray, Bright Traces takes us through a poem from Rilke’s Sonnets to Orpheus, Part I, Poem 4. The title is drawn from a line in another Rilke poem that speaks of “mixing their bright traces into every seen thing,” a reference to the presence of the dead in our minds and spaces.

I found it difficult to capture the poem as a whole, since each stanza addresses a slightly different pain and consolation, revealing subtle facets of Rilke’s world—qualities that instantly engaged me. I represented the shifting nature of the four stanzas by composing this music in four parts. The first part opens with a falling gesture in the piano, signifying a sinking or a descent into something unknown, and ultimately resolves in the final section with a series of rising gestures. While we carry the burdens of our journey, we try to imagine the distant glow of a lighter realm."

Tickets are running low, get them now!

https://pianospheres.org/event/vicki-ray-the-rilke-project/

Another premiere is on Vicki Ray's Rilke Project is a new version of Joseph Pereira's "Magnificent Desolation." "All of ...
03/05/2026

Another premiere is on Vicki Ray's Rilke Project is a new version of Joseph Pereira's "Magnificent Desolation."

"All of the material for the original version of this piece comes from a concert bass drum played with various non-traditional objects and instruments – my hands, scrub brushes of different materials, Chinese cymbals, Indian bells, almglocken, and superball mallets.

This is the third version of a piece I originally wrote for solo percussion and electronics, to celebrate the 50th anniversary of the first human landing on the moon. The performance incorporates extended piano techniques and prepared piano. The two instruments, side by side, sometimes mirroring each other’s gestures and colors, form a sort of meta-drum-resonance. The title is part of a quote from American astronaut Buzz Aldrin’s first impressions of stepping on the surface for the first time."

Get your tickets now!
https://pianospheres.org/event/vicki-ray-the-rilke-project/

The inspiration for the title of Andrew Tholl's "A Grain of Salt at Arm's Length" comes from a description of the first ...
03/03/2026

The inspiration for the title of Andrew Tholl's "A Grain of Salt at Arm's Length" comes from a description of the first image captured by the James Webb Space Telescope.

"That initial image represented a slice of the universe roughly the size of a grain of rice held at arm’s length. It's so infinitesimally small that it's almost nothing, but it's also everything. This idea felt appropriate for this piece for several reasons (though I switched to the phrase "grain of salt" because I thought it sounded better). First, I completed the work at the same time those images were being released to the world. Second, the piece itself feels like a small portion of my own musical universe. As my first work for solo piano, it represents—at least to me—the beginning of a new world of musical exploration. I was also pointed towards thinking about the stars in the sky by the last piece I completed just before this one. That work, "It Only Takes Three Objects to Make a Constellation," explored a very specific sound world, which I imagine as somewhat "cosmic." This piece feels like an evolution of some of the ideas in that work (much in the way that the James Webb telescope is an evolution of the Hubble telescope that preceded it)."

Get your tickets now!
https://pianospheres.org/event/vicki-ray-the-rilke-project/

Bassist / composer Steuart Liebig's "Intermediary" for Vicki Ray is one of three premiere on The Rilke Project, about wh...
02/27/2026

Bassist / composer Steuart Liebig's "Intermediary" for Vicki Ray is one of three premiere on The Rilke Project, about which he writes:

"when vicki ray suggests that you write a piece for her, you listen (and say yes). to say that i am deeply honored by her request is an understatement. the fact that she had rilke (also a favorite poet of mine) in mind as a theme made the opportunity even more enticing.

i’m probably more an “assembler” than i am a traditional “composer” (a word that, to me, seems overused . . . ).

the electronic backing is comprised of written piano and synthesizer parts played by vicki that i recorded and manipulated, as well as other digital, granular and modular synthesizer parts/treatments.

the written piano and synthesizer parts include a lot of latitude for improvisation: either playing “cells” and making choices about which parts to play in a cut-up fashion, or full-blown cadenzas/improvisations. the performer “cues” the new sections of the electronic backing—you could think of this, perhaps, as a piano concerto conducted from the piano bench. because of these considerations, the pianist at times might be considered a “co-composer.” so, even though the basic framework is the same, each rendition of the piece will likely be fairly different."

Get your tickets now! https://pianospheres.org/event/vicki-ray-the-rilke-project/

The linchpin of Vicki Ray's Rilke Project is, predictably, the poetry of Rainer Maria Rilke. Each composition on the pro...
02/25/2026

The linchpin of Vicki Ray's Rilke Project is, predictably, the poetry of Rainer Maria Rilke. Each composition on the program, new and old, is paired with an excerpt from Rilke's oeuvre, and the program features premieres by Steuart Liebig, Joseph Pereira and David Rhodes.

Get your tickets now!
https://pianospheres.org/event/vicki-ray-the-rilke-project/

We're back at 2220 Arts & Archives next month with Vicki Ray's "The Rilke Project!"In “The Rilke Project,” pianist Vicki...
02/21/2026

We're back at 2220 Arts & Archives next month with Vicki Ray's "The Rilke Project!"

In “The Rilke Project,” pianist Vicki Ray recites poetry by Rainer Maria Rilke which has deeply influenced her work over the years. The poems will be paired with new and recent repertoire for piano, piano and voice, piano and percussion, and piano and electronics. World premieres by David Rhodes, Steuart Liebig, and Joseph Pereira will be performed as well as repertoire by Peter Eötvös, Charles Ives, and others. The evening features special guests Elissa Johnston and Joseph Pereira.

“This has been a lifetime project for me,” Ray says of her love affair with Rilke’s work. “It means so much to me to share this pairing of text and music – I’ve dreamed about it forever.”

Get your tickets now! https://pianospheres.org/event/vicki-ray-the-rilke-project/

Tom Welsh has a brief conversation with Erin Rogers, whose “Cold Countries” is commissioned by Piano Spheres for House o...
02/09/2026

Tom Welsh has a brief conversation with Erin Rogers, whose “Cold Countries” is commissioned by Piano Spheres for House on Fire and receives its world premiere on February 10.

Read the interview and get your tickets now!

https://pianospheres.org/event/house-on-fire-carbon-copy/

Tomorrow at 11am Pacific! Two-thirds of House on Fire will appear on KPFK's Global Village Thursdays with John Schneider...
02/04/2026

Tomorrow at 11am Pacific! Two-thirds of House on Fire will appear on KPFK's Global Village Thursdays with John Schneider to chat about their upcoming 'Carbon Copy' program, hitting 2220 A&A in less than a week!

Tune in on 90.7 FM or kpfk.org Thursday Feb 5 to catch some of this conversation!

Some great words by Alex Ross about our Feldman marathon earlier this month (published in the February 2, 2026 print edi...
01/30/2026

Some great words by Alex Ross about our Feldman marathon earlier this month (published in the February 2, 2026 print edition of the New Yorker), featuring shoutouts to Core Artists Aron Kallay and Vicki Ray, as well guests Amy Williams and Andrew McIntosh. Thank you Alex!

https://www.newyorker.com/magazine/2026/02/02/morton-feldman-at-100-music-review?fbclid=IwY2xjawPo3LhleHRuA2FlbQIxMABicmlkETExNnl5alFIWHFXSWdtY2lPc3J0YwZhcHBfaWQQMjIyMDM5MTc4ODIwMDg5MgABHkOHn54mp_8-ANkPFIkhhAImfE0hcLT4U-XF0R0mLNHxms4Bk1SADF5IomJw_aem_3nMz08w4aThLlRkyhRH-tQ

01/25/2026

A sneak peek in to Erin Roger's premiere for House on Fire (and a Piano Spheres commission)

"Cold Countries" by Erin Rogers premieres on Feb 10 along with 2 other new works on a program of eclectic works for pianos, toy pianos, melodicas, speaker cones, vibraphone, typewriter and more.

https://pianospheres.org/event/house-on-fire-carbon-copy/

Address

Zipper Concert Hall: 200 South Grand Avenue
Los Angeles, CA
90012

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