Onward Project

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Onward Project A legendary expedition comes to life--history and technology merge in innovate multimedia experiences The collaboration proposed by RBMVE-Onward! RBMVE-Onward!

Rainbow Bridge-Monument Valley Expedition (RBMVE), 1933-38 – The Last Great Expedition: A reunion and a look forward to an exciting, large-scale collaborative venture. The RBMVE was a multi-disciplinary scientific expedition that worked in Arizona and Utah during the heart of the Depression and remains a primary example of the power behind corporate support, an innovation pursued by the director or RBMVE, Ansel Hall. Archaeologists, biologists, geologists and other scientists worked with college students and Navajo residents to gather information on a larger scale than ever before and over a vast area of previously unmapped, isolated canyons and mesas that was just beginning to be the focus of national attention through tourism and the movies. The Expedition not only made significant contributions to science but also had a lasting effect upon the lives of the participants. The output included thousands of feet of film, thousands of photographs, glass lantern slides, the material from over 600 sites, and much more. It is spread amongst numerous institutions and individuals, as are the stories there are yet to tell. This inaugural conference, organized by the new non-profit, RBMVE-Onward!, was held at the Center for Southwest Studies, Fort Lewis College, in Durango, Colorado, during the weekend of October 10-12. The gathering of sixty represented the unique perspectives informed by the many and varied interests and backgrounds of the original participants--with some contemporary additions. The aim of the meeting was to share collective resources related to RBMVE, discuss the approach for a multi-venue exhibition, and talk about the application of innovative and relevant new technologies for exhibit presentation. Presentations related to content were given by a range of RBMVE content holders, stakeholders, collaborators, scientists, archaeologists, historians, native community representatives, and families of original participants introducing the extraordinary breadth and impact of the Expedition, its history, and its archives. There are many layers of stories to tell and rich data to mine from multiple archives as well as the many studies undertaken through the decades utilizing RBMVE material since the original Expedition took place in the 1930’s. Discussions following the sessions encouraged the connections we can make and the powerful potential that is possible with collaboration on a grand scale. The extraordinary breadth of material output by the Expedition has made it difficult to synthesize into a single project--until now. The afternoon sessions were devoted to digital frontiers and how we can harness the power of cutting-edge digital technologies to advance the mission of RBMVE-Onward! to bridge the divide between advanced landscape modeling and popular visualization technologies to help museum audiences and scholars understand the multidimensionality and multivocality of the RBMVE. The conference achieved its primary goal of obtaining commitments from a core group of institutions and individuals to participate in an unparalleled sharing of time, information, data and other resources as a primary step towards a very large cooperative venture. The result of this collaboration is intended to be unprecedented access to the depth and of the information and stories about the subject matter of the Expedition. It is believed that this process will also allow for the identification of previously uncharted aspects of this history. is intrinsically suitable for the large-scale collaboration that the original Expedition represented. It will allow for the natural reunification of these many fragmented and isolated segments of the Expedition’s output to come back together into one robust, deep and whole consideration of the history of the place and events. It is anticipated that the value of each individual collection will be greatly enhanced by the context provided by the collaboration. intends that the digital component we create will have multiple educational applications and new opportunities for scholarship far beyond the life of the exhibition program. We aim to provide an ease of access to a wide range of the subject matter representing a significant piece of history in the American Southwest through the narratives held in the Rainbow-Bridge-Monument Valley Expedition.

Regardless of time or place, using a beautiful and artful ceramic object every day, admiring a special piece, or prizing...
08/21/2026

Regardless of time or place, using a beautiful and artful ceramic object every day, admiring a special piece, or prizing a vessel for an event or ceremony seems elemental to the human experience. This is as true of objects handmade today as it was in antiquity in the American Southwest, Peru and Ancient Greece, all examples of cultures that left behind a rich tradition of pottery. Scholars have spent generations attempting to decode the messages left to us from the ancient past, and like the material from the Southwest and other cultures, the power of these objects is still palpable. Yet, many questions and many of the mysteries held in the ceramic decoration remain unanswered.

To read more join our email list or email us at [email protected] for a copy.

We are so excited to share our latest graphic biography website, featuring the inspiring story of Gertie Austin.Gertie w...
07/11/2025

We are so excited to share our latest graphic biography website, featuring the inspiring story of Gertie Austin.

Gertie was the wife of Max Littlesalt, the guide and interpreter for the historic Rainbow Bridge–Monument Valley Expedition. Her story—often overlooked—reveals the essential role that women played not only in the success of the Expedition but also in everyday life across the Southwest during the 1930s and beyond.

The idea for this project was first sparked years ago by our dear friend and collaborator Louise Denetso. With her encouragement—and the enthusiasm of her family—we’ve been able to bring Gertie’s story to life. Louise’s daughter, Lithuania Denetso, a close friend and researcher, contributed a moving foreword describing the words she wishes she could have said to her grandmother, Gertie. Click the link below to read it and experience our latest website!

https://gertie.onwardproject.org/

We are thrilled to share with you our latest website, focused on aerial photography!Visit here: https://aerials.onwardpr...
06/27/2025

We are thrilled to share with you our latest website, focused on aerial photography!
Visit here: https://aerials.onwardproject.org/

In the 1930s, aerial photography was used for the first time to study the landscapes of Northern Arizona. In 2019, The ONWARD Project returned to photograph the same region from the air. Our new website lets you compare historic and contemporary aerial images — we hope you enjoy the different perspectives.

We remain aware that the land that we and the Expedition members flew over is Navajo, Paiute, Hopi and Zuni and as such hold many personal and community histories that belong to these places. The aerial viewpoint gives us the ability to travel over this wider region to focus solely on topography and geographical relationships as did the Expedition fliers and photographers in the 1930’s. In the tradition of many Native Peoples, maps they create of specific landscapes often represent a bird’s eye viewpoint.

Native Artist Spotlight: Lithuania DenetsoOver the past year, Lithuania Denetso, Collaborator with The ONWARD Project, u...
04/14/2025

Native Artist Spotlight: Lithuania Denetso
Over the past year, Lithuania Denetso, Collaborator with The ONWARD Project, undertook the study of ceramic making in the tradition of Southwest historic pottery. She was inspired to learn these methods in order to originate shapes and designs using the natural clays and pigments available in the canyons of the Four Corners region of the Southwest where her family history lies. In talking with elderly relatives she discovered that her great grandmother Mary Austin (John Austin’s wife, and parents of Gertie Austin, Max Littlesalt’s wife) was a potter in the late 19th and early 20th century. The ONWARD Project is excited to follow Lithuania’s path as she hones her skills.

We can't move ONWARD without you!
01/30/2025

We can't move ONWARD without you!

Let’s finish the year with a bang!We’re thrilled to announce that The ONWARD Project has received an incredible $10,000 ...
12/27/2024

Let’s finish the year with a bang!

We’re thrilled to announce that The ONWARD Project has received an incredible $10,000 matching gift. That means every dollar you donate between TODAY and DECEMBER 31 will be DOUBLED, making twice the impact!

Your donation will directly support bringing our Immersive Experience to institutions dedicated to Native American history and cultural heritage in the Southwest.

Together, we can make a meaningful impact, reaching diverse audiences with this vital work. Thank you for your generosity as we continue to move ONWARD!

Donate here: https://onwardproject.org/donate

More updates from our latest newsletter:Aerial WebsiteWe have been working with website designer Ben Benjamin on a speci...
12/16/2024

More updates from our latest newsletter:

Aerial Website
We have been working with website designer Ben Benjamin on a special website comparing the many breathtaking aerial photographs from the 1930's with images from the present. The RBMVExpedition aerial survey was one of the first in association with a large-scale study and was part of the impressive in depth surveys of the Northern Arizona region undertaken by the Expedition. Inspired by these early aerial surveys, in 2018 we hired two small planes and flew with four photographers from The ONWARD Project to recreate some of these images. The website will launch in the new year. Stay tuned!

Our latest update newsletter is live! Check out a few key pieces here: Disseminating ONWARD's Immersive Experience and D...
12/13/2024

Our latest update newsletter is live! Check out a few key pieces here:
Disseminating ONWARD's Immersive Experience and Digital Assets
We are actively planning the dissemination of our Immersive Experience along with our many other digital assets to multiple institutions in 2025. We have been working behind the scenes for many years to nurture collaborative relationships with a number of Southwest institutions including, Center for Southwest Studies at Fort Lewis College in Durango, Colorado; the Museum of Indigenous People in Prescott, Arizona and the Navajo Nation Museum in Windowrock, Arizona and are now discussing each institutions particular audiences and display needs. The Denetso Family has generously offered to fund the purchase of multiple wireless headsets to be donated to each institution to serve the public and educators. We can't wait to tell you more about our plans soon!

Future Events and Newsletter:
- We are gearing up to present our final Immersive Experience and accompanying art pieces alongside other digital artists in Los Angeles in the Spring. Look for a save the date!
- Our upcoming newsletters focus on Expedition member Watson Smith, Lithuania's journey through learning traditional ceramic arts and a fascinating lecture about a Navajo man in the 1900's by our friend and historian Harvey Leake.

This  , help The ONWARD Project bring history to life! We are so grateful for your support ❤️
12/04/2024

This , help The ONWARD Project bring history to life! We are so grateful for your support ❤️

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