08/29/2026
Nadopasana: An Evening of Exceptional Violin Melodies and Rhythmic Excellence
Organizers: Sruthilayalu & Shri Dwarkamai Vidyapeeth
Date & Time: Sunday, August 23, 2026, at 5:00 PM
Venue: Shri Dwarkamai Vidyapeeth, North Billerica, MA
Artists Featured:
Violin Duet: Vidwan Pappu Gyandev & Vidwan Saketha Pantula (Chennai, India)
Mridangam: Vidwan Sriramakrishna Rekapalli
Kanjira: Vidwan Kumaresh Krishnan
A Memorable Musical Experience
Music enthusiasts in the Greater Boston area were privileged to attend a profound and captivating Carnatic classical music performance on Sunday evening at Shri Dwarkamai Vidyapeeth, North Billerica. The concert, aptly titled "NADOPASANA: Strings of Devotion & Divine Melodies," presented by Sruthilayalu and Shri Dwarkamai Vidyapeeth, truly embodied its essence, imbuing the hall with profound devotion, aesthetic grace, and sublime musical energy.
The violin duet, featuring Vidwan Pappu Gyandev and Vidwan Saketha Pantula, showcased remarkable synergy. Their mutual understanding, tonal precision, and seamless exchange of swara prastaras captivated the audience from the outset.
Concert Highlights & Repertoire
The concert commenced with a vibrant and traditional Varnam, establishing an uplifting ambiance for the evening.
Vasantha Varnam – A crisp and dynamic opening.
Vallabha Nayakasya (Begada Ragam – Muthuswami Diksh*tar) – Rendered with majestic grandeur and profound bhava, honoring Lord Ganesha.
Sri Varalakshmi Namostute (Sri Ragam – Muthuswami Diksh*tar) – A serene, deeply devotional rendition that lent classical gravitas to the initial segment.
Sobhillu Saptaswara (Jaganmohini Ragam – Thyagaraja) – Characterized by vibrant melodic phrasing that vividly brought the Seven Swaras to life.
Ninne Nammitinayya (Simhendramadhyamam Ragam – Patnam Subrahmanya Ayyar) – A profound, soulful central piece demonstrating the rich capabilities of Simhendramadhyamam.
Dorakuna Ituvanti Seva (Bilahari Ragam – Thyagaraja) – Performed with exquisite beauty and expansive gamakas, fostering an atmosphere of pure bliss.
Muddugare Yasodha (Kurinji Ragam – Annamacharya) – A tender, soothing lullaby-style rendition celebrating Lord Krishna.
Paluke Bangaramayena (Bhadrachala Ramadasu) – Infused with intense emotional devotion (bhakti bhava).
Kurai Ondrum Illai (Ragamalika – Rajaji) – A timeless devotional composition featuring beautiful transitions across ragas.
Thillana (Brundavani Ragam – Dr. M. Balamuralikrishna) – A lively and joyous rhythmic conclusion to the program.
Accompaniment & Thani Avarthanam
The rhythmic section provided exceptionally thoughtful and balanced support throughout the evening. Vidwan Sriramakrishna Rekapalli on the Mridangam and Vidwan Kumaresh Krishnan on the Kanjira complemented the violin duo with remarkable sensitivity and refined artistry.
During the Thani Avarthanam, their solo presentation was characterized by exceptional energy, remarkable spirit, and impeccable synchronization with the concert's progression. Their dynamic rhythmic interplay significantly enhanced the overall musical experience, providing profound enjoyment to all attendees.
Conclusion
Nadopasana was an unequivocal success—a celebration of high-caliber music, technical mastery, and profound dedication.
We extend our commendations to Sruthilayalu and Shri Dwarkamai Vidyapeeth for assembling such extraordinary artists and for hosting a truly memorable evening for Carnatic music enthusiasts in the New England area.
Saketha Pantula Sriramakrishna Rekapalli Kumaresh Krishnan Raghuram K Pantula Sandhya Undavalli Bommaraju
