Borscht Belt Historical Marker Project

Directions Website

Borscht Belt Historical Marker Project Your source for all things Borscht Belt! Take our trail, please! šŸŖ§šŸš™

The Persian & Wedgewood rooms at The Pines Hotel in South Fallsburg, built in 1962. šŸ’œšŸ’œšŸ’œ
10/21/2026

The Persian & Wedgewood rooms at The Pines Hotel in South Fallsburg, built in 1962. šŸ’œšŸ’œšŸ’œ

Before our marker trail, not a single historic marker or plaque commemorated the 500 hotels, 50,000 bungalows, and milli...
10/20/2026

Before our marker trail, not a single historic marker or plaque commemorated the 500 hotels, 50,000 bungalows, and millions of vacation memories that defined the Borscht Belt. Now, we have 20 markers in the ground, honoring a legacy that gave so much to the world. Couldn’t be more proud of this team. Marisa Scheinfeld Louis Sam Inghilterra Isaac Jeffreys

ā¤ļøšŸŖ§ā˜®ļø

One of the highlights of our 20th marker dedication was hearing Judi Kirschenbaum share stories of her dad, Freddie Roma...
10/19/2026

One of the highlights of our 20th marker dedication was hearing Judi Kirschenbaum share stories of her dad, Freddie Roman, and the Catskills that shaped him. Funny, heartfelt and full of life, her words brought Freddie’s story and the world of Borscht Belt comedy into focus. Sharing her full speech here. Thank you, Judi. ā¤ļø

"Yes, that’s right…my last name is Kirschenbaum. You see, when my father went into show business, we all changed our name to Kirschenbaum. That was his joke, of course. So much of his humor was rooted in his family, and the fertile soil that anchored those roots was here in these beautiful mountains, the Catskills.

Fred Kirschenbaum first took the stage at his grandfather’s tiny Catskill mountain hotel called The Crystal Spring, in Youngsville, NY, when he was 15 years old. He was the self-appointed emcee for their Saturday night shows, and once he felt the warmth of that spotlight, held the microphone in his hand, and made ’em laugh, it was clear that show business was his destiny.

He attended NYU School of Drama, where he met my mother, Ethel. YES, they were FRED and ETHEL like the Mertzs’. They married, started a family, and Fred Kirschenbaum joined his father in the ladies’ shoe business, which he hated. The spotlight continued to call to him, and so he sold the store and officially moved from shoe business to show business.

His first job was as social director, or tummler, in Spring Glenn, at the Homowack Hotel. Irving Blickstein, the owner of the Homowack, fell in love with my father, and vice versa. He entertained Irving’s guests by day, leading activities like taking guests on a hike to a teepee on the hotel grounds and making up stories about the made-up Homowacka tribe. At night, he was the emcee in the showroom, introducing other entertainers and honing his comedy craft. He was at home on stage at the Homowack, doing shtick with the maĆ®tre d’ in the nightclub, Ben Tabby.

They would plan to have the phone ring in the middle of my father’s act, and he would shield his eyes from the spotlight, look to the back corner of the nightclub where the maĆ®tre d’s stand was, and yell, ā€œBen, if that is my mother, tell her I took a sweater.ā€

Our family vacationed at the Homowack every year during the school winter break with the family of comedian Dick Lord. We learned to ski, ice skate, swim, bowl, play miniature golf, and, of course, we kids got to stay up late and watch the shows in the nightclub. With Shirley Temples in one hand and wooden knockers with colored k***s on the end in the other hand, my brother and I watched audiences fall in love with our father. It was always so interesting to me that nobody ever used the knockers when my father was on stage. They were so busy roaring with laughter they forgot all about the knockers.

Freddie Roman’s jokes were born from the familiar flavors of the Borscht Belt. For example, there’s the one about the lady who pulled Mr. Blickstein aside in the hotel lobby to complain: ā€œIrving, the food tonight was poison… and such small portions.ā€

As my father’s career started gaining traction, and he began getting bookings at other hotels, Irving Blickstein told him that he could take the stage at the Homowack any time he wanted. My father’s comedy career in the Catskills began to take off. The mountains were his stomping ground.

The Concord, Kutchers, Stevensville, Grossingers, Pines, Nevele, Browns, the bungalow colonies… Sometimes three shows in one night. First, the Imperial Room at the Concord on a Saturday night, then the late show at Browns, and a bungalow colony for a late-late show, before he drove home to us in New City, NY, where so many of the Catskill comedians and some of our family’s closest friends called home. Morty Gunty, Myron Cohen, Dick Lord, Vick Arnell were my father’s brothers in comedy.

And, of course, Dick Capri and Mal Z. Lawrence, who were his brothers in the show he conceived and produced. Catskills on Broadway ran for 18 months at the Lunt-Fontanne Theatre, and then toured around the country and the world after that. This show was my father’s love letter to these mountains. He was so proud of where he came from and never batted an eye when someone referred to him as a ā€œCatskills comic.ā€ He often talked about the Catskills audiences being the toughest. He would say, if you could ā€œkillā€ at the Concord, you could make it anywhere. There was no audience harder to make laugh than a bunch of Jews who had just eaten their third all-you-can-eat meal of the day and were looking forward to, and planning, their fourth in the coffee shop right after the show!

My father’s career took him to Broadway, Las Vegas, and Atlantic City. He became dean of the NY Friars Club for 25 years. He toured with Cher, Dolly Parton, Tom Jones, Steve and Edie, opened for Frank Sinatra, performed for four Presidents, made movies and appeared on television, and worked all over the world. But when he took the stage in the mountains, he was in front of his favorite audiences. He was home.

One last bit about Catskills on Broadway. When my father brought the idea of the show to a group of producers, one producer said he loved the idea of the show but didn’t want the word ā€œCatskillsā€ in it. Too Jewish for Broadway, he said. My father stood firm and said he would walk away from the show if the name was changed. For my father, it was the whole point of the show. The legacy of the comedy that these mountains gave birth to was the point. And even as he was watching the hotels disappear, he knew that the comedy could, and already had, moved beyond the physical stages where it was born.

This humor, steeped in Jewish culture, characterized by sharp timing, self-deprecation, and family-friendly storytelling, had already migrated to sitcom television, movies like Dirty Dancing and Sweet Lorraine, and stand-up clubs across the country. Freddie Roman wanted to stamp this brand of comedy, its rhythm, its sensibilities, and its hilarity with its true moniker, Catskills comedy, and bring it to Broadway. And he did.

I want to thank you, Marisa, for inviting me to be with you today and for your dedication to this incredible project that will indelibly mark the sites of these hotels that were such a rich part of the history of American Jewish life. I could not be more honored, on behalf of the proudest son of the Borscht Belt, the beloved comedy legend Freddie Roman, and our entire family, for my father to be included on this marker. Thank you."

-- Judi Kirschenbaum-Levin, October 18, 2026

Custer’s Last Stand in Wurtsboro by photographer John Margolies, 1976. We’re unveiling our 20th marker today at the Mama...
10/18/2026

Custer’s Last Stand in Wurtsboro by photographer John Margolies, 1976.

We’re unveiling our 20th marker today at the Mamakating Historical Society! Can’t wait!

Photo C. LOC

Before it became the Homowack Lodge, the property began as Fatt’s Cottages, established by Harry and Yetta Fatt in the 1...
10/16/2026

Before it became the Homowack Lodge, the property began as Fatt’s Cottages, established by Harry and Yetta Fatt in the 1910s. Harry later expanded the operation and renamed it Florence’s Cottages, after his daughter, Florence Fatt. Florence married Irving Blickstein, and together they continued the family business, developing it into the Homowack Lodge, named for the surrounding area. The name Homowack is traditionally understood to refer to water running over or through an area, though its precise meaning remains uncertain. The Fatt family’s early cottages laid the foundation for what would become one of the Catskills’ biggest resorts.

Photos C. Catskills Institute

10/15/2026

An excerpt from Peter Davis’ 1986 documentary ā€˜The Rise & Fall of The Borscht Belt’ featuring commentary on outdoor pool culture, hotel changes, and footage of the Brickman Hotel + more!

We’ll be screening this rare documentary at the Mamakating Historical Society (136 Summitville Rd) this Sunday, October 18th at 3:30 PM, in conjunction with our 20th marker dedication! Don’t miss your chance to see a rare glimpse into an era of the Borscht Belt that wasn’t as heavily documented.

performances & competitions at the shawanga lodge’s playhouse in the 1940s & 1950s šŸŽ­photos courtesy gary dan.
10/13/2026

performances & competitions at the shawanga lodge’s playhouse in the 1940s & 1950s šŸŽ­

photos courtesy gary dan.

The main lobby and a guest room at The Shawanga Lodge in Highview New York, 1958.Photos C. Gary Dan
10/09/2026

The main lobby and a guest room at The Shawanga Lodge in Highview New York, 1958.

Photos C. Gary Dan

Added in the early 1950s, the Melodee Room was built onto Shawanga Lodge’s older Playhouse, occupying what had previousl...
10/08/2026

Added in the early 1950s, the Melodee Room was built onto Shawanga Lodge’s older Playhouse, occupying what had previously been an outdoor deck. The adjoining Melody Bar was constructed at the same time, creating an intimate mid-century entertainment space within the resort. Very dreamcore. Off the main lobby was another bar, the Celebrity Lounge.

Over the years, the Melody Lounge hosted an impressive roster of entertainers, including Morty Amsterdam, Joey Bishop, Red Buttons, Cab Calloway, Jean Carroll, Jack Carter, Myron Cohen, Billy Daniels, Phil Foster, Buddy Hackett, Alan King, Jackie Mason, Ricky Lane, Sam Levenson, Jan Murray, Dick Shawn, Leslie Uggams, and the Billy Williams Revue. The room was one of several entertainment spaces at Shawanga, alongside the Playhouse, Starlite outdoor theater, Melody Bar and later lower-lobby music spaces.

Address

P. O. Box 797
Rock Hill, NY
12775

Alerts

Be the first to know and let us send you an email when Borscht Belt Historical Marker Project posts news and promotions. Your email address will not be used for any other purpose, and you can unsubscribe at any time.

Shortcuts

Share