Saspa - St. Albans, VT

Saspa - St. Albans, VT Saint Albans Society for the Performing Arts

10/29/2023

SECRETARIAT
~DO YOU BELIEVE IN MIRACLES~
12:10 a.m. March 30, 1970. When Secretariat came into the world, the world welcomed him with freezing cold, gusting winds and fog. He took his first breath in the little foaling shed, 17A at the Meadow, a sprawling 2,600-acre farm. Within twenty minutes, the leggy and wobbly foal was up on his feet. In forty-five minutes, he was sucking greedily.

The Meadow was a classy horse farm. Its owner was a man named Christopher Chenery, and he had bought the land in 1936, though many in the horse business had advised him not to. Some said the pastures were too poor, the land was too wet, and it would never do for what he had in mind-a farm to raise the finest Thoroughbreds. Chenery was drawn to the land because his ancestors had owned it before the American Civil War, back in the 1860s. He must have felt a longing to get it back, to restore it to the family.

Christopher Chenery had money (for he was clever in business), he had a degree in engineering (which helped as he drew up complex plans to drain the farm's many swamps), and, most of all, he had a love of horses.

He played polo and he rode every day. He loved the smell and look and grace of horses, especially Thoroughbred horses. The Meadow was his dream, and he lived it every day.

By the time Secretariat was born, Christopher Chenery was eighty-three years old and very frail. For years, the Meadow's horses had done well at the racetrack, but the luck had turned. A horseman must have luck. You can quickly lose your shirt by owning horses. There is even a phrase to describe it: horse poor.

Veterinarian bills must be paid, and blacksmith bills. Medicines and grain and stall bedding must be bought. Fancy tractors are needed to groom the training track, big harvesters to gather the hay, and trucks to haul both horses and hay. Ropes and halters, saddles and bridles constantly wear out and need replacing. Such a huge farm required a staff of trainers and grooms, exercise riders and labourers. And though the sums of money from winnings at the track and the sale of horses seemed great, they could not keep up with the Meadow's ever-rising expenses.

Christopher Chenery's two daughters and son debated what to do. Should they sell the farm? Perhaps use the money from the sale to invest in the stock market? Finally, the youngest daughter, Penny, stepped forward and volunteered to try filling her father's shoes. She was a rider, she had studied business at school, and she had her degree. But would that be enough to pull the Meadow out of its tailspin? Her learning curve as the new farm manager would be steep.

"We'll need a miracle," one longtime worker at the farm said. On the night that Secretariat was born, that same worker called Penny Chenery on the telephone. "Your miracle, he told her, "has arrived."
-by
Lawrence Scanlan

08/04/2023

It had to happen. Harry Styles (pop’s main man) has teamed up with David Hockney (the godfather of British art).

The painting will be displayed for the first time at London’s National Portrait Gallery () this autumn.

“I wasn’t really aware of his celebrity then,” Hockney told British Vogue. “He was just a another person who came to the studio”.

Tap the link in our bio to read more now.

06/17/2023
06/08/2023

Emil Nolde
Autumn, Evening
1924
Oil on canvas. 73 x 100.5 cm
© Nolde-Stiftung Seebüll

Museo Nacional Thyssen-Bornemisza

(*)Emil Nolde painted Autumn Evening in Utenwarf, in his native Schleswig, which became a part of Denmark after the war. Nolde had bought a house in this area in 1916, where he would spend long periods each year. This melancholic painting, which according to Peter Vergo was executed between May and October 1924, depicts the flat scenery of the area, with its characteristic billowing clouds, in the throes of a rough storm that gives it a disturbingly menacing appearance.

As in most of his paintings from the 1920s, in Summer Evening the colours are more saturated and infused with symbolic and emotional connotations. Since his beginnings as a painter Nolde had attached particular importance to colour. As he wrote in his autobiography, to him colours “have a life of their own, weeping or laughing, dream and joy.” The use of bright colours, applied to the canvas straight from the tube, made his paintings significantly similar to the Expressionistic experiments of the start of the century.

Furthermore, throughout his entire artistic career Nolde was particularly concerned with expressing his inner emotions, not only through colour but also through an aesthetic of distorted forms. His landscapes, always constructed from a feeling of at-oneness with nature, can be interpreted as inspired by the Germanic character that links him to German romantic artists like Friedrich. The latter’s landscape entitled Evening on the Elba, 1832, acquired by the Dresden Staatliche Kunstsammlungen in 1909, bears such evident similarities to Nolde’s landscapes that everything indicates that Nolde must have been familiar with it.

Autumn Evening was first shown in 1927 in Dresden, where Nolde had been involved for a short period with the Die Brücke artists. Years later, according to Martin Urban, the author of the catalogue raisonné of the artist’s oeuvre, it was included in the Nolde exhibition at the Kunsthaus Rudolf Probst in Mannheim in 1937, which was closed by the authorities only three days after opening. Despite Nolde’s initial connections with Na**sm, his work was branded as degenerate and included in the exhibitions staged for the purpose of denigrating modern art as Entartete Kunst (Degenerate Art). This is why Baron Thyssen acquired a large set of works by Nolde from the 1960s onwards.

Paloma Alarcó, via (*) Nacional Thyssen-Bornemisza

08/05/2013

Tonight, Jay Craven Frank Mosher film "Northern Borders" at BFA Theatre, 7:30. $12.00. Also New Arts Council meeting moved to Wed. Aug. 7, City Hall. 7:00pm.

07/19/2013

Saspa reorganized into St. Albans Arts Council. Meeting Aug. 8th. Mark your calendars for visiting writer Joseph A. Citro, author of 'Vermont Haunts', Sat. July 20, 1 - 3, at Eloquent Page, and screening of 'Northern Borders' Aug. 5th at BFA.

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P. O. Box 226
Saint Albans, VT
05478

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