The Poetry Center, San Francisco State University

The Poetry Center, San Francisco State University organizing readings talks performances at SF State & public venues since 1954

THE POETRY CENTER hosts readings, talks, and performances thru Fall and Spring seasons, on the SFSU campus & at public venues. For our events calendar http://www.poetry.sfsu.edu

Currently in the process of digitization, our American Poetry Archives hold original audio & video documents of 4,000+ hours of new and historic programs. POETRY CENTER DIGITAL ARCHIVE debuted online April 2011 with "Fift

y from the Fifties," original Poetry Center recordings 1954–1959. Later recordings follow, with streaming video added in 2015: https://diva.sfsu.edu/collections/poetrycenter

Poetry Center website:
http://poetry.sfsu.edu

Streaming video for new readings, Poetry Center Digital Archive:
https://diva.sfsu.edu/collections/poetrycenter/10930

Poetry Center highlights on video:
https://vimeo.com/channels/poetrycenter

1960s streaming audio, Poetry Center Digital Archive:
https://diva.sfsu.edu/collections/poetrycenter/10044

Poetry Center Archive News:
https://poetrycenterarchivenews.wordpress.com

Poetry Center page:
https://www.facebook.com/thepoetrycentersfsu

05/25/2026

In 2026, Litmus will publish two landmark books by French poet Anne-Marie Albiach that bring multiple presses and translators into conversation across time.

La Mezzanine will make its English-language debut, translated by Teresa Villa-Ignacio, alongside a second edition of Mezza Voce with a new introduction by Ann Smock, originally published by The Post-Apollo Press and translated by Joseph Simas in collaboration with Anthony Barnett, Lydia Davis, and Douglas Oliver.

These books reflect the layered networks of experimental publishing, translation, and stewardship that Litmus is part of, and affirm an ongoing legacy shaped by dialogue among poets, translators, and small presses.

05/25/2026
TBR now ✍️📖
05/25/2026

TBR now ✍️📖

Submission 🚨
05/25/2026

Submission 🚨

05/25/2026

The Poetry Center at SFSU is a space to gather and create. It’s also home to history, books, an archive, and so much more.

Dr. Tonya Foster shares the background and vision of the series Undisciplining the Fields.

04/27/2026

Join us April 27th 5:30-7pm for poetry and conversation with Marcella Durand.

Her latest work, A Winter Triangle, winner of the 2023–24 Poetic Justice Institute Prize, Selected by Srikanth Reddy

A poetic exploration that reimagines form and language through celestial patterns

Informed by mystery, chaos, order and writing as container, A Winter Triangle explores poetic space and form amid the infinite possibilities of composition and change. Composed of three parts, or “points,” like its namesake asterism, this collection is inspired by Stéphane Mallarmé’s idea of composing poetry from the “senseless splendor” of the skies, as well as the designs for automata by twelfth-century inventor and engineer Ismail al-Jazari, and mythological depictions of Sirius, the dog/wolf star, as both a keeper of order and the agent of chaos and energy.

Inventing a new poetic form, the septentrional, which trembles in its own process of becoming throughout the length of the book, Marcella Durand questions the potential of poetry in the face of artificial intelligence, climate change, and political turbulence in which language is often twisted into the opposite of its own meaning. By counting the seven syllables of the septentrional and opening spaces (caesura) within the poetic line to provide breath and rejuvenation amid exhausting world events, these poems resituate poetry as an alternate space in which to reimagine the given forms of constellations and how we imagine order out of seeming chaos. Thus the question is opened as to whether the poet may ever make sense of the “senseless splendor” of the skies, or simply convey them as they are through poetry, holding the infinite within the finite, for a time.

Durand reads the “dustlike” script of the calligraphic galleon, a ship created entirely out of words, as art and struggles to understand the burning dog/wolf star that stands between law and lawlessness. Is there actual connection between stars in the constellations we have invented? Can we find room for composition within the broken loops of infinity? At the point between old and new, bow and arrow, chaos and order, A Winter Triangle asks us to face the overwhelm of change—self-inflicted, invented, planetary, and real.

Join us April 27th 5:30-7pm for poetry and conversation with Marcella Durand. Her latest work, A Winter Triangle, winner...
04/27/2026

Join us April 27th 5:30-7pm for poetry and conversation with Marcella Durand.

Her latest work, A Winter Triangle, winner of the 2023–24 Poetic Justice Institute Prize, Selected by Srikanth Reddy

A poetic exploration that reimagines form and language through celestial patterns

Informed by mystery, chaos, order and writing as container, A Winter Triangle explores poetic space and form amid the infinite possibilities of composition and change. Composed of three parts, or “points,” like its namesake asterism, this collection is inspired by Stéphane Mallarmé’s idea of composing poetry from the “senseless splendor” of the skies, as well as the designs for automata by twelfth-century inventor and engineer Ismail al-Jazari, and mythological depictions of Sirius, the dog/wolf star, as both a keeper of order and the agent of chaos and energy.

Inventing a new poetic form, the septentrional, which trembles in its own process of becoming throughout the length of the book, Marcella Durand questions the potential of poetry in the face of artificial intelligence, climate change, and political turbulence in which language is often twisted into the opposite of its own meaning. By counting the seven syllables of the septentrional and opening spaces (caesura) within the poetic line to provide breath and rejuvenation amid exhausting world events, these poems resituate poetry as an alternate space in which to reimagine the given forms of constellations and how we imagine order out of seeming chaos. Thus the question is opened as to whether the poet may ever make sense of the “senseless splendor” of the skies, or simply convey them as they are through poetry, holding the infinite within the finite, for a time.

Durand reads the “dustlike” script of the calligraphic galleon, a ship created entirely out of words, as art and struggles to understand the burning dog/wolf star that stands between law and lawlessness. Is there actual connection between stars in the constellations we have invented? Can we find room for composition within the broken loops of infinity? At the point between old and new, bow and arrow, chaos and order, A Winter Triangle asks us to face the overwhelm of change—self-inflicted, invented, planetary, and real.

honored to be introducing Susan Thackrey two weeks from today. on this terrific bill with Jason Morris and Evan Kennedy....
09/21/2024

honored to be introducing Susan Thackrey two weeks from today. on this terrific bill with Jason Morris and Evan Kennedy. Susan's new book is from Chax Press. Evan's from City Lights. Jason's from the Ugly Duckling Presse. all at Et al., 2831 Mission Street, btw 24th and 25th (right near Bart station). see you there!

Address

Humanities 511-512, San Francisco State University, 1600 Holloway Avenue
San Francisco, CA
94132

Opening Hours

Monday 12pm - 5pm
Tuesday 12pm - 5pm
Wednesday 12pm - 5pm
Thursday 12pm - 5pm

Telephone

+14153382227

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