09/29/2026
EDITOR UPDATE:
Dear readers:
You will be happy to hear that Rosebud #73 goes to press this week with hopes for a quick turnaround and distribution. Fingers crossed. It is a beautiful and unique issue, and all that is to the good. With that, there is some bad news. Tragically, two of our contributing associates on this issue di ed during production, the artist for this issue, my old friend and distinguished Art Historian Tom Christensen, and longtime Rosebud Associate and former publisher, John E. Smelcer.
Such grief has no order of importance, but I will mention John First, since he died of cancer the day before yesterday. John is and Ahtna Indian native who grew up in the extensive Ahtna lands in Alaska and is the author of at least 23 books, which have been distributed internationally, and translated into many languages. I was the editor of his first novel, The Trap, and had the chance to watch his career as a novelist, mostly in the category of young adult novels unfold over time. Before the publication of The Trap, he was also a nationally recognized poet known here and abroad. For a full picture of this remarkable person and author, go to Johnsmelcer.com .
Tom Christensen was a lifelong friend of mine, and one of the last still breathing. We went through high school in Madison, Wisconsin, together, as well as undergraduate studies at the University of Wisconsin in Madison, where I also came to know his wife, who died unexpectedly in her sleep shortly after Tom did—to the consternation of friends and family. Just out of high school, in 1966, Tom and I collaborated on a somewhat forgettable literary magazine called Albatross. Much later, Tom was the author of 17 wonderful art history books , including my favorites, River of Ink , Like Water for Chocolate, and 1616. He and Carol were also the translators of multiple works by distinguished Latin American authors. For more on the remarkable books of Tom Christensen, search on the web for:
Books by Tom Christensen (Goodreads).
Call now to connect with business.