Curationist

Curationist Reimagining how people access art, knowledge and culture online.

06/17/2026

Archiving is part of our daily work here at Curationist, but how do we carry this practice into our personal lives, and why is that important? With Curationist Collections, you can curate your own slice of the archives—an alternative to the sometimes exclusionary and skewed traditions of institutional archiving.

You can find a detailed how-to video on building collections at the link in our bio! Start building collections today! 🌟💪

In honor of Pride Month, our Work of the Week celebrates the influential q***r actor, Charlotte Cushman, who paved the w...
06/16/2026

In honor of Pride Month, our Work of the Week celebrates the influential q***r actor, Charlotte Cushman, who paved the way for American gender fluid performers. 🎭🌃

Billed as “the greatest living tragic actress” of the mid-nineteenth century, Charlotte Cushman excelled in portraying strong women, notably William Shakespeare’s Lady Macbeth. She became best known, however, for convincingly portraying male characters, including Hamlet and Romeo. While other female performers titillated audiences by crossdressing as men, Cushman used her large physique, prominent jawline, and athleticism to astonish viewers with an uncanny experience of gender-bending verisimilitude.

Cushman defied gender norms offstage as well, often dressing in the masculine style represented in this portrait. She managed her own career and demanded equal pay with male actors. Lack of public awareness about le***an sexuality enabled her to sustain long-term intimate relationships with women while avoiding scandal. From 1845 to 1849, Cushman toured Britain, impressing audiences with her vigorous “American” acting style. During the 1850s, she became the center of an expatriate community of women artists and writers in Rome, where this portrait was painted.

—Text from the National Portrait Gallery

Image:
William Page, Jan 1811 - 30 Sep 1885, Charlotte Cushman, 1850s, National Portrait Gallery, Smithsonian Institution. CC0.

Don’t miss our Learning with Curationsit Webinar, this Thursday, June 18th! 🇨🇱🗺️Our panelists will share the work and im...
06/15/2026

Don’t miss our Learning with Curationsit Webinar, this Thursday, June 18th! 🇨🇱🗺️

Our panelists will share the work and impact of Chile Patrimonio: a digital platform that allows users to explore, learn about, and share Chile’s heritage in one place. It brings together more than 349,000 heritage items and over 4,900 educational and cultural resources from museums, archives, libraries, monuments, collections, and expressions of tangible and intangible heritage from across the country.

Event info:
Thursday, June 18th
12:00 pm ET / 9:00 am PT

Our pay-what-you-will model keeps these conversations accessible to everyone. Your contribution helps Curationist sustain community conversations on metadata, open knowledge, and digital collection stewardship.

Happy Pride Month! 🏳️‍🌈🏳️‍⚧️☀️This work of the week, a poster from the New Zealand Women’s Action Collective, showcases ...
06/11/2026

Happy Pride Month! 🏳️‍🌈🏳️‍⚧️☀️

This work of the week, a poster from the New Zealand Women’s Action Collective, showcases the labor of q***r activists.

Image:
NZUSA. Womens Action Collective, Equality for all,)Auckland War Memorial Museum Tāmaki Paenga Hira. © Auckland Museum CC BY 4.0.

06/10/2026

Archiving is part of our daily work here at Curationist, but how do we carry this practice into our personal lives, and why is that important?

The folks over at Wikimedia Commons have built an incredible tool that lets everyone be their own archivist. 📸👾💻

Announcing the next Learning with Curationist Webinar! 🎨💫Save the date for Learning with Curationist: Building Chile Pat...
06/09/2026

Announcing the next Learning with Curationist Webinar! 🎨💫

Save the date for Learning with Curationist: Building Chile Patrimonio, a one-hour online conversation with Chile Patrimonio.

Chile Patrimonio brings together more than 349,000 heritage items and over 2,500 educational and cultural resources from museums, archives, libraries, monuments, collections, and expressions of tangible and intangible heritage across Chile.

Join us to learn about this incredible project and hear the story behind their platform, and their impact.

Event Info:
Thursday, June 18th
12-1pm ET / 9-10am PT

The Learning with Curationist webinar series is a pay-what-you-wish event. Your contribution helps Curationist continue offering accessible programming and creating space for conversations on metadata, open knowledge, and digital collection stewardship. We can’t wait to connect!

Register today: https://bit.ly/4v0LFWg

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¡Anunciamos el próximo webinar de Learning with Curationist! 🎨💫
Reserva la fecha para Learning with Curationist: Construyendo Chile Patrimonio, una conversación en línea de una hora junto a Chile Patrimonio.
Chile Patrimonio reúne más de 349.000 registros patrimoniales y más de 2.500 recursos educativos y culturales provenientes de museos, archivos, bibliotecas, monumentos, colecciones y diversas expresiones del patrimonio material e inmaterial de Chile.
Te invitamos a conocer este increíble proyecto, descubrir la historia detrás de la plataforma y explorar el impacto que ha tenido en la difusión y acceso al patrimonio.

📅 Jueves 18 de junio
🕛 12:00 a 13:00 horas (ET)
🕘 09:00 a 10:00 horas (PT)

La serie de webinars Learning with Curationist funciona bajo la modalidad de aporte voluntario (pay what you wish). Cada contribución ayuda a que Curationist continúe ofreciendo programación accesible y generando espacios de conversación sobre metadatos, conocimiento abierto y gestión de colecciones digitales.

¡Nos vemos!

Inscríbete hoy a través del enlace disponible en nuestra biografía.

Our work of the week celebrates Liliʻuokalani, the last reigning monarch of the Hawaiian Kingdom and the only woman to r...
06/04/2026

Our work of the week celebrates Liliʻuokalani, the last reigning monarch of the Hawaiian Kingdom and the only woman to rule the islands as sovereign.

Writer Annie Faye Cheng gives us a look into the story behind this portrait in Seaweed Through Time: Living Culture and Hidden Ubiquities.🌊💫

Born in Honolulu in 1838, Liliʻuokalani was raised within the Hawaiian royal court and received a Western-style education before eventually becoming heir to the throne during the reign of her brother, King David Kalākaua. She sought to restore greater authority to the monarchy and protect the interests of Kānaka Maoli during a time of increasing political pressure from foreign business interests.

Her reign ended abruptly in 1893 when a group of American and European residents, backed by U.S. diplomatic and military support, illegally overthrew the Hawaiian monarchy. Hoping to avoid bloodshed, Liliʻuokalani yielded her authority under protest and appealed to the United States for the restoration of the kingdom. After a failed royalist counterrevolution in 1895, she was placed under house arrest in ʻIolani Palace.

Beyond her political legacy, Liliʻuokalani was also a prolific and influential composer. She wrote more than 150 songs that blend traditional Hawaiian melodies with Western musical forms introduced during the nineteenth century. Her best-known composition, Aloha ʻOe, written in the late 1870s, became one of the most famous Hawaiian songs in the world and expresses a poignant farewell that many later associated with loss of Hawaiian sovereignty. During her confinement after the overthrow, she also translated the sacred Hawaiian creation chant Kumulipo into English, helping preserve an important foundation of Hawaiian cultural knowledge.

Image:
Menzies Dickson, Liliʻuokalani, 19th century. National Portrait Gallery, Smithsonian Institution. Liliʻuokalani was the last reigning monarch of the Hawaiian Kingdom and the only woman to rule the islands as sovereign. CC0.

06/01/2026

Despite the rich information archives hold, institutionalized archives are often inaccessible and can cause harm in how they are built—by what they include and exclude.

Check out the Curationist Editorial Features page for more on these histories and what is being done to repair them. 💪📚

05/28/2026

Katsushika Ōi was a gifted 19th-century Japanese painter and poet in the late ukiyo-e tradition. Despite her well-crafted contributions to the ukiyo-e tradition, her erasure from the art historical record ought to push contemporary viewers and scholars to reconsider female agency and artistic innovation during the Edo period. 🌠🌙

Read more at the link in our bio.

Our Work of the Week is Kawanabe Kyōsai’s depiction of the Hell Courtesan tale. 🌌Check out the enhanced description for ...
05/26/2026

Our Work of the Week is Kawanabe Kyōsai’s depiction of the Hell Courtesan tale. 🌌

Check out the enhanced description for this work, which is referenced in the editorial feature, “The Learned Courtesan” by Reina Gattuso:

In the most popular version of the Hell Courtesan’s (Jigoku Dayū’s) tale, Jigoku Dayū was working at a brothel when Ikkyū, a famous Zen Buddhist monk, patronized her. Because he broke monastic taboos by eating fish and drinking alcohol, Jigoku Dayū questioned his identity. She sent dancers to tempt him, but when she spied on them she found the monk was dancing with skeletons. Jigoku Dayū thus realized that life is impermanent. After that, she wore kimonos patterned with images of hell to express her spiritual commitment. This silk scroll is one of artist Kawanabe Kyōsai’s several ink paintings of the Hell Courtesan. In this version, her robe bears images of the Seven Gods of Good Fortune and strands of coral rather than the fires of hell. This is an example of mitate-e, a genre of prints that are visual puns on spiritual or literary figures.

Image:
Kawanabe Kyōsai, Hell Courtesan 地獄太夫図, 1871–89. Cleveland Museum of Art . CC0.

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