Drama for Change NPO

Drama for Change NPO The aim of the project is to empower youth to be a powerful voice for change in their communities, using drama. Now it is a registered NPO

Drama for Change started as a pilot project in 2012 as part of a CSR Programme of Bakwena N1N4 Toll.

Bapong Drama For Change facilitators and fieldworkers in partnership with Magaliesberg Biosphere Reserve rg Biosphere ar...
22/05/2026

Bapong Drama For Change facilitators and fieldworkers in partnership with Magaliesberg Biosphere Reserve rg Biosphere are leading a community-based waste management project focused on capturing data on how households, local businesses and other establishments deal with their day to day waste. Through teamwork, education, and leadership, the initiative seeks to inspire positive environmental change and build a greener future for the community.♻️

22/05/2026

Flashback Friday. May 2018

16/05/2026

The last part, as we finish explaining the Building Blocks for Drama (BBD) today, we unpack:

Conceptual Function
Building Blocks move participants from:
Unconscious behaviour → Conscious embodied awareness
They are the entry point into civic and social analysis through the body.

Next time we unpack
PHYSICAL THEATRE (DFC CONTEXT)
Please, you can engage with us as we unpack.

08/05/2026

Hi all, remember... we still dealing with the four core pillars of Drama for Change. We dealing with the Building Blocks For Drama. We explained the definition, the purpose and today we will be dealing with the core values of Building Blocks for Drama, and feel free to comment and if possible ask for more clarity as we all embark in this process of using drama for social change.

Core Components
Building Blocks For Drama train:
Space Awareness (Spatial Democracy)
→ Equal use of space breaks hierarchy and social clustering
Mood & Emotional Expression
→ Emotion is embodied, not performed
Status & Power Recognition
→ Power is visible in posture, movement, and interaction
Subtext Awareness
→ Meaning exists between what is said and what is shown
Tableaux (Image Work)
→ Social realities can be analysed visually

🧠 Conceptual Function
Building Blocks move participants from:
Unconscious behaviour → Conscious embodied awareness
They are the entry point into civic and social analysis through the body.

27/04/2026

Purpose
The Building Blocks For Drama (BBD) exist to:
Establish psychological and physical safety
Develop facilitation readiness and group discipline
Train participants in non-verbal communication
Build awareness of power, status, and social dynamics
Prepare participants for ImageTheatre and Forum Theatre processes.

18/04/2026

I first met Monde Mayephu in 2010, when his company was delivering road safety performances to primary schools as part of the NGO Drive Alive’s road safety outreach programme. From those early enga…

18/04/2026

WHOSE CURRICULUM IS IT, ANYWAY?
Dorothy Heathcote once reflected:
I don't think linearly… My logic is totally different.
Her point wasn’t just personal. She was questioning something much bigger:
Why do schools expect everyone to think in the same way?
In the past, she said, education served a clear purpose:
to make people literate
to help them count, function, and work
But now, she argued, the world demands something different:
we need them to be human, generous, thoughtful, with many kinds of language inside them…
Not just language in the sense of French or German - but:
the language of feeling
the language of interpretation
the language of social understanding
And yet, so often, these things are taught at a distance.
She gives the example of “Citizenship”:
They're learning it ‘over there’…
She means: they are learning about something happening in another place or time. Instead, she suggests something very different. Students should
visit courts of law
meet police officers
experience how society actually works
Because learning, for her, has to be lived.
She puts it simply:
“Whose job is it for you to learn?”
Many students would say: the teacher’s.
But her answer is:
“No… it's yours; but it's my job to enable you to want to.”
That shift is everything.
She describes a project working on the design of a hospital garden, and imagines what could happen if this was central to the school day. The students would learn about
science through soil and growth
art through design
music through creating sound for the space
Their days would be packed… they’d be walking tall on their understanding.
Instead, she observes, many students spend the day:
folded up like praying mantises…
And perhaps the most striking statement of all:
The curriculum is still made for them. It is not made by them.
This is the challenge she presents to us: not just, What should we teach?
But:
Who is the curriculum really for — and who is helping to shape it?
(Source: So Dorothy Heathcote video (University of Newcastle, 2002)

17/04/2026

DRAMA FOR CHANGE: BUILDING BLOCKS FOR DRAMA
📘 Definition
Drama for Change Building Blocks is a foundational training system that develops embodied awareness, emotional literacy, and power recognition through structured physical and interactive exercises. It prepares participants to engage safely and critically with social realities before entering complex applied theatre work such as Forum Theatre.

Address

Groot-Marico

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