01/06/2026
WZ BOOK REVIEW The Immortalites by Claire Robertson (Umuzi)
It was only on reading the closing line of the Author’s Note in The Immortalites by Claire Robertson that I learned the link between the author herself and the story in this book, through a small, but not insignificant detail. It would be a pity to spoil it for you completely – so maybe it’s enough to say the ‘detail’ concerns the ‘barbarous murder’ of 11 year old Elizabeth Shone in 1832. It was a real event. And a tragic one to find in the suitcase of family legacy.
The bigger story here concerns another young lady, Ellen Kent and her arrival on the shores of South Africa on the good ship Immortalite and finally destined for the eastern frontier of the Cape Colony. Fresh from an orphanage in England, Ellen considered herself fortunate to have had the opportunity to accept a job as governess in ‘Africky’ – though she would have had no way of knowing how her life would pan out. Nor would she have known the complications of the different players in the Frontier Wars of the time.
So, literally in her own words, we journey with Ellen on this assignment – ‘a sober girl, on my way to being a ‘sorting’ sort of woman, a manner of unsexed female who has retained only the useful womanly parts – quick hands, small opinions.’ Vulnerable as she is, she’s also observant and reveals great insight into the characters she meets along the way. A colourful cast, they include the conniving Captain Makepeace whose responsibility she becomes, the extraordinary Elsie Divine with her painted wagon, the interpreting Gysbert de Boer, a parrot named Xerxes, a shipwreck dog named Hector and a horse called Swan. Their adventures, fortunes and misfortunes are lyrically described in a colloquial language that I found both haunting and infectious. ‘I should mention that this same war was so repeatedly fought here, we knew the chapters of it by their number.’
I have no idea how much of the rest of this story is real or imagined, but as a journalist well used to working with and weaving facts and research, it’s certain that Robertson’s exploration of ‘history, archives, small museums, country churchyards and hunches’ have contributed a great deal to this evocative tale. And that cover – the inimitable Eastern Cape aloe and sepia winding wagon trail speak volumes.