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Crushing Colonialism Crushing Colonialism tells the stories of Indigenous people.

10/14/2026

Today, October 14, 2026, Indigenous peoples and civilians took to the streets of so-called “Colombia” as part of a national strike against the country’s new far-right government and the intervention of the so-called “U.S.”

In Bogotá, artistic performances, chants, and protest slogans filled the streets as demonstrators voiced their opposition to government policies, fracking, and the aerial spraying of illicit crops, raising concerns about the impacts on ecosystems, human communities, and other species.

The mobilization also rejected colonial and imperialist interference while bringing together diverse voices demanding Indigenous sovereignty, environmental protection, social justice, and self-determination.

They called it “discovery.” We call it what it was: colonization, exploitation, and unaliving.This year, the so-called “...
10/12/2026

They called it “discovery.” We call it what it was: colonization, exploitation, and unaliving.

This year, the so-called “U.S.” will be celebrating Columbus as a hero of Western civilization while glossing over the violence and dispossession that followed his arrival.

Indigenous peoples were already here, with our own nations, governments, knowledge systems, and thriving societies. We were never waiting to be discovered.

This , honor the ancestors by supporting Indigenous communities, organizations, and storytellers. And our ‘Merica: Thieving & Deceiving Since 1776 collection is another way to challenge colonial myths, with merch you can wear beyond October 12, whenever you want to make a statement.

Shop our merch, donate to Indigenous-led organizations, and help sustain Indigenous storytelling.

🛍️ Shop our merch: cruhsingcolonialism.org/shop
🤲 Donate: cruhsingcolonialism.org/donate



IMAGE DESCRIPTION:

Against a white background, the five images invite viewers to commemorate the true history of Columbus arrival. Slide 1 features the campaign title, ’Merica 250: Thieving & Deceiving Since 1776, alongside a black and white portrait of a Lakota Sioux medicine man. Slide 2 explains that “What followed wasn’t discovery, it was exploitation and unaliving. Slide 3 calls on viewers to honor Indigenous ancestors by supporting their initiatives. Slide 4 shows the ‘Merica 250 full logo, an artwork by Henry Navarro—an interdisciplinary fashion designer, visual artist, activist, and scholar of Afro-Latinx and Taíno-Arawak ancestry. The design uses the colors of the so-called “U.S.” flag to recontextualize historical representations of Indigenous leaders, Black Continental Army soldiers, and colonists of European descent, confronting simplistic narratives about the origin of the so-called “U.S.”

10/08/2026

👻 🎬 Want to make Indigenous horror?

Plains Cree filmmaker Theo Cuthand (Theo Jean Cuthand), director of the horror short Kwêskosîw: She Whistles, shares his tips, from working with blood and fire to communicating effectively with actors on set.

Watch his film, hear his advice, and discover more Indigenous horror in this October.

🤲 Support Indigenous storytelling: crushingcolonialism.org/donate



VIDEO DESCRIPTION:
Theo is a male-coded person with a shaved head, a tattooed chin, and black-rimmed glasses. He wears a blue T-shirt with a slightly open neckline that reveals some of his other tattoos.

“Being Maasai is about more than traditional clothing or language. It is about respecting our community, caring for the ...
10/07/2026

“Being Maasai is about more than traditional clothing or language. It is about respecting our community, caring for the land and livestock, listening to Elders, and protecting the values passed down through generations. Those ordinary moments became the foundation of who we are. Before we learn from books, we learn from our family. Before we understand history, we are already living the culture…”

However, the world around the Maasai community has changed in many ways. More children are going to school. Technology connects us with people across the world. Climate change has affected the land that many Maasai families depend on, and modern life continues to bring new opportunities and new challenges.

As a young Maasai woman, Naomi Lemunga believes education and tradition can grow together, as detailed in the latest edition of .

“We can embrace new opportunities while continuing to speak Maa and honour our customs,” she says. “Our culture is not something that belongs only in the past. It grows with every generation that chooses to carry it forward.”

➡️ Read the article: https://crushingcolonialism.org/growing-up-maasai-in-a-changing-world/

IMAGE DESCRIPTIONS:

Slide 1: Four Maasai women in colorful traditional clothing and beaded jewelry stand outside in sunlight, smiling. A rustic building and blue sky with clouds are in the background. Brown bag visible in the foreground.

Slide 2: Excerpt from the article. Below, the photo of a group of people in traditional Maasai clothing sit on chairs and logs outdoors near dry brush, talking and holding walking sticks on sandy ground under sunlight.

Slide 3: Excerpt.

Slide 4: Excerpt from the article. Below, the photo of a person in traditional Maasai clothing sits on the ground, beading a sandal beside a tree trunk on reddish soil. Tools and containers are placed nearby.

Slide 5: Over a black background a text reads: “Support our mission, crushingcolonialism.org/donate”

We   and we are looking to work with an Indigenous journalist in Brazil to produce a post-election analysis for   examin...
10/05/2026

We and we are looking to work with an Indigenous journalist in Brazil to produce a post-election analysis for examining what the presidential election results could mean for Indigenous communities, their territories, and the environment.

To apply, contact our Editor-in-Chief, Isabel Riofrío ([email protected]) with a brief introduction, links to previous work, and your rates in USD.

IMAGE DESCRIPTIONS:

1: Over a white background, a text in yellow, black and green reads “Hire Indigenous. Call for Indigenous Journalist. Brazil Elections. Apply by: October 12, 2026”. Below, the CC logo. 2: Over a green background, the text provides the same instructions mentioned above in this caption. Below, the CC logo.

Naseem Jahan, a resident of “Lucknow” (a city in northern India renowned for its centuries-old crafts, Nawabi culture, r...
09/29/2026

Naseem Jahan, a resident of “Lucknow” (a city in northern India renowned for its centuries-old crafts, Nawabi culture, rich history, and celebrated cuisine), owns almost nothing that the world would consider valuable. She has no house, no car, no jewelry—not even a mobile phone. Yet there is one possession she treasures above everything else: a five-decade-old piece of footwear.

What was once simply a wedding gift has, over the years, become the most precious thing she owns. To Jahan, it is not merely an heirloom but a living archive of her past, of a mother who is no longer alive, of her wedding day, and of a “Lucknow” she said now exists only in memory.

Nagra, or chandi ke paposh, the Urdu term for silver footwear, is one of “Lucknow’s” most distinctive yet rapidly vanishing artisanal traditions. Once synonymous with Nawabi opulence and royal patronage, the craft now survives through only six or seven master artisans, as its production demands highly specialized silversmithing techniques and exceptional craftsmanship.

For 25-year-old Anjum Syeed, who is due to marry in November this year, silver Nagras will remain a dream rather than a part of her wedding. The soaring cost of silver has forced her family to abandon a tradition they had hoped to continue.

📖 Read the full article by Aatif Ammad (Aatif Ammad) in the latest issue of : https://crushingcolonialism.org/the-last-keepers-of-a-silver-legacy/

IMAGE DESCRIPTIONS:

1: Nawab Masud Abdullah at his palace in “Lucknow,” displaying the silver Nagras he and his wife wore at their wedding 45 years ago, a treasured heirloom that has remained in their family ever since. 2-4: Excerpts from the article. 5: Over a black background, a text reads: “Support our mission, crushingcolonialism.org/donate

Across the “United States,” Indigenous communities are revitalizing languages and other traditions once pushed toward ex...
09/24/2026

Across the “United States,” Indigenous communities are revitalizing languages and other traditions once pushed toward extinction.

These efforts are more than acts of preservation. They are forms of cultural continuity and self-determination, carried out on Indigenous terms.

Read Israel Temmie’s latest article in for a look at what Indigenous survival looks like now, and why continuity itself can be an act of resistance: https://crushingcolonialism.org/what-survival-looks-like-now-indigenous-traditions-as-living-practice-not-preservation

Or donate to support Indigenous storytelling: https://crushingcolonialism.org/donate

IMAGE DESCRIPTION:

Over a black background, a text reads: “The Magazine | Global Indigenous News | Fewer than 20 Native languages may still be in active use in the country by 2050 | Israel Temmie reports on “What Survival Looks Like Now: Indigenous Traditions as Living Practice, Not Preservation” | crushingcolonialism.org/the-magazine

A muʻumuʻu can be more than a dress 👗For Kanaka Maoli, lole o ka lā—“outfit of the day”—can be a way to honor ancestors,...
09/22/2026

A muʻumuʻu can be more than a dress 👗

For Kanaka Maoli, lole o ka lā—“outfit of the day”—can be a way to honor ancestors, carry stories, reclaim cultural identity, and celebrate Hawaiian resilience.

Explore the people, traditions, and ancestral knowledge woven into Hawaiian fashion in the article by Elizabeth Nohea Coleman in : https://crushingcolonialism.org/lole-o-ka-la-hawaiian-resilience-through-fashion/

Or donate to support Indigenous storytelling: https://crushingcolonialism.org/donate

MAGE DESCRIPTIONS:

1. The photo of Franceska Durkin-Tang, who wears one of the first muʻumuʻu she thrifted in Kona, designed by T&L Muʻumuʻu Factory. Over the image, the text reads: “The Magazine | Decolonized Beatz | Lole o ka Lā: Hawaiian Resilience Through Fashion by Elizabeth Nohea Coleman.” Below, CC’s logo.

2. An excerpt from the article. Below, two photos of a gown that showcases a delicate maka ʻupena (eye of the fishnet) watermark and intricate natural detailing.

3. An excerpt from the article. Below, a photo of Durkin-Tang, who wears one of the designer’s first Betes.

4. A text reads: “Support our mission: crushingcolonialism.org/donate.”

Long before modern sports filled stadiums, Indigenous peoples across the “Americas” developed games that carried history...
09/18/2026

Long before modern sports filled stadiums, Indigenous peoples across the “Americas” developed games that carried history, ceremony, and community traditions from one generation to the next. Today, millions celebrate sports such as soccer, basketball, and baseball, often without realizing that many of the games and ball traditions that shaped modern athletics have deep Indigenous roots.

Archaeological evidence traces Ullamaliztli back more than 3,500 years to the Olmecs, regarded as the earliest civilization in Mesoamerica, making it one of the world’s oldest continuously practiced sports. Despite the widespread belief that colonization erased the tradition, Ullamaliztli has survived through generations of Indigenous communities and continues to be played today.

📖 In the latest issue of , Ullamaliztli player Jesús A. Escandón (Jesus Adrian Escandon) details the proliferation of the sport in the Mexican state of Sinaloa, in “South Los Angeles,” and across the world; what Ullamaliztli means to Indigenous peoples; and how it differs from modern “American” sports.

➡️ Comment “read” to get the article, “donate” or “sign up” for the newsletter and we’ll send you the link. Or click the link in our bio.

*Image descriptions in the comments.

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