Fringe Benefits Theatre CT4CT

Fringe Benefits Theatre CT4CT Contact information, map and directions, contact form, opening hours, services, ratings, photos, videos and announcements from Fringe Benefits Theatre CT4CT, Nonprofit Organization, Los Angeles, CA.

Fringe Benefits collaborates with school and community groups to promote constructive dialogue about diversity and discrimination issues through Theatre for Social Justice workshops, residencies, and productions.

🗽We hope you can join Fringe Benefits Theatre for ““Theatrical Activism & the First Amendment: Freedom of Speech & Assem...
04/30/2026

🗽We hope you can join Fringe Benefits Theatre for ““Theatrical Activism & the First Amendment: Freedom of Speech & Assembly in Creative Protest,” a FREE Online Master Class with 2 award-winning presenters: Artist, Activist & Scholar L.M. Bogad & ACLU SoCal Lawyer Peter Eliasberg! 🗽JOIN US online Saturday, June 6, 1pm to 4pm (Pacific)! 💥This is a once in a lifetime opportunity!💥

⭐Applications are due Saturday, May 30.⭐

👉🏾👉🏽👉🏿APPLY HERE : https://forms.gle/sVERGVrkweLZjFFN9

💜OVERVIEW: In this Master Class, Bogad and Eliasberg will share and discuss examples of theatrical and artistic nonviolent activism. Bogad will explore the history, ethics, aesthetics, and practical concerns of these actions as key examples of social movement campaigns for social justice and democracy. Eliasberg will outline crucial First Amendment rights and protections to consider when preparing and performing these kinds of campaigns. The powerful sociodramas created by the American Civil Rights Movement and the American Indian Movement and ACT-UP, and more playful examples by recent groups, create a framework for the talk. We will discuss how theatrical techniques can inform or enhance the impact of public demonstrations, and the importance of serious play, surprise and irresistible images. Bogad draws on decades of experience as an artist-activist, having worked with most of the more contemporary groups he discusses as a writer, performer and strategist. Eliasberg draws on his experience as Chief Counsel at the ACLU, defending the free speech rights of student protesters against both administration actions and violence from outside groups.

💙PRESENTERS:

L.M. Bogad is an author, performer, and professor of Cinema and Digital Media and Performance Studies at U.C. Davis. Recent awards include the Guggenheim Fellowship, a Rockefeller Foundation Bellagio Residency, and major grants from the Creative Work Fund and the California Arts Council. He has published three books of stage plays and essays on how creative, theatrical activism can support human and civil rights campaigns and resist authoritarian propaganda: Electoral Guerrilla Theatre: Radical Ridicule and Social Movements, Tactical Performance: The Theory and Practice of Serious Play, and Performing Truth: Works of Radical Memory for Times of Social Amnesia. In 2025, Tactical Performance was translated to Farsi and published in Iran by “Woman, Life, Freedom” activists. He has performed and led workshops in twenty countries on five continents, from Chile to Finland to Egypt.

Bogad was the “Art and Controversy” Fellow at Carnegie Mellon, the “Humanities and Political Conflict” Fellow at Arizona State, the “Arts and Publics” Fellow at Northwestern, and a Charlotte Newcombe Fellow at the Institute for Citizens and Scholars. He has recently worked with North Bay Jobs With Justice on a farmworkers' social and ecological justice campaign, founded Delivering Democracy, a troupe of singing and dancing mailboxes combating voter suppression and disinformation, and hosts the podcast The Plague. He is a veteran of the Lincoln Center Director’s Laboratory and a cofounder of the Clown Army.

Peter Eliasberg joined the ACLU in 1996 and served as the managing attorney and the Manheim Family attorney for First Amendment Rights until February 2011, when he became legal director for the affiliate. Since 2016, he has served as Chief Counsel and Director of the affiliate’s First Amendment and Democracy Project. During his tenure Peter has worked on cases involving the First Amendment, the Fourth Amendment, disability discrimination and educational equity, among others. He represented Frank Buono in federal district court, the United States Court of Appeals for the Ninth Circuit and the United States Supreme Court in an Establishment Clause challenge to the presence of a cross on federal land in Buono v. Salazar. Peter represented a class of bus riders with disabilities who sued the Los Angeles County Metropolitan Transit Authority over the agency’s failure to provide accessible buses in Beauchamp v. Los Angeles County Metropolitan Transit Authority. In Williams v. State of California, he represented a class of school children challenging the State of California's failure to provide basic education necessities ― including clean and safe school facilities, adequate textbooks, and trained teachers.

Peter graduated from Harvard Law School magna cm laude and clerked for both Judge Stanley Sporkin of the United States District Court for the District of Columbia and Judge Stephen Reinhardt of the United States Court of Appeals for the Ninth Circuit. Peter Eliasberg, as Chief Counsel at the ACLU Foundation of Southern California, has been heavily involved in legal actions and advocacy surrounding the 2024 pro-Palestinian protests and encampments at UCLA and in a First Amendment case against the Department of Homeland Security for its mistreatment of journalists, protesters, and legal observers during protests against immigration actions in the Southern California area.

💚 This is going to be a LIVELY workshop designed for theatre artists and activists looking to add more tools to their social justice toolkits, including artistic strategies, safety considerations, and more!

👉🏾👉🏿👉🏽And again… APPLY BY May 30 - https://forms.gle/sVERGVrkweLZjFFN9

We look forward to hearing from you!

Norma Bowles, Artistic Director
Fringe Benefits Theatre
and
Amy Sarno, Josie K. Vano & Peyton Matik
Co-Producers, Can We Be Reel? and Constitutional Crash Out!
Two new Fringe Benefits arts activism initiatives

❤️🧡💛💚💙💜🤎🖤🤍🩷🩵

Follow us on Instagram ( , and .We.Be.Reel) to receive updates and engage with theatre & video artivists!

❤️🧡💛💚💙💜🤎🖤🤍🩷🩵

🙏🏽❤️🙏🏽THANK YOU FOR YOUR GENEROUS SUPPORT!!! 🙏🏽❤️🙏🏽
The Carol and James Collins Foundation, The Dwight Stuart Youth Fund, Liberty Hill Foundation / Kicking Assets, Los Angeles County, Department of Arts and Culture, the Strickland Family Foundation, and all of Fringe Benefits Theatre’s individual donors!

🗽It's gives us great pleasure to invite you to join Fringe Benefits Theatre for ““Theatrical Activism & the First Amendm...
04/18/2026

🗽It's gives us great pleasure to invite you to join Fringe Benefits Theatre for ““Theatrical Activism & the First Amendment: Freedom of Speech & Assembly in Creative Protest,” a FREE Online Master Class with 2 award-winning presenters: Artist, Activist & Scholar L.M. Bogad & ACLU SoCal Lawyer Peter Eliasberg! 🗽We hope you can join us online Saturday, June 6, 1pm to 4pm (Pacific)! 💥This is a once in a lifetime opportunity!💥

⭐Applications are due Saturday, May 30.⭐

👉🏾👉🏽👉🏿APPLY HERE : https://forms.gle/sVERGVrkweLZjFFN9

💜OVERVIEW: In this Master Class, Bogad and Eliasberg will share and discuss examples of theatrical and artistic nonviolent activism. Bogad will explore the history, ethics, aesthetics, and practical concerns of these actions as key examples of social movement campaigns for social justice and democracy. Eliasberg will outline crucial First Amendment rights and protections to consider when preparing and performing these kinds of campaigns. The powerful sociodramas created by the American Civil Rights Movement and the American Indian Movement and ACT-UP, and more playful examples by recent groups, create a framework for the talk. We will discuss how theatrical techniques can inform or enhance the impact of public demonstrations, and the importance of serious play, surprise and irresistible images. Bogad draws on decades of experience as an artist-activist, having worked with most of the more contemporary groups he discusses as a writer, performer and strategist. Eliasberg draws on his experience as Chief Counsel at the ACLU, defending the free speech rights of student protesters against both administration actions and violence from outside groups.

💙PRESENTERS:

L.M. Bogad is an author, performer, and professor of Cinema and Digital Media and Performance Studies at U.C. Davis. Recent awards include the Guggenheim Fellowship, a Rockefeller Foundation Bellagio Residency, and major grants from the Creative Work Fund and the California Arts Council. He has published three books of stage plays and essays on how creative, theatrical activism can support human and civil rights campaigns and resist authoritarian propaganda: Electoral Guerrilla Theatre: Radical Ridicule and Social Movements, Tactical Performance: The Theory and Practice of Serious Play, and Performing Truth: Works of Radical Memory for Times of Social Amnesia. In 2025, Tactical Performance was translated to Farsi and published in Iran by “Woman, Life, Freedom” activists. He has performed and led workshops in twenty countries on five continents, from Chile to Finland to Egypt.

Bogad was the “Art and Controversy” Fellow at Carnegie Mellon, the “Humanities and Political Conflict” Fellow at Arizona State, the “Arts and Publics” Fellow at Northwestern, and a Charlotte Newcombe Fellow at the Institute for Citizens and Scholars. He has recently worked with North Bay Jobs With Justice on a farmworkers' social and ecological justice campaign, founded Delivering Democracy, a troupe of singing and dancing mailboxes combating voter suppression and disinformation, and hosts the podcast The Plague. He is a veteran of the Lincoln Center Director’s Laboratory and a cofounder of the Clown Army.

Peter Eliasberg joined the ACLU in 1996 and served as the managing attorney and the Manheim Family attorney for First Amendment Rights until February 2011, when he became legal director for the affiliate. Since 2016, he has served as Chief Counsel and Director of the affiliate’s First Amendment and Democracy Project. During his tenure Peter has worked on cases involving the First Amendment, the Fourth Amendment, disability discrimination and educational equity, among others. He represented Frank Buono in federal district court, the United States Court of Appeals for the Ninth Circuit and the United States Supreme Court in an Establishment Clause challenge to the presence of a cross on federal land in Buono v. Salazar. Peter represented a class of bus riders with disabilities who sued the Los Angeles County Metropolitan Transit Authority over the agency’s failure to provide accessible buses in Beauchamp v. Los Angeles County Metropolitan Transit Authority. In Williams v. State of California, he represented a class of school children challenging the State of California's failure to provide basic education necessities ― including clean and safe school facilities, adequate textbooks, and trained teachers.

Peter graduated from Harvard Law School magna cm laude and clerked for both Judge Stanley Sporkin of the United States District Court for the District of Columbia and Judge Stephen Reinhardt of the United States Court of Appeals for the Ninth Circuit. Peter Eliasberg, as Chief Counsel at the ACLU Foundation of Southern California, has been heavily involved in legal actions and advocacy surrounding the 2024 pro-Palestinian protests and encampments at UCLA and in a First Amendment case against the Department of Homeland Security for its mistreatment of journalists, protesters, and legal observers during protests against immigration actions in the Southern California area.

💚 This is going to be a LIVELY workshop designed for theatre artists and activists looking to add more tools to their social justice toolkits, including artistic strategies, safety considerations, and more!

👉🏾👉🏿👉🏽And again… APPLY BY May 30 - https://forms.gle/sVERGVrkweLZjFFN9

We look forward to hearing from you!

Norma Bowles, Artistic Director
Fringe Benefits Theatre
and
Amy Sarno, Josie K. Vano & Peyton Matik
Co-Producers, Can We Be Reel? and Constitutional Crash Out!
Two new Fringe Benefits arts activism initiatives

❤️🧡💛💚💙💜🤎🖤🤍🩷🩵

Follow us on Instagram ( , and .We.Be.Reel) to receive updates and engage with theatre & video artivists!

❤️🧡💛💚💙💜🤎🖤🤍🩷🩵

🙏🏽❤️🙏🏽THANK YOU FOR YOUR GENEROUS SUPPORT!!! 🙏🏽❤️🙏🏽
The Carol and James Collins Foundation, The Dwight Stuart Youth Fund, Liberty Hill Foundation / Kicking Assets, Los Angeles County, Department of Arts and Culture, the Strickland Family Foundation, and all of Fringe Benefits Theatre’s individual donors!

⭐TODAY'S THE DAY! Applications are due for our latest FAB FREE Arts Activism Workshop 👉🏾👉🏽👉🏿APPLY HERE : https://forms.g...
03/14/2026

⭐TODAY'S THE DAY! Applications are due for our latest FAB FREE Arts Activism Workshop 👉🏾👉🏽👉🏿APPLY HERE : https://forms.gle/FjuaDNSLXLXTeAGu5Friends

“Arts Activism Strategies: Then & There / Here & Now,” a FREE Interactive Online Workshop with GROUNDBREAKING scholar/practitioners Jan Cohen-Cruz & Rad Pereira! ❤️Saturday, March 21, 1pm to 4pm (Pacific) - Join us online!

💜Overview: Jan Cohen-Cruz will share five strategies for public performances that she documented in her 1998 collection, Radical Street Performance: An International Anthology. Cultural worker, performing artist, healer, and educator Rad Pereira will respond to each, climate and in order to most effectively engage audiences. Then participants, in small groups, will try one of the strategies using immigration rights as the topic. We’ll end with all the groups sharing their designs for a public performance now inspired by that strategy.

💙PRESENTERS:
Grounded in the resistant theater of the late 1960s and early '70s, Jan Cohen-Cruz was a member of the NYC Street Theater/Jonah Project and co-facilitated a theater workshop in a men's maximum-security prison. After receiving her PhD in Performance Studies at NYU, she taught in the Drama Department for 28 years, founding their applied theater minor. She served as director of Imagining America from 2007–2012 and then as director of field research for A Blade of Grass.Cohen-Cruz is co-editor with Mady Schutzman of two books about Augusto Boal and has been a freelance practitioner of his techniques. She edited Radical Street Performance: An International Anthology and wrote Engaging Performance: Theater as Call and Response; Local Acts: Community Based Performance in the US, and Remapping Performance: Common Ground, Uncommon Partners. She co-authored, with Rad Pereira, Meeting the Moment: Socially Engaged Performance, 1965–2020, by Those Who Lived It. Her most recent book is See Me: Prison Theater Workshops and Love. Cohen-Cruz continues to write and offer workshops.

Rad Pereira is a multi-spirit mixed Black, Indigenous Brazilian, Jewish (im)migrant artist currently based in Lenapehoking (Brooklyn). Their creative practices range from social sculpture, to popular theatrical and TV/film performance, to participatory liberatory artmaking and healing that weaves together an Afro-futurist longing for transformative justice and q***r (re)Indigenization of culture. Currently, they as the Director of Engagement and Impact with New York Stage & Film, a community advocate at Ensemble Studio Theater, and serve on the co-leadership team at Network of Ensemble Theaters. Rad is also also a facilitator, educator, mediator and cultural organizer.

Rad and Jan's book about socially engaged performance and social justice --- Meeting the Moment: Socially Engaged Performance, 1965-2020, by Those Who Lived It --- was published in June 2022 by New Village Press.

💚This is going to be a LIVELY, INTERACTIVE workshop, designed primarily for undergrads, recent grads, & early career folks interested in creating theatre for social justice.

👉🏾👉🏿👉🏽And again… APPLY BY March 14 -
https://forms.gle/FjuaDNSLXLXTeAGu5

We look forward to hearing from you!
Norma Bowles, Artistic Director
Fringe Benefits

Amy Sarno, Josie K. Vano & Peyton Matik
Co-Producers, Can We Be Reel?
Can We Be Reel? is a new Fringe Benefits arts activism initiative.

❤️🧡💛💚💙💜🤎🖤🤍🩷🩵

Follow us on Instagram ( and .We.Be.Reel) to receive updates and engage with theatre & video artivists!

❤️🧡💛💚💙💜🤎🖤🤍🩷🩵

🙏🏽❤️🙏🏽THANK YOU FOR YOUR GENEROUS SUPPORT!!! 🙏🏽❤️🙏🏽
The Carol and James Collins Foundation, The Dwight Stuart Youth Fund, Liberty Hill Foundation / Kicking Assets, Los Angeles County, Department of Arts and Culture, the Strickland Family Foundation, and all of Fringe Benefits Theatre’s individual donors!

⭐Hi y'all - Quick Reminder: Applications are due Saturday, March 14.👉🏾👉🏽👉🏿APPLY HERE : https://forms.gle/FjuaDNSLXLXTeAG...
03/08/2026

⭐Hi y'all - Quick Reminder: Applications are due Saturday, March 14.👉🏾👉🏽👉🏿APPLY HERE : https://forms.gle/FjuaDNSLXLXTeAGu5Friends

“Arts Activism Strategies: Then & There / Here & Now,” a FREE Interactive Online Workshop with GROUNDBREAKING scholar/practitioners Jan Cohen-Cruz & Rad Pereira! ❤️Saturday, March 21, 1pm to 4pm (Pacific) - Join us online!

💜Overview: Jan Cohen-Cruz will share five strategies for public performances that she documented in her 1998 collection, Radical Street Performance: An International Anthology. Cultural worker, performing artist, healer, and educator Rad Pereira will respond to each, climate and in order to most effectively engage audiences. Then participants, in small groups, will try one of the strategies using immigration rights as the topic. We’ll end with all the groups sharing their designs for a public performance now inspired by that strategy.

💙PRESENTERS:

Grounded in the resistant theater of the late 1960s and early '70s, Jan Cohen-Cruz was a member of the NYC Street Theater/Jonah Project and co-facilitated a theater workshop in a men's maximum-security prison. After receiving her PhD in Performance Studies at NYU, she taught in the Drama Department for 28 years, founding their applied theater minor. She served as director of Imagining America from 2007–2012 and then as director of field research for A Blade of Grass.Cohen-Cruz is co-editor with Mady Schutzman of two books about Augusto Boal and has been a freelance practitioner of his techniques. She edited Radical Street Performance: An International Anthology and wrote Engaging Performance: Theater as Call and Response; Local Acts: Community Based Performance in the US, and Remapping Performance: Common Ground, Uncommon Partners. She co-authored, with Rad Pereira, Meeting the Moment: Socially Engaged Performance, 1965–2020, by Those Who Lived It. Her most recent book is See Me: Prison Theater Workshops and Love. Cohen-Cruz continues to write and offer workshops.

Rad Pereira is a multi-spirit mixed Black, Indigenous Brazilian, Jewish (im)migrant artist currently based in Lenapehoking (Brooklyn). Their creative practices range from social sculpture, to popular theatrical and TV/film performance, to participatory liberatory artmaking and healing that weaves together an Afro-futurist longing for transformative justice and q***r (re)Indigenization of culture. Currently, they as the Director of Engagement and Impact with New York Stage & Film, a community advocate at Ensemble Studio Theater, and serve on the co-leadership team at Network of Ensemble Theaters. Rad is also also a facilitator, educator, mediator and cultural organizer

Rad and Jan's book about socially engaged performance and social justice --- Meeting the Moment: Socially Engaged Performance, 1965-2020, by Those Who Lived It --- was published in June 2022 by New Village Press.

💚This is going to be a LIVELY, INTERACTIVE workshop, designed primarily for undergrads, recent grads, & early career folks interested in creating theatre for social justice.

👉🏾👉🏿👉🏽And again… APPLY BY March 14 -
https://forms.gle/FjuaDNSLXLXTeAGu5

We look forward to hearing from you!
Norma Bowles, Artistic Director
Fringe Benefits Theatre

Amy Sarno, Josie K. Vano & Peyton Matik
Co-Producers, Can We Be Reel?
Can We Be Reel? is a new Fringe Benefits arts activism initiative.

❤️🧡💛💚💙💜🤎🖤🤍🩷🩵

Follow us on Instagram ( and .We.Be.Reel) to receive updates and engage with theatre & video artivists!

❤️🧡💛💚💙💜🤎🖤🤍🩷🩵

🙏🏽❤️🙏🏽THANK YOU FOR YOUR GENEROUS SUPPORT!!! 🙏🏽❤️🙏🏽
The Carol and James Collins Foundation, The Dwight Stuart Youth Fund, Liberty Hill Foundation / Kicking Assets, Los Angeles County, Department of Arts and Culture, the Strickland Family Foundation, and all of Fringe Benefits Theatre’s individual donors!

❤️Hi Friends, Colleagues and Fellow Artivists! We hope you can join us -- Fringe Benefits Theatre -- for “Arts Activism ...
03/02/2026

❤️Hi Friends, Colleagues and Fellow Artivists! We hope you can join us -- Fringe Benefits Theatre -- for “Arts Activism Strategies: Then & There / Here & Now,” a FREE Interactive Online Workshop with GROUNDBREAKING scholar/practitioners Jan Cohen-Cruz & Rad Pereira! ❤️ We'll be online Saturday, March 21, 1pm to 4pm (Pacific)!

⭐Applications are due Saturday, March 14.⭐

👉🏾👉🏽👉🏿APPLY HERE : https://forms.gle/FjuaDNSLXLXTeAGu5

💜Overview: Jan Cohen-Cruz will share five strategies for public performances that she documented in her 1998 collection, Radical Street Performance: An International Anthology. Cultural worker, performing artist, healer, and educator Rad Pereira will respond to each, suggesting how the strategies could be updated and modified in light of the current socio-political climate and in order to most effectively engage audiences. Then participants, in small groups, will try one of the strategies using immigration rights as the topic. We’ll end with all the groups sharing their designs for a public performance now inspired by that strategy

💙PRESENTERS:

Grounded in the resistant theater of the late 1960s and early '70s, Jan Cohen-Cruz was a member of the NYC Street Theater/Jonah Project and co-facilitated a theater workshop in a men's maximum-security prison. After receiving her PhD in Performance Studies at NYU, she taught in the Drama Department for 28 years, founding their applied theater minor. She served as director of Imagining America from 2007–2012 and then as director of field research for A Blade of Grass.Cohen-Cruz is co-editor with Mady Schutzman of two books about Augusto Boal and has been a freelance practitioner of his techniques. She edited Radical Street Performance: An International Anthology and wrote Engaging Performance: Theater as Call and Response; Local Acts: Community Based Performance in the US, and Remapping Performance: Common Ground, Uncommon Partners. She co-authored, with Rad Pereira, Meeting the Moment: Socially Engaged Performance, 1965–2020, by Those Who Lived It. Her most recent book is See Me: Prison Theater Workshops and Love. Cohen-Cruz continues to write and offer workshops.

Rad Pereira is a multi-spirit mixed Black, Indigenous Brazilian, Jewish (im)migrant artist currently based in Lenapehoking (Brooklyn). Their creative practices range from social sculpture, to popular theatrical and TV/film performance, to participatory liberatory artmaking and healing that weaves together an Afro-futurist longing for transformative justice and q***r (re)Indigenization of culture. Currently, they as the Director of Engagement and Impact with New York Stage & Film, a community advocate at Ensemble Studio Theater, and serve on the co-leadership team at Network of Ensemble Theaters. Rad is also also a facilitator, educator, mediator and cultural organizer

Rad and Jan's book about socially engaged performance and social justice --- Meeting the Moment: Socially Engaged Performance, 1965-2020, by Those Who Lived It --- was published in June 2022 by New Village Press.

💚This is going to be a LIVELY, INTERACTIVE workshop, designed primarily for undergrads, recent grads, & early career folks interested in creating theatre for social justice.

👉🏾👉🏿👉🏽And again… APPLY BY March 14 -
https://forms.gle/FjuaDNSLXLXTeAGu5

We look forward to hearing from you!

Norma Bowles, Artistic Director
Fringe Benefits Theatre

Amy Sarno, Josie K. Vano & Peyton Matik
Co-Producers, Can We Be Reel?
Can We Be Reel? is a new Fringe Benefits arts activism initiative.

❤️🧡💛💚💙💜🤎🖤🤍🩷🩵

Follow us on Instagram ( and .We.Be.Reel) to receive updates and engage with theatre & video artivists!

❤️🧡💛💚💙💜🤎🖤🤍🩷🩵

🙏🏽❤️🙏🏽THANK YOU FOR YOUR GENEROUS SUPPORT!!! 🙏🏽❤️🙏🏽
The Carol and James Collins Foundation, The Dwight Stuart Youth Fund, Liberty Hill Foundation / Kicking Assets, Los Angeles County, Department of Arts and Culture, the Strickland Family Foundation, and all of Fringe Benefits Theatre’s individual donors!

Get ready to hear about these 5 strategies and more when you sign up for “Arts Activism Strategies: Then & There / Here ...
02/25/2026

Get ready to hear about these 5 strategies and more when you sign up for “Arts Activism Strategies: Then & There / Here & Now”: An interactive Zoom workshop led by the incredible Jan Cohen-Cruz and the incomparable Rad Pereira on Saturday, March 21st, from 1 pm to 4 pm Pacific using the link in our bio!

Applications are due Saturday, March 14. LINK IN BIO!

We look forward to hearing from you!

❤️🧡💛💚💙💜🤎🖤🤍🩷🩵

This workshop is designed primarily for participants who are undergraduates &/or recent graduates with skills in improvisation, theatre &/or video, an appreciation for collaborative playwriting & dramaturgy, and a passion for fighting for the things they care about.

❤️🧡💛💚💙💜🤎🖤🤍🩷🩵

❤️It's gives us great pleasure to invite you to join Fringe Benefits Theatre for “Arts Activism Strategies: Then & There...
02/22/2026

❤️It's gives us great pleasure to invite you to join Fringe Benefits Theatre for “Arts Activism Strategies: Then & There / Here & Now,” a FREE Interactive Online Workshop with Jan Cohen-Cruz & Rad Pereira! ❤️We hope you can join us online Saturday, March 21, 1pm to 4pm (Pacific)! 💥This is a once in a lifetime opportunity!💥

⭐Applications are due Saturday, March 14.⭐

👉🏾👉🏽👉🏿APPLY HERE : https://forms.gle/FjuaDNSLXLXTeAGu5

💜Overview: Jan Cohen-Cruz will share five strategies for public performances that she documented in her 1998 collection, Radical Street Performance: An International Anthology. Cultural worker, performing artist, healer, and educator Rad Pereira will respond to each, suggesting how the strategies could be updated and modified in light of the current socio-political climate and in order to most effectively engage audiences. Then participants, in small groups, will try one of the strategies using immigration rights as the topic. We’ll end with all the groups sharing their designs for a public performance now inspired by that strategy

💙PRESENTERS:
Grounded in the resistant theater of the late 1960s and early '70s, Jan Cohen-Cruz was a member of the NYC Street Theater/Jonah Project and co-facilitated a theater workshop in a men's maximum-security prison. After receiving her PhD in Performance Studies at NYU, she taught in the Drama Department for 28 years, founding their applied theater minor. She served as director of Imagining America from 2007–2012 and then as director of field research for A Blade of Grass. Cohen-Cruz is co-editor with Mady Schutzman of two books about Augusto Boal and has been a freelance practitioner of his techniques. She edited Radical Street Performance: An International Anthology and wrote Engaging Performance: Theater as Call and Response; Local Acts: Community Based Performance in the US, and Remapping Performance: Common Ground, Uncommon Partners. She co-authored, with Rad Pereira, Meeting the Moment: Socially Engaged Performance, 1965–2020, by Those Who Lived It. Her most recent book is See Me: Prison Theater Workshops and Love. Cohen-Cruz continues to write and offer workshops.

Rad Pereira is a multi-spirit mixed Black, Indigenous Brazilian, Jewish (im)migrant artist currently based in Lenapehoking (Brooklyn). Their creative practices range from social sculpture, to popular theatrical and TV/film performance, to participatory liberatory artmaking and healing that weaves together an Afro-futurist longing for transformative justice and q***r (re)Indigenization of culture. Currently, they as the Director of Engagement and Impact with New York Stage & Film, a community advocate at Ensemble Studio Theater, and serve on the co-leadership team at Network of Ensemble Theaters. Rad is also also a facilitator, educator, mediator and cultural organizer

Rad and Jan's book about socially engaged performance and social justice --- Meeting the Moment: Socially Engaged Performance, 1965-2020, by Those Who Lived It --- was published in June 2022 by New Village Press.

💚This is going to be a LIVELY, INTERACTIVE workshop, designed primarily for undergrads, recent grads, & early career folks interested in creating theatre for social justice.

👉🏾👉🏿👉🏽And again… APPLY BY March 14 -
https://forms.gle/FjuaDNSLXLXTeAGu5

We look forward to hearing from you!
Norma Bowles, Artistic Director
Fringe Benefits Theatre

Amy Sarno, Josie K. Vano & Peyton Matik
Co-Producers, Can We Be Reel?
Can We Be Reel? is a new Fringe Benefits arts activism initiative.

❤️🧡💛💚💙💜🤎🖤🤍🩷🩵

Follow us on Instagram ( and .We.Be.Reel) to receive updates and engage with theatre & video artivists!

❤️🧡💛💚💙💜🤎🖤🤍🩷🩵

🙏🏽❤️🙏🏽THANK YOU FOR YOUR GENEROUS SUPPORT!!! 🙏🏽❤️🙏🏽
The Carol and James Collins Foundation, The Dwight Stuart Youth Fund, Liberty Hill Foundation / Kicking Assets, Los Angeles County, Department of Arts and Culture, the Strickland Family Foundation, and all of Fringe Benefits Theatre’s individual donors!

Hello Friends -- Just wanting to share this info again because applications are due this Saturday, March 15. ❤️“Devising...
03/10/2025

Hello Friends -- Just wanting to share this info again because applications are due this Saturday, March 15. ❤️“Devising for Community Connection” -- our final FREE Master Class with VISIONARY ARTIVIST, director, deviser, dance dramaturg, and community organizer Daniel Banks, Ph.D. -- will be online Sunday, March 23 23, 1pm to 4pm (Pacific)!❤️

⭐Applications are due Saturday, March 15.⭐

👉🏾👉🏽👉🏿APPLY HERE : https://forms.gle/2qWMeQ1jq13SMtqQ6

💜Overview: In this interactive and improvisational workshop, Daniel will share practices that DNAWORKS has used in 38 states and 17 countries to bring people closer together and create a greater sense of connection and belonging. This is going to be a LIVELY, INTERACTIVE workshop - the 16th (and last) of Fringe Benefits Theatre’s "Creative Tools for Critical Times: Master Classes with Devised Theatre Innovators.” The CT4CT Master Class Series is designed for undergrads, recent grads & early career folks interested in creating theatre for social justice.

💙Presenter: Daniel Banks, Ph.D., Co-Founder of DNA Works, is an award-winning director, deviser, dance dramaturg, and community organizer. He has directed, led workshops, and/or instigated projects in 39 states and 23 countries at such venues as the National Theatre of Uganda, the Belarussian National Drama Theatre, The Market Theatre (South Africa), ArtsEmerson (Boston), Playhouse Square (Cleveland), the Oval House and Theatro Technis (U.K.), and with the NYC and DC Hip Hop Theatre Festivals, among others.

Daniel has served on the faculties of the Department of Undergraduate Drama, Tisch School of the Arts, NYU; the MFA in Contemporary Performance, Naropa University; the M.A. in Applied Theatre, City University of NY; the MFA Directing Program at Carnegie Mellon University; and as Chair of Performing Arts at the Institute of American Indian Arts, Santa Fe, NM.

Daniel is also the founder and director of the Hip Hop Theatre Initiative (HHTI) that engages Hip Hop Theatre to catalyze youth self-expression and leadership. HHTI has worked on campuses and in communities across the U.S. and in Azerbaijan, Ghana, Hungary, Israel, Mexico, and South Africa. Daniel currently serves on the Drama League’s Directors Council, the National Cabinet of the U.S. Department of Arts and Culture, and is Associate Director of Theatre Without Borders. Daniel is the 2020 recipient of Theatre Communications Group’s Alan Schneider Director Award.

💚DNAWORKS is an arts and service organization dedicated to dialogue and healing through the arts. Founded in New York City in 2006 by Daniel Banks and Adam W. McKinney, DNAWORKS centers Global Majority and LGBTQQ2SPIAA+ voices and experiences to create more complex representations of identity, culture, class, and heritage through theatre, dance, film, writing, and art installation. DNAWORKS is based in Fort Worth, TX; New York, NY; and Pittsburgh, PA.

👉🏾👉🏿👉🏽And again… APPLY BY March 15: https://forms.gle/2qWMeQ1jq13SMtqQ6

We look forward to hearing from you!
Norma Bowles & Ann Elizabeth Armstrong
Co-Producers, Creative Tools for Critical Times
Master Classes with Devised Theatre Innovators

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Find out more about Fringe Benefits Theatre and our other Master Classes in the CT4CT series at www.cootieshots.org/master-classes .

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🙏🏽❤️🙏🏽THANK YOU FOR YOUR GENEROUS SUPPORT!!! 🙏🏽❤️🙏🏽
The Carol and James Collins Foundation, The Dwight Stuart Youth Fund, Liberty Hill Foundation / Kicking Assets, Los Angeles County, Department of Arts and Culture, the Strickland Family Foundation, and all of Fringe Benefits Theatre’s individual donors!

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