The COMMet

The COMMet The COMMet is the Official Publication Arm of DNSC Communication and Performing Arts Student Society.

๐๐„๐–๐’ | ๐—Ÿ๐—œ๐—ง๐—”๐—ช ๐—ซ ๐——๐—œ๐—œ๐—ก๐—ฆ๐—–๐—˜๐—ก๐—˜๐—ฆ: ๐—ฃ๐—ฎ๐—ด๐—ฝ๐—ฎ๐˜€๐˜‚๐—ป๐—ฑ๐—ฎ๐˜†๐—ฎ๐—ด ๐˜€๐—ฎ ๐—บ๐—ด๐—ฎ ๐—ฃ๐—ฒ๐—น๐—ถ๐—ธ๐˜‚๐—น๐—ฎ ๐˜€๐—ฎ ๐—–๐—ผ๐—บ๐—บ ๐—ฆ๐˜๐˜‚๐—ฑ๐—ฒ๐—ป๐˜๐˜€๐˜ฃ๐˜บ ๐˜ˆ๐˜ณ๐˜จ๐˜ช๐˜ฆ๐˜ญ๐˜บ๐˜ฏ ๐˜Š๐˜ข๐˜ฅ๐˜ช๐˜ปGipahimutang na ang nagkadaiya...
21/05/2026

๐๐„๐–๐’ | ๐—Ÿ๐—œ๐—ง๐—”๐—ช ๐—ซ ๐——๐—œ๐—œ๐—ก๐—ฆ๐—–๐—˜๐—ก๐—˜๐—ฆ: ๐—ฃ๐—ฎ๐—ด๐—ฝ๐—ฎ๐˜€๐˜‚๐—ป๐—ฑ๐—ฎ๐˜†๐—ฎ๐—ด ๐˜€๐—ฎ ๐—บ๐—ด๐—ฎ ๐—ฃ๐—ฒ๐—น๐—ถ๐—ธ๐˜‚๐—น๐—ฎ ๐˜€๐—ฎ ๐—–๐—ผ๐—บ๐—บ ๐—ฆ๐˜๐˜‚๐—ฑ๐—ฒ๐—ป๐˜๐˜€
๐˜ฃ๐˜บ ๐˜ˆ๐˜ณ๐˜จ๐˜ช๐˜ฆ๐˜ญ๐˜บ๐˜ฏ ๐˜Š๐˜ข๐˜ฅ๐˜ช๐˜ป

Gipahimutang na ang nagkadaiyang Short Film posters alang sa 4th Litaw Film Festival ug DIINSCENES KWATRO, kaniadtong Mayo 18โ€“19, 2026, gawas sa ITED Grounds.

Kini subay sa ipahigayong Film Screening sa tanang entries sa 1st year ug 2nd year Comm students alang sa ilang Litaw Film Festival nga ipahigayon karong umaabot nga Hunyo 2, 2026, ug sa DIINSCENES KWATRO Film Showing nga ipahigayon usab karong umaabot nga Huwebes, Mayo 28, ning tuiga nga parehong ipahitabo sulod sa DNSC - Audio-Visual Room atbang sa College Library.

Alang sa 4th Litaw Film Festival, adunay upat ka entries nga mao ang: โ€œHingan sa Katam-isโ€ by Alab Tagahabi, โ€œAsa Kutob ang Paglaumโ€ by Bulig Productions, โ€œFlores, Mayo naโ€ by PanalingSiling Productions, ug โ€œHandurawโ€ by Aninag Pictures.

Samtang aduna usab unom ka entries alang sa DIINSCENES KWATRO: โ€œKausa na Langโ€ by altxkp Productions, โ€œBiliโ€ by Trese sa Biyernes Productions, โ€œChiaroscuroโ€ by Vi1siONE Productions, โ€œAsa Na Ang Mga Dagkong Pamilya?โ€ by aurora Productions, โ€œUsa Duha Tulo, Nganong Ako?โ€ by Sugid Films, ug โ€œHapit na Sila Mag-ubanโ€ by Aninaw Productions.

Ang maong mga pelikula final requirement sa mga courses sa 1st year ug 2nd year Comm students nga gihatagan usab nila og dakong oras ug kakugi. Ang tibuok kalihukan gipasiugdahan sa SINECOMM SOCIETY.

Mamahimong atangan ang maong pagpasundayag ug lantawon ang mga posters sugod karon ug hangtod sa adlaw sa film screening.

๐˜“๐˜ข๐˜บ๐˜ฐ๐˜ถ๐˜ต ๐˜ฃ๐˜บ ๐˜‘๐˜ฉ๐˜ฐ๐˜ฏ๐˜ฏ๐˜บ ๐˜™๐˜ฆ๐˜ญ๐˜ข๐˜ฃ๐˜ฐ
๐˜—๐˜ฉ๐˜ฐ๐˜ต๐˜ฐ๐˜ด ๐˜ฃ๐˜บ ๐˜”๐˜ฉ๐˜ข๐˜ถ๐˜ณ๐˜ช๐˜ฆ๐˜ฏ ๐˜Š๐˜ฐ๐˜ฅ๐˜ช๐˜ฐ-๐˜ข๐˜ฏ





21/05/2026

๐‚๐Ž๐Œ๐Œ ๐€๐ฅ๐จ๐ง๐  ๐–๐ข๐ญ๐ก ๐Œ๐„! | ๐—–๐—ข๐— ๐—  ๐——๐—”๐—ฌ ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ

Come with us as we feature the most awaited COMM Day Celebration! Commbati, Commbira!

๐˜๐˜ฐ๐˜ด๐˜ต๐˜ฆ๐˜ฅ ๐˜ฃ๐˜บ ๐˜”๐˜ช๐˜ฆ๐˜ด๐˜ด๐˜บ ๐˜Š๐˜ข๐˜ญ๐˜ท๐˜ฐ
๐˜Š๐˜ข๐˜ฎ๐˜ฆ๐˜ณ๐˜ข ๐˜–๐˜ฑ๐˜ฆ๐˜ณ๐˜ข๐˜ต๐˜ฐ๐˜ณ: ๐˜ˆ๐˜ฉ๐˜ณ๐˜ฐ๐˜ฏ ๐˜’๐˜บ๐˜ญ๐˜ฆ ๐˜Ž๐˜ฐ๐˜ฐ๐˜ค
๐˜Œ๐˜ฅ๐˜ช๐˜ต๐˜ฆ๐˜ฅ ๐˜ฃ๐˜บ ๐˜ˆ๐˜ญ๐˜ญ๐˜ฆ๐˜ฏ ๐˜‹๐˜ข๐˜ท๐˜ฆ ๐˜Š๐˜ฐรฑ๐˜ข๐˜ต๐˜ฆ





๐‚๐Ž๐‹๐”๐Œ๐ | ๐—ง๐—›๐—˜ ๐—ฅ๐—˜๐—”๐——๐—œ๐—ก๐—š ๐—ฃ๐—”๐—ฅ๐—”๐——๐—ข๐—ซ: ๐—ช๐—ต๐˜† ๐—Ÿ๐—ถ๐˜๐—ฒ๐—ฟ๐—ฎ๐—ฐ๐˜† ๐—”๐—น๐—ผ๐—ป๐—ฒ ๐—œ๐˜€ ๐—ก๐—ผ๐˜ ๐—˜๐—ป๐—ผ๐˜‚๐—ด๐—ต ๐—ถ๐—ป ๐˜๐—ต๐—ฒ ๐—ฃ๐—ต๐—ถ๐—น๐—ถ๐—ฝ๐—ฝ๐—ถ๐—ป๐—ฒ๐˜€๐˜ฃ๐˜บ ๐˜Š๐˜ฉ๐˜ข๐˜ฏ๐˜ฏ๐˜ฆ๐˜ญ ๐˜๐˜ญ๐˜ฐ๐˜ณ๐˜ฆ๐˜ดIn todayโ€™s digital age...
21/05/2026

๐‚๐Ž๐‹๐”๐Œ๐ | ๐—ง๐—›๐—˜ ๐—ฅ๐—˜๐—”๐——๐—œ๐—ก๐—š ๐—ฃ๐—”๐—ฅ๐—”๐——๐—ข๐—ซ: ๐—ช๐—ต๐˜† ๐—Ÿ๐—ถ๐˜๐—ฒ๐—ฟ๐—ฎ๐—ฐ๐˜† ๐—”๐—น๐—ผ๐—ป๐—ฒ ๐—œ๐˜€ ๐—ก๐—ผ๐˜ ๐—˜๐—ป๐—ผ๐˜‚๐—ด๐—ต ๐—ถ๐—ป ๐˜๐—ต๐—ฒ ๐—ฃ๐—ต๐—ถ๐—น๐—ถ๐—ฝ๐—ฝ๐—ถ๐—ป๐—ฒ๐˜€
๐˜ฃ๐˜บ ๐˜Š๐˜ฉ๐˜ข๐˜ฏ๐˜ฏ๐˜ฆ๐˜ญ ๐˜๐˜ญ๐˜ฐ๐˜ณ๐˜ฆ๐˜ด

In todayโ€™s digital age, information is everywhere, but understanding is not. A single scroll can expose people to countless claims, opinions, and headlines yet not all of them are true. The issue is no longer access to information, but how people interpret and question it.

On paper, the country shows progress: more Filipinos can read, write, and graduate. But beyond these numbers, a more serious problem appearsโ€”we are producing readers who struggle not only to understand, but also to verify. In a time when information is constant, being able to read is no longer enough; people must also learn to question what they read.

Recent findings from the Second Congressional Commission on Education reveal that around 18 million Filipinos have finished high school despite being functionally illiterate. In many vulnerable communities, limited access to resources create gaps in comprehension. However, the problem does not stop there. Even among those who can read, many still lack the ability to think critically. This shows that literacy alone does not guarantee understanding.

This is evident on social media. Headlines are often shared without being fully read, and claims are accepted without verification. Opinions are formed from incomplete or misleading information. Misinformation spreads easily not because it is always convincing, but because it is rarely questioned.

This became especially visible during the 2022 Philippine elections. Academic and fact checking studies documented the widespread circulation of false and misleading claims online, often shared without verification. These narratives influenced public perception and contributed to distorted understandings of political issues and candidates.

Without the habit of fact-checking, people become more vulnerable to false narratives. What they see online can quickly shape what they believe to be true. This does not remain a digital issue; it affects how people think, judge situations, and make decisions in real life.

The consequences are serious. In a democratic society, the ability to think critically influences how citizens choose leaders and respond to national issues. When decisions are based on misinformation rather than understanding, the impact goes beyond individualsโ€”it affects the direction of the country.

This is why literacy alone is not enough. What the Philippines needs is not just more readers, but more critical thinkers. Education must go beyond teaching people how to read and instead focus on helping them analyze, question, and verify information.

In the end, a society that reads but does not question is a society that can easily be misled. If people continue to accept information without understanding it, they risk making decisions that harm not only themselves, but the nation as a whole.

The real danger is not illiteracyโ€”it is the illusion of literacy.

๐˜๐˜ญ๐˜ญ๐˜ถ๐˜ด๐˜ต๐˜ณ๐˜ข๐˜ต๐˜ช๐˜ฐ๐˜ฏ ๐˜ฃ๐˜บ ๐˜”๐˜ช๐˜ณ๐˜ข๐˜ด๐˜ฉ๐˜ช๐˜ฆ๐˜ฏ ๐˜Š๐˜ถ๐˜ช
๐˜š๐˜ฐ๐˜ถ๐˜ณ๐˜ค๐˜ฆ๐˜ด:
๐˜›๐˜ด๐˜ฆ๐˜ฌ.๐˜ฑ๐˜ฉ: ๐˜ฉ๐˜ต๐˜ต๐˜ฑ๐˜ด://๐˜ฆ๐˜ฅ๐˜ค๐˜ฐ๐˜ฎ2.๐˜จ๐˜ฐ๐˜ท.๐˜ฑ๐˜ฉ/๐˜ข๐˜ณ๐˜ฐ๐˜ถ๐˜ฏ๐˜ฅ-18๐˜ฎ-๐˜ง๐˜ช๐˜ญ๐˜ช๐˜ฑ๐˜ช๐˜ฏ๐˜ฐ๐˜ด-๐˜ง๐˜ช๐˜ฏ๐˜ช๐˜ด๐˜ฉ๐˜ฆ๐˜ฅ-๐˜ฉ๐˜ช๐˜จ๐˜ฉ-๐˜ด๐˜ค๐˜ฉ๐˜ฐ๐˜ฐ๐˜ญ-๐˜ฅ๐˜ฆ๐˜ด๐˜ฑ๐˜ช๐˜ต๐˜ฆ-๐˜ฃ๐˜ฆ๐˜ช๐˜ฏ๐˜จ-๐˜ง๐˜ถ๐˜ฏ๐˜ค๐˜ต๐˜ช๐˜ฐ๐˜ฏ๐˜ข๐˜ญ๐˜ญ๐˜บ-๐˜ช๐˜ญ๐˜ญ๐˜ช๐˜ต๐˜ฆ๐˜ณ๐˜ข๐˜ต๐˜ฆ/




๐…๐„๐€๐“๐”๐‘๐„ | ๐—ž๐—ฎ๐—ฝ๐—ผ๐˜†, ๐—ฃ๐—ฒ๐—ฟ๐—ผ ๐—ฃ๐—ฎ๐—ฑ๐—ฎ๐˜†๐—ผ๐—ป๐˜ฃ๐˜บ ๐˜™๐˜ฆ๐˜บ๐˜ค๐˜ข ๐˜”๐˜ข๐˜ฆ ๐˜Ž๐˜ถ๐˜ณ๐˜ข๐˜ฅ๐˜ช๐˜ญ๐˜ญ๐˜ฐSa paspas nga pagsulod sa bulan sa Mayo, nagkaduol sad ang paghuman s...
20/05/2026

๐…๐„๐€๐“๐”๐‘๐„ | ๐—ž๐—ฎ๐—ฝ๐—ผ๐˜†, ๐—ฃ๐—ฒ๐—ฟ๐—ผ ๐—ฃ๐—ฎ๐—ฑ๐—ฎ๐˜†๐—ผ๐—ป
๐˜ฃ๐˜บ ๐˜™๐˜ฆ๐˜บ๐˜ค๐˜ข ๐˜”๐˜ข๐˜ฆ ๐˜Ž๐˜ถ๐˜ณ๐˜ข๐˜ฅ๐˜ช๐˜ญ๐˜ญ๐˜ฐ

Sa paspas nga pagsulod sa bulan sa Mayo, nagkaduol sad ang paghuman sa klase. Apan labaw pa sa ideya sa โ€œbakasyon,โ€ kini usa ka pahinumdom nga pwede na ta makaginhawa; bisan og kadiyot lang.

Sa tinuod nga kahimtang sa mga estudyante karon, ilabi na kadtong aktibo sa organisasyon ug akademiko nga responsibilidad, ang pagpangita og oras aron makapahuway nahimong usa ka importante nga bahin sa pagpadayon. Usa sa nagrepresentar niini nga kasinatian mao si Charmiel Dequina, usa ka opisyal sa ITED LSG nga nagbalanse sa iyang mga buluhaton isip estudyante ug lider sa organisasyon. Pinaagi sa iyang kasinatian, mas makita kung unsa ka lisod apan makahuluganon ang pagpadayon bisan kapoy na.

Sama sa naagian ni Charmiel, ang iyang matag adlaw kay puno og deadlines, meetings, ug mga responsibilidad nga anaay kalabotan sa eskwelahan ug organisasyon. Tungod niini, ang pagginhawa bisan kadiyot nahimong importante aron makapadayon.

Usa kini ka pahulay human sa taas nga panahon sa pagpaningkamot.

Alang kang Charmiel, ang pagginhawa dili pasabot nga nahuman na ang tanan, kundili usa ka paagi sa paghatag og lugar sa kaugalingon aron makabawi sa kakapoy ug makapadayon sa iyang mga responsibilidad isip estudyante ug lider.

Kay usahay, ang pagpadayon dili pirmi kusog; usahay, nagkinahanglan kini og saktong pahulay.

Dugang pa niini, kini nga pagbati nagapamatuod nga bisan pa og โ€œlayo pa,โ€ layo na gyud ta sa atong nasugdan. Ang matag gamayng tikang, bisan pa og hinay, bisan pa sa kalisod, mao kini ang nagdala kanato palayo sa sugod ug padulong sa atong tumong.

Dili man perpekto ang dalan, apan adunay lihok, ug kana igo na aron mopadayon.

Sa pagpakita sa iyang personal nga pagbati kabahin sa pagtapos sa school year, mao kini ang gipadayag ni Charmiel:

โ€œIt feels great kay finally makapahuway najud from different responsibilities na school-connected. At the same time sad kay some of my ateโ€™s and kuyaโ€™s sa ITED LSG kay 4th year na, so wala na sila sa office next year.โ€

Kini nga pamahayag nagapakita nga ang katapusan sa school year dili lang bahin sa pahulay, kundili usa usab ka pagpanamilit ug pagdawat sa kausaban.

Adunay kalipay tungod sa pahulay, apan aduna usab gamayng kasubo tungod sa mga tawo nga atong naandan.

Busa, sa dihang moabot ang higayon nga makaginhawa ka, ayaw kini balibari. Hunong kadiyot. Tan-awa kung unsa na kalayo ang imong naabtan. Kay bisan og daghan pa ang moabot, ang kamatuoran nagpabilin nga layo pa, pero layo na.

๐˜๐˜ญ๐˜ญ๐˜ถ๐˜ด๐˜ต๐˜ณ๐˜ข๐˜ต๐˜ช๐˜ฐ๐˜ฏ ๐˜ฃ๐˜บ ๐˜‘๐˜ฆ๐˜ข๐˜ฏ ๐˜‘๐˜ฆ๐˜ธ๐˜ฆ๐˜ญ ๐˜Š๐˜ข๐˜ด๐˜ต๐˜ฐ๐˜ณ




๐‹๐ˆ๐“๐„๐‘๐€๐‘๐˜ | ๐—•๐—ฟ๐—ฒ๐—ฎ๐˜๐—ต๐—ฒ ๐—š๐—ฒ๐—ป๐˜๐—น๐˜†๐˜ฃ๐˜บ ๐˜‰๐˜ถ๐˜ญ๐˜ญ๐˜ฆ๐˜ต๐˜ฑ๐˜ณ๐˜ฐ๐˜ฐ๐˜งThere will be dayswhen the world feels too heavy to hold,when even getting out of...
19/05/2026

๐‹๐ˆ๐“๐„๐‘๐€๐‘๐˜ | ๐—•๐—ฟ๐—ฒ๐—ฎ๐˜๐—ต๐—ฒ ๐—š๐—ฒ๐—ป๐˜๐—น๐˜†
๐˜ฃ๐˜บ ๐˜‰๐˜ถ๐˜ญ๐˜ญ๐˜ฆ๐˜ต๐˜ฑ๐˜ณ๐˜ฐ๐˜ฐ๐˜ง

There will be days
when the world feels too heavy to hold,
when even getting out of your bed
feels like lifting mountains with bare hands.

Days when the sky looks dull,
when silence grows loud,
when your own thoughts
forget how to be kind.

But look closely,
flowers still bloom after storms.
The ocean still returns to shore
no matter how many times it is pulled away.

And you,
with your tired heart
and trembling hands,
are no different.

Healing is not always loud.
Sometimes it is simply
choosing to stay.
Choosing to try again.
Choosing to believe
that your story deserves another page.

So breathe.
Slowly.
Gently.

You have survived every difficult day
that once convinced you
you wouldnโ€™t make it through.

And somehow,
despite everything,
you are still hereโ€”
still fighting.

๐˜“๐˜ข๐˜บ๐˜ฐ๐˜ถ๐˜ต ๐˜ฃ๐˜บ ๐˜“๐˜ฐ๐˜ณ๐˜ฆ๐˜ฏ ๐˜ˆ๐˜ฎ๐˜ฐ๐˜ณ๐˜ฆ๐˜ด
๐˜—๐˜ฉ๐˜ฐ๐˜ต๐˜ฐ ๐˜ฃ๐˜บ ๐˜“๐˜ฆ๐˜ฆ๐˜ญ๐˜ฐ๐˜ถ ๐˜‰๐˜ช๐˜ฐ๐˜ค




๐ƒ๐ˆ๐ƒ ๐˜๐Ž๐” ๐Š๐๐Ž๐–?๐˜ฃ๐˜บ ๐˜—๐˜ณ๐˜ฆ๐˜ฏ๐˜ค๐˜ช๐˜ด ๐˜‹๐˜ช๐˜ข๐˜ฏ๐˜ฆ ๐˜Ž๐˜ฆ๐˜ต๐˜ถ๐˜ฃ๐˜ช๐˜จThe youngest first lady of the Philippines named Victoria โ€œVickyโ€ Quirino-Gonzales ...
18/05/2026

๐ƒ๐ˆ๐ƒ ๐˜๐Ž๐” ๐Š๐๐Ž๐–?
๐˜ฃ๐˜บ ๐˜—๐˜ณ๐˜ฆ๐˜ฏ๐˜ค๐˜ช๐˜ด ๐˜‹๐˜ช๐˜ข๐˜ฏ๐˜ฆ ๐˜Ž๐˜ฆ๐˜ต๐˜ถ๐˜ฃ๐˜ช๐˜จ

The youngest first lady of the Philippines named Victoria โ€œVickyโ€ Quirino-Gonzales born on May 18, 1931 turned 94 years old today. Daughter of President Elpidio Quirino, Vicky acted as official hostess after her mother's death. Also known as the "Teenage First Lady" having assumed the role at age 16 in 1948, and the first to marry inside Malacaรฑang Palace.

๐˜“๐˜ข๐˜บ๐˜ฐ๐˜ถ๐˜ต ๐˜ฃ๐˜บ ๐˜—๐˜ข๐˜ต๐˜ณ๐˜ช๐˜ค๐˜ฌ ๐˜’๐˜ข๐˜ณ๐˜ญ ๐˜ˆ๐˜ฎ๐˜ข๐˜บ




17/05/2026

๐‚๐Ž๐Œ๐Œ๐ž๐ญ ๐€๐ฌ๐ค๐ฌ | ๐—ถ๐˜'๐˜€ ๐—–๐—ข๐— ๐—  ๐——๐—ฎ๐˜† '๐Ÿฎ๐Ÿฒ ๐—ฎ๐—ด๐—ฎ๐—ถ๐—ป!!!

๐˜ฟ๐™ž๐™จ๐™˜๐™ก๐™–๐™ž๐™ข๐™š๐™ง: ๐˜›๐˜ฉ๐˜ฆ ๐˜ท๐˜ช๐˜ฆ๐˜ธ๐˜ด ๐˜ข๐˜ฏ๐˜ฅ ๐˜ฐ๐˜ฑ๐˜ช๐˜ฏ๐˜ช๐˜ฐ๐˜ฏ๐˜ด ๐˜ฐ๐˜ง ๐˜ต๐˜ฉ๐˜ฆ ๐˜ด๐˜ต๐˜ถ๐˜ฅ๐˜ฆ๐˜ฏ๐˜ต๐˜ด ๐˜ธ๐˜ฉ๐˜ฐ ๐˜ฑ๐˜ข๐˜ณ๐˜ต๐˜ช๐˜ค๐˜ช๐˜ฑ๐˜ข๐˜ต๐˜ฆ๐˜ฅ ๐˜ฅ๐˜ฐ ๐˜ฏ๐˜ฐ๐˜ต ๐˜ฏ๐˜ฆ๐˜ค๐˜ฆ๐˜ด๐˜ด๐˜ข๐˜ณ๐˜ช๐˜ญ๐˜บ ๐˜ณ๐˜ฆ๐˜ง๐˜ญ๐˜ฆ๐˜ค๐˜ต ๐˜ต๐˜ฉ๐˜ฆ ๐˜ท๐˜ช๐˜ฆ๐˜ธ๐˜ด ๐˜ข๐˜ฏ๐˜ฅ ๐˜ฐ๐˜ฑ๐˜ช๐˜ฏ๐˜ช๐˜ฐ๐˜ฏ๐˜ด ๐˜ฐ๐˜ง ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฑ๐˜ถ๐˜ฃ๐˜ญ๐˜ช๐˜ค๐˜ข๐˜ต๐˜ช๐˜ฐ๐˜ฏ. ๐˜›๐˜ฉ๐˜ช๐˜ด ๐˜ช๐˜ด ๐˜ข ๐˜ด๐˜ฆ๐˜จ๐˜ฎ๐˜ฆ๐˜ฏ๐˜ต ๐˜ฆ๐˜ด๐˜ต๐˜ข๐˜ฃ๐˜ญ๐˜ช๐˜ด๐˜ฉ๐˜ฆ๐˜ฅ ๐˜ต๐˜ฐ ๐˜ด๐˜ฆ๐˜ณ๐˜ท๐˜ฆ ๐˜ข๐˜ด ๐˜ข๐˜ฏ ๐˜ข๐˜ท๐˜ฆ๐˜ฏ๐˜ถ๐˜ฆ ๐˜ง๐˜ฐ๐˜ณ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ด๐˜ต๐˜ถ๐˜ฅ๐˜ฆ๐˜ฏ๐˜ต๐˜ด ๐˜ต๐˜ฐ ๐˜ฐ๐˜ฑ๐˜ฆ๐˜ฏ ๐˜ถ๐˜ฑ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ด๐˜ฉ๐˜ข๐˜ณ๐˜ฆ ๐˜ต๐˜ฉ๐˜ฆ๐˜ช๐˜ณ ๐˜ฆ๐˜น๐˜ฑ๐˜ฆ๐˜ณ๐˜ช๐˜ฆ๐˜ฏ๐˜ค๐˜ฆ๐˜ด ๐˜ณ๐˜ฆ๐˜จ๐˜ข๐˜ณ๐˜ฅ๐˜ช๐˜ฏ๐˜จ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ง๐˜ฆ๐˜ข๐˜ต๐˜ถ๐˜ณ๐˜ฆ๐˜ฅ ๐˜ฆ๐˜ท๐˜ฆ๐˜ฏ๐˜ต.

| ๐—˜๐—ฑ๐—ถ๐˜๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—ž๐—ต๐—ฒ๐˜ƒ๐—ฒ๐—ป ๐— ๐—ฎ๐—ต๐—ถ๐—ป๐—ฎ๐˜†

๐—–๐—ฎ๐—บ๐—ฒ๐—ฟ๐—ฎ ๐—ข๐—ฝ๐—ฒ๐—ฟ๐—ฎ๐˜๐—ผ๐—ฟ๐˜€:
Kyla Shane Verula
Jhonny Relabo
Charlie Contorno
Stacy Donato




17/05/2026

๐‚๐Ž๐Œ๐Œ๐ž๐ญ ๐€๐ฌ๐ค๐ฌ | ๐—œ๐˜'๐˜€ ๐—ฃ๐—ฎ๐—ป๐—ฎ๐—ด๐—ฑ๐—ฎ๐—ป๐—ด๐—ผ๐—ฝ ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ!

๐˜ฟ๐™ž๐™จ๐™˜๐™ก๐™–๐™ž๐™ข๐™š๐™ง: ๐˜›๐˜ฉ๐˜ฆ ๐˜ท๐˜ช๐˜ฆ๐˜ธ๐˜ด ๐˜ข๐˜ฏ๐˜ฅ ๐˜ฐ๐˜ฑ๐˜ช๐˜ฏ๐˜ช๐˜ฐ๐˜ฏ๐˜ด ๐˜ฐ๐˜ง ๐˜ต๐˜ฉ๐˜ฆ ๐˜ด๐˜ต๐˜ถ๐˜ฅ๐˜ฆ๐˜ฏ๐˜ต๐˜ด ๐˜ธ๐˜ฉ๐˜ฐ ๐˜ฑ๐˜ข๐˜ณ๐˜ต๐˜ช๐˜ค๐˜ช๐˜ฑ๐˜ข๐˜ต๐˜ฆ๐˜ฅ ๐˜ฅ๐˜ฐ ๐˜ฏ๐˜ฐ๐˜ต ๐˜ฏ๐˜ฆ๐˜ค๐˜ฆ๐˜ด๐˜ด๐˜ข๐˜ณ๐˜ช๐˜ญ๐˜บ ๐˜ณ๐˜ฆ๐˜ง๐˜ญ๐˜ฆ๐˜ค๐˜ต ๐˜ต๐˜ฉ๐˜ฆ ๐˜ท๐˜ช๐˜ฆ๐˜ธ๐˜ด ๐˜ข๐˜ฏ๐˜ฅ ๐˜ฐ๐˜ฑ๐˜ช๐˜ฏ๐˜ช๐˜ฐ๐˜ฏ๐˜ด ๐˜ฐ๐˜ง ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฑ๐˜ถ๐˜ฃ๐˜ญ๐˜ช๐˜ค๐˜ข๐˜ต๐˜ช๐˜ฐ๐˜ฏ. ๐˜›๐˜ฉ๐˜ช๐˜ด ๐˜ช๐˜ด ๐˜ข ๐˜ด๐˜ฆ๐˜จ๐˜ฎ๐˜ฆ๐˜ฏ๐˜ต ๐˜ฆ๐˜ด๐˜ต๐˜ข๐˜ฃ๐˜ญ๐˜ช๐˜ด๐˜ฉ๐˜ฆ๐˜ฅ ๐˜ต๐˜ฐ ๐˜ด๐˜ฆ๐˜ณ๐˜ท๐˜ฆ ๐˜ข๐˜ด ๐˜ข๐˜ฏ ๐˜ข๐˜ท๐˜ฆ๐˜ฏ๐˜ถ๐˜ฆ ๐˜ง๐˜ฐ๐˜ณ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ด๐˜ต๐˜ถ๐˜ฅ๐˜ฆ๐˜ฏ๐˜ต๐˜ด ๐˜ต๐˜ฐ ๐˜ฐ๐˜ฑ๐˜ฆ๐˜ฏ ๐˜ถ๐˜ฑ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ด๐˜ฉ๐˜ข๐˜ณ๐˜ฆ ๐˜ต๐˜ฉ๐˜ฆ๐˜ช๐˜ณ ๐˜ฆ๐˜น๐˜ฑ๐˜ฆ๐˜ณ๐˜ช๐˜ฆ๐˜ฏ๐˜ค๐˜ฆ๐˜ด ๐˜ณ๐˜ฆ๐˜จ๐˜ข๐˜ณ๐˜ฅ๐˜ช๐˜ฏ๐˜จ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ง๐˜ฆ๐˜ข๐˜ต๐˜ถ๐˜ณ๐˜ฆ๐˜ฅ ๐˜ฆ๐˜ท๐˜ฆ๐˜ฏ๐˜ต.

| ๐—˜๐—ฑ๐—ถ๐˜๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—ž๐—ต๐—ฒ๐˜ƒ๐—ฒ๐—ป ๐— ๐—ฎ๐—ต๐—ถ๐—ป๐—ฎ๐˜†

๐—–๐—ฎ๐—บ๐—ฒ๐—ฟ๐—ฎ ๐—ข๐—ฝ๐—ฒ๐—ฟ๐—ฎ๐˜๐—ผ๐—ฟ๐˜€:
Kyla Shane Verula
Jhonny Relabo
Charlie Contorno
Stacy Donato




15/05/2026

๐“๐‡๐„ ๐‚๐Ž๐Œ๐Œ๐„๐“ ๐’๐„๐‚๐“๐ˆ๐Ž๐ ๐„๐ฉ. ๐Ÿ- ๐๐š๐ซ๐ญ ๐Ÿ” | ๐—Ÿ๐—œ๐—ก๐—ž #๐Ÿ”: ๐—”๐—ป๐—ถ๐—ป๐—ฎ๐˜„ ๐—ฃ๐—ฟ๐—ผ๐—ฑ๐˜‚๐—ฐ๐˜๐—ถ๐—ผ๐—ป๐˜€

Yes to more katatakutan! Haunted by the ghost? Hmm...
Let's know more about it from one of Aninaw Productions' brains behind the cameras, Director Milbert Avila.

Don't forget to spread love and laughter, only here in The COMMet Section!

Click the other parts of the Pilot Episode here:
LINK #1: https://www.facebook.com/share/v/1BAxXE7Qrd/
LINK #2: https://www.facebook.com/share/v/18dgzG8n9g/
LINK #3: https://www.facebook.com/share/v/1B53RsvHUR/
LINK #4: https://www.facebook.com/share/v/18fgMpox5B/
LINK #5: https://www.facebook.com/share/v/1Cm8N7Jk7y/

| ๐˜Š๐˜ข๐˜ฑ๐˜ต๐˜ช๐˜ฐ๐˜ฏ ๐˜ฃ๐˜บ ๐˜”๐˜ฉ๐˜ข๐˜ถ๐˜ณ๐˜ช๐˜ฆ๐˜ฏ ๐˜Š๐˜ฐ๐˜ฅ๐˜ช๐˜ฐ-๐˜ข๐˜ฏ

๐——๐—ถ๐—ฟ๐—ฒ๐—ฐ๐˜๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—๐˜‚๐—ฑ๐—ฒ๐—ป๐—ป๐—ถ๐˜€ ๐—ฃ๐—ฎ๐—น๐—ฎ๐—ฟ๐—ฎ๐—ผ
๐—˜๐—ฑ๐—ถ๐˜๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—๐—ผ๐—ต๐—ป ๐—๐—ฎ๐—ฟ๐—น๐—ฒ๐—บ ๐—๐—ฎ๐—ผ

๐—–๐—ฎ๐—บ๐—ฒ๐—ฟ๐—ฎ ๐—ข๐—ฝ๐—ฒ๐—ฟ๐—ฎ๐˜๐—ผ๐—ฟ๐˜€:
John Jarlem Jao
Prencis Diane Getubig
๐—š๐—ฎ๐—ณ๐—ณ๐—ฒ๐—ฟ๐˜€:
Jhonny Relabo
Mhaurien Codio-an
James Van Sion
๐—ฆ๐—ฒ๐˜ ๐——๐—ฒ๐˜€๐—ถ๐—ด๐—ป๐—ฒ๐—ฟ๐˜€:
Adrian Hilario
Hazel Cabuena
Jarah Gameng
Bench Caรฑete
Gade Cortez




15/05/2026

๐“๐‡๐„ ๐‚๐Ž๐Œ๐Œ๐„๐“ ๐’๐„๐‚๐“๐ˆ๐Ž๐ ๐„๐ฉ. ๐Ÿ- ๐๐š๐ซ๐ญ ๐Ÿ“ | ๐—Ÿ๐—œ๐—ก๐—ž #๐Ÿ“: ๐—ฆ๐—จ๐—š๐—œ๐—— ๐—™๐—ถ๐—น๐—บ๐˜€

Gusto ba mo og mejo makakulba and makapabuto-buto sa inyong heart?
OVER!!! Ladies, gentlemen, and everything in between, here's to our fifth guest for this pilot episode, let's give it up to Director Samantha Pascual of the SUGID Films.

Don't forget to spread love and laughter, only here in The COMMet Section!

Click the other parts of the Pilot Episode here:
LINK #1: https://www.facebook.com/share/v/1BAxXE7Qrd/
LINK #2: https://www.facebook.com/share/v/18dgzG8n9g/
LINK #3: https://www.facebook.com/share/v/1B53RsvHUR/
LINK #4: https://www.facebook.com/share/v/18fgMpox5B/
LINK #6: https://www.facebook.com/share/v/1EUy4Ye7yk/

| ๐˜Š๐˜ข๐˜ฑ๐˜ต๐˜ช๐˜ฐ๐˜ฏ ๐˜ฃ๐˜บ ๐˜”๐˜ฉ๐˜ข๐˜ถ๐˜ณ๐˜ช๐˜ฆ๐˜ฏ ๐˜Š๐˜ฐ๐˜ฅ๐˜ช๐˜ฐ-๐˜ข๐˜ฏ

๐——๐—ถ๐—ฟ๐—ฒ๐—ฐ๐˜๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—๐˜‚๐—ฑ๐—ฒ๐—ป๐—ป๐—ถ๐˜€ ๐—ฃ๐—ฎ๐—น๐—ฎ๐—ฟ๐—ฎ๐—ผ
๐—˜๐—ฑ๐—ถ๐˜๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—๐—ผ๐—ต๐—ป ๐—๐—ฎ๐—ฟ๐—น๐—ฒ๐—บ ๐—๐—ฎ๐—ผ

๐—–๐—ฎ๐—บ๐—ฒ๐—ฟ๐—ฎ ๐—ข๐—ฝ๐—ฒ๐—ฟ๐—ฎ๐˜๐—ผ๐—ฟ๐˜€:
John Jarlem Jao
Prencis Diane Getubig
๐—š๐—ฎ๐—ณ๐—ณ๐—ฒ๐—ฟ๐˜€:
Jhonny Relabo
Mhaurien Codio-an
James Van Sion
๐—ฆ๐—ฒ๐˜ ๐——๐—ฒ๐˜€๐—ถ๐—ด๐—ป๐—ฒ๐—ฟ๐˜€:
Adrian Hilario
Hazel Cabuena
Jarah Gameng
Bench Caรฑete
Gade Cortez




15/05/2026

๐“๐‡๐„ ๐‚๐Ž๐Œ๐Œ๐„๐“ ๐’๐„๐‚๐“๐ˆ๐Ž๐ ๐„๐ฉ. ๐Ÿ- ๐๐š๐ซ๐ญ ๐Ÿ’ | ๐—Ÿ๐—œ๐—ก๐—ž #๐Ÿ’: ๐—ฎ๐—น๐˜๐˜…๐—ธ๐—ฝ ๐—ฃ๐—ฟ๐—ผ๐—ฑ๐˜‚๐—ฐ๐˜๐—ถ๐—ผ๐—ป๐˜€

Muusab or Muusab?

This isn't the last part yet but we were able to interview the brains behind the upcoming shortfilm, "KAUSA NA LANG". Everyone, a round of applause for Director Elisha Nicole Rodriguez of the altxkp Productions.

Don't forget to spread love and laughter, only here in The COMMet Section!

Click the other parts of the Pilot Episode here:
LINK #1: https://www.facebook.com/share/v/1BAxXE7Qrd/
LINK #2: https://www.facebook.com/share/v/18dgzG8n9g/
LINK #3: https://www.facebook.com/share/v/1B53RsvHUR/
LINK #5: https://www.facebook.com/share/v/1Cm8N7Jk7y/
LINK #6: https://www.facebook.com/share/v/1EUy4Ye7yk/

| ๐˜Š๐˜ข๐˜ฑ๐˜ต๐˜ช๐˜ฐ๐˜ฏ ๐˜ฃ๐˜บ ๐˜”๐˜ฉ๐˜ข๐˜ถ๐˜ณ๐˜ช๐˜ฆ๐˜ฏ ๐˜Š๐˜ฐ๐˜ฅ๐˜ช๐˜ฐ-๐˜ข๐˜ฏ

๐——๐—ถ๐—ฟ๐—ฒ๐—ฐ๐˜๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—๐˜‚๐—ฑ๐—ฒ๐—ป๐—ป๐—ถ๐˜€ ๐—ฃ๐—ฎ๐—น๐—ฎ๐—ฟ๐—ฎ๐—ผ
๐—˜๐—ฑ๐—ถ๐˜๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—๐—ผ๐—ต๐—ป ๐—๐—ฎ๐—ฟ๐—น๐—ฒ๐—บ ๐—๐—ฎ๐—ผ

๐—–๐—ฎ๐—บ๐—ฒ๐—ฟ๐—ฎ ๐—ข๐—ฝ๐—ฒ๐—ฟ๐—ฎ๐˜๐—ผ๐—ฟ๐˜€:
John Jarlem Jao
Prencis Diane Getubig
๐—š๐—ฎ๐—ณ๐—ณ๐—ฒ๐—ฟ๐˜€:
Jhonny Relabo
Mhaurien Codio-an
James Van Sion
๐—ฆ๐—ฒ๐˜ ๐——๐—ฒ๐˜€๐—ถ๐—ด๐—ป๐—ฒ๐—ฟ๐˜€:
Adrian Hilario
Hazel Cabuena
Jarah Gameng
Bench Caรฑete
Gade Cortez




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