16/08/2026
MY CAPE TOWN by PAT PILLAI, a message of hope...
Selvan Naidoo
Resistance theatre in apartheid South Africa was a powerful political weapon. Playwrights and actors used performance theatre, satire, and township stages to bypass strict state censorship, expose police brutality, and mobilize communities against systemic racial segregation. Woza Albert, Sizwe Banzi is Dead, The Lahnee’s Pleasure, and Working Class Hero served as a vital weapon of resistance, cultural preservation, and social mobilization, broadcasting the anti-apartheid struggle to local and global stages.
Thirty-two years into our democracy, we have lost the ability to use the arts in leading a meaningful society. Pat Pillai’s masterful My Cape Town, in its layered nuance, conveys a message of hope by reminding us of how the beautifully enriching lived diversity experienced in Rylands, District Six, Magazine Barracks, and Sophiatown can drive us forward to sweep aside rising ethnic nationalism. The "deep concern and shame" expressed by President Ramaphosa regarding the recent violent anti-immigrant protests and mistreatment of foreign nationals in South Africa speaks to the challenge that My Cape Town poses. A challenge of how the inspirational medium of the arts can be used to fix our fractured society.
My Cape Town is more than a play; it asks us, as freedom-loving South Africans, to question what is wrong with South African society, ensuring that the legacy of Woza Albert, Sizwe Banzi is Dead, The Lahnee’s Pleasure, and Working Class Hero is not lost entirely.
Pillai’s moulding of Rylands and wider Athlone’s charming, quirky characters who made life extraordinary is portrayed in a hilarious, heartwarming, and nostalgic narrative of Cape Town during the 70s, 80s, and 90s! A narrative that is no different from My Johannesburg or My Durban. Told with vibrant storytelling, accompanied by the masterful Melvin Peters on live piano, Mandla Marsha on drums, and Logan Byrne on double bass. A fusion of dramedy, music, and songs, enthralled audiences in four shows at the Elizabeth Sneddon Theatre.
“The Cape Flats is a part of Cape Town that is most ethnically and culturally diverse, with people and cultures from around the globe interacting for hundreds of years. A diverse Hindu, Muslim, and Christian community shaped a unique cultural identity. In the 70’s, parents and grandparents had just been evicted from District Six and found themselves having to make a new life on the sands. In My Cape Town, we met Donavan Selveraj (the curious news editor); Oliver Shakespeare (the classical artiste); the mischievous Auntie Khadijah; Vikram Singh (the romantic mechanic); Lionel (a brilliant pianist); Mr and Mrs Jansen (sweepstakes winners); Uncle O’Brien (who lives in a shack); Umesh Lala (who defended his mother); Mr Murugadas (the charming waiter); Taxi Benny; Jimmy Jingles (the nervous MC); Yongama Bala (the boxer); Little Chubby Singh; Igsaan (the enforcer); – and many more,” writes Pillai.
My Cape Town by Pat Pillai is nostalgic, hilarious, yet deeply human - and wonderfully revealing for those who did not grow up there. Classic storytelling, music, laughter, and poignant moments that are universally human. News reports of life on the other side of Cape Town, the Flats, are often dire, but life is so much more than the bleak. On the Flats and, in fact, all over South Africa, people find a way... they love, build, create, celebrate and dream. My Cape Town captures these vibrant and uplifting stories.
“Pat Pillai was born and raised in Athlone, Cape Town. As a professional, Pillai went on to study and work in Durban, Johannesburg, Cape Town and abroad. Pat is calling this his ‘Thank You Durban’ run — a heartfelt tribute to the city where, from 18 years old, he was qualified, trained, apprenticed and set on the path to his professional life.”
As a gesture of gratitude, he donated the proceeds from all his Durban public shows to selected charities like the 1860 Heritage Centre, the Dennis Hurley Centre, A***n Benevolent Homes, and the Hindu Maha Sabha as his thank you to the people of Durban.
The 1860 Heritage Centre, The Denis Hurley Centre, A***n Benevolent Homes and the South African Hindu Maha Sabha wishes to thank all their patrons who came out in their numbers to support an amazing show in My Cape Town. Siyabonga kakhulu, Pat Pillai and team.
Morena boloka setjhaba sa heso
Yizwa imithandazo yethu.
Selvan Naidoo is the Maternal Great-grandson of Camachee, indentured number 3297, & Paternal Great-grandson of Karpayamma, indentured number 96575, and Director of the 1860 Heritage Centre.