05/15/2026
On October 15, 1958, when Maurice Sendak was perusing at Manhattan’s Argosy Books, he was jostling out a book from the top shelf when a copy of Walter de la Mare’s Peacock Pie (1924) fell on his head. It was illustrated with woodcuts by the British artist Claud Lovat Fraser (1890–1921), whose birthday we celebrate today.
It was love at first sight. Sendak collected everything by the artist he could lay his hands on. The two had much in common: both were book illustrators, theatrical designers, and commercial artists. “Behind the deceptively casual style is an astonishing purity of design and richness of invention,” he wrote of Lovat Fraser.
Lovat Fraser, who suffered a gas attack at Ypres and from shell shock after the First World War, died age 31 following surgical complications. Half a century later, in 1971, Sendak visited the artist’s widow, the American dancer, actress, costume designer, author and translator, Grace Inez Crawford, aka Grace Lovat Fraser (1889–1977), in London. She gifted him some original drawings, including a version of a title page design for Charles Nodier’s The Luck of the Bean-Rows (1921), which hangs at Sendak’s home in Ridgefield.
1. Sketches by Maurice Sendak on foolscap, inspired by Lovat Fraser, December 5, 1971; and Sendak’s copy of Walter de la Mare’s Peacock Pie (1924) with Lovat Fraser’s illustration, “Rich Past All Belief.". Collection of The Maurice Sendak Foundation
2. Claud Lovat Fraser, “May 1922,” Safety First Calendar (London: Curwen Press, 1921). Collection of The Maurice Sendak Foundation
3. Claud Lovat Fraser, title page (1920) for Carlo Goldoni, The Liar: A Comedy in Three Acts, translated from the Italian by Grace Lovat Fraser (London: Selwyn & Blount, Ltd., 1922). Collection of The Maurice Sendak Foundation
4. Claud Lovat Fraser, “The Histories of Treasurebean & Peaseblossom, / To which is added the story of Brisquet’s Dog,” a version of the title page design for Charles Nodier’s The Luck of the Bean-Rows: A Fairy-Tale for Lucky Children (London: Daniel O’Connor, 1921). Collection of The Maurice Sendak Foundation
Today's post was written and prepared by our Associate Curator,