Wells International Foundation

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Wells International Foundation I founded the Wells International Foundation to serve as an administrative umbrella for my professional and personal passions.

Through this organization, I hope to give back at least a fraction of what I've been blessed with in this world! The Wells International Foundation (WIF) is the culmination of years of my struggle to actively pursue multiple professional and personal passions in an “organized” way. Our six Strategic Focus Areas (SFAs) are inspired by these passions – they are:

- Women’s Empowerment
- STEAM Education (science, technology, engineering, arts, and mathematics)
- The Arts (visual, culinary, and performing)
- Travel / Study Abroad
- Literacy
- Preclinical Safety Training and Mentoring

In 2012, I met a powerful advocate for non-profits at a dinner party in San Francisco. Her name is Sherita Herring and she made a lasting impression on me as she talked about the seemingly infinite number of things one can accomplish through the non-profit arena. Three years later, I took the plunge and engaged her to teach me the basics about this sector and get me started on the road to approval by the IRS. Thanks to her expertise, my application was approved in a short 17 days and we became an official 501(c)(3) organization on October 1 2015. WIF’s inaugural project was the art exhibition entitled Beauford Delaney: Resonance of Form and Vibration of Color that we organized with the French non-profit Association 1901 Les Amis de Beauford Delaney and Columbia Global Centers | Paris (Columbia University’s Paris facility) in Paris in February - March 2016 (The Arts). In conjunction with this event, we organized a program that brought university students abroad for the first time to create a digital Augmented Reality application for the exhibition and its catalogue (Travel / Study Abroad). We also organized a professional development program for K-12 educators who came to Paris to learn to incorporate art and technology into teaching methodologies for science, math, and the humanities (STEAM Education), as well as a scholarly French-American round table discussion on Multiculturalism in Today’s Art World. In successfully incorporating multiple SFAs into this single event, we set the standard for subsequent projects. As frequently as possible, we implement programs that unite two or more SFAs to maximize impact, obtain rapid results, and achieve the greatest possible economic efficiency.

What becomes possible when women gather with intention?On September 26, WIF brought together a remarkable group of women...
10/10/2026

What becomes possible when women gather with intention?

On September 26, WIF brought together a remarkable group of women in Houston for our Women's Circle and Thought Leader Salon.

We planned the gathering carefully but some of its most meaningful outcomes could never have been placed on an agenda.

Women brought their experiences, questions, expertise, relationships, ideas, and willingness to listen.

And conversation gave birth to possibility.

Connections and ideas emerged around youth, education, arts and culture, women's empowerment, technology, community partnerships, international experiences, and WIF initiatives already underway.

Some may become collaborations. Some may become introductions. Some may simply become conversations that continue long after everyone left the room.

All of them matter.

Because WIF's work isn't only about programs.

It's also about creating spaces where people, ideas, and resources can find one another.

We're still following the threads that began in Houston and we'll be sharing more of the people and stories behind this gathering in the weeks ahead.

For now, thank you to every woman who came willing to share, listen, imagine, and connect.

The gathering ended. The work of relationship did not.

The Convergence: Zwa Inyoni Responds to BeaufordZwa Inyoni is a collage artist from Los Angeles and a master's student i...
10/10/2026

The Convergence: Zwa Inyoni Responds to Beauford

Zwa Inyoni is a collage artist from Los Angeles and a master's student in International Affairs at the American University of Paris.

After being introduced to the Beauford Delaney Project's Resonance program, he embarked on a journey of conversation and creation inspired by Beauford's art similar to those experienced by TOCA youth, George Henry, and Maya Keys this summer.

But unlike those preceding him, he created the first piece of purely visual art in response to Beauford’s life and work.

Read about it here: https://thebeauforddelaneyproject.com/blog/the-convergence-zwa-inyoni-responds-to-beauford

Untitled
(1962) Gouache
Estate of Paul Jenkins
Cleveland Museum of Art
Cleveland, OH, USA
© Estate of Beauford Delaney
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
Courtesy of Michael Rosenfeld Gallery, LLC, New York, NY

Houston showed up. 🫶This summer, Wells International Foundation was proud to participate in Black Impact Houston Giving ...
10/07/2026

Houston showed up. 🫶

This summer, Wells International Foundation was proud to participate in Black Impact Houston Giving Day alongside Black-led nonprofit organizations working to strengthen communities throughout Houston.

And together, this community surpassed the original $30,000 goal.

162 supporters contributed more than $31,000 to Black Impact Houston.

If you gave, shared a post, introduced someone to one of the participating organizations, or simply helped amplify the work … THANK YOU!

Because Giving Day wasn't only about what any one organization could raise.

It was about what becomes possible when a community chooses to invest in Black-led organizations and the people, programs and possibilities they nurture throughout the year.

WIF is grateful to have been part of it.

And we're especially excited to share more about what has been unfolding through our growing Houston community since then—stay tuned for more over the coming days!

Thank you, Houston. ❤️

One artist. Many responses.Over the past several days, we've shared the work of four people who encountered Beauford Del...
09/17/2026

One artist. Many responses.

Over the past several days, we've shared the work of four people who encountered Beauford Delaney through Resonance.

Grace responded to The Eye (1965) with "Watching."

Caden responded to Delaney's Self-portrait (1944) with "Self."

George transformed his encounter with Washington Square (1952) and places connected to Delaney's life in New York into "Washington Square I," an original musical composition.

And Maya responded to Delaney's Untitled (1959) through flute improvisation.

Four people. Four encounters. Four very different creative responses.

And that's exactly what Resonance is designed to explore.

There is no single "right" way to respond to a work of art.

Each participant brings something different to the encounter—knowledge, imagination, experience, curiosity, and perspective.

The work begins with Delaney. Where it goes next belongs to each participant.

Explore Resonance and discover the conversations already underway:

https://thebeauforddelaneyproject.com/about-resonance



All artwork © Estate of Beauford Delaney ⁠
by permission of Derek L. Spratley, Esquire, ⁠
Court Appointed Administrator ⁠
Courtesy of Michael Rosenfeld Gallery, LLC, New York, NY

What does a musician hear when she spends time with a Beauford Delaney painting?For graduate musician Maya, the answer e...
09/16/2026

What does a musician hear when she spends time with a Beauford Delaney painting?

For graduate musician Maya, the answer emerged through a process of observation, contemplation, and musical exploration.

As part of Resonance: Art & Sound in Conversation, Maya spent sustained time with Delaney's Untitled (1959), allowing her response to develop before choosing a musical direction.

The result is a flute improvisation inspired by her encounter with the painting.

Maya's response demonstrates one of the possibilities at the heart of Resonance: when artists engage deeply with Delaney's work through their own discipline and lived experience, the encounter can take unexpected forms.

Listen to Maya's improvisation and explore the other works emerging through Art & Sound in Conversation:

https://thebeauforddelaneyproject.com/sounds-and-music



Untitled
(1959) Oil on canvas
Mint Museum
Charlotte, NC
© Estate of Beauford Delaney
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
Courtesy of Michael Rosenfeld Gallery, LLC, New York, NY

What happens when a painting becomes the starting point for a piece of music?For WIF's summer intern, composer George He...
09/14/2026

What happens when a painting becomes the starting point for a piece of music?

For WIF's summer intern, composer George Henry, the answer began with Beauford Delaney's Washington Square (1952).

George didn't simply look at the painting and begin composing.

They immersed themselves in Delaney's life and work by reading the Leeming biography and visiting several of the New York places connected to Delaney's life—including Washington Square Park, Greene Street, and Union Square.

They recorded soundscapes at different times of day. They kept a journal. And they allowed those experiences to become part of their own creative journey.

The result is "Washington Square I," an original composition combining recorded soundscapes with music inspired by Delaney's work.

But the finished composition is only part of the story.

George is also documenting the process that brought the work into being.

This is Art & Sound in Conversation.

And this is what Resonance makes possible: an encounter with Delaney that doesn't end with looking. It becomes an invitation to listen, explore, and create.

Explore George's Washington Square Park and discover the other works emerging through Art & Sound in Conversation:

https://thebeauforddelaneyproject.com/sounds-and-music



Untitled (Washington Square)
(1952) Oil on canvas
Greenville County Museum of Art
Greenville, SC
© Estate of Beauford Delaney
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
Courtesy of Michael Rosenfeld Gallery, LLC, New York, NY

On this 25th anniversary of 9/11, WIF is proud to share this amazing story of a Black veterinarian whose work was part o...
09/11/2026

On this 25th anniversary of 9/11, WIF is proud to share this amazing story of a Black veterinarian whose work was part of a local emergency response effort that supported hundreds of working dogs in the aftermath of the attacks on the World Trade Center. 🙏🏽

Thanks to the National Association of Black Veterinarians for getting the news of this heroic activity and its aftermath, the New York City Veterinary Emergency Response Team, or NYC VERT, out there!

What happens when a young writer turns the gaze inward?Caden Clemmings responded to Beauford Delaney's work with a piece...
09/11/2026

What happens when a young writer turns the gaze inward?

Caden Clemmings responded to Beauford Delaney's work with a piece of writing called "Self."

As part of Resonance: Art & Writing in Conversation, Caden encountered Delaney's art and transformed her response into an original piece of writing.

Grace DeSouza's "Watching" asked us to think about what it means to be seen.

Caden's "Self" takes us somewhere else:

What does it mean to see—and understand—ourselves?

There is no single answer.

And that's part of what makes the young writers' responses so compelling. Each encountered Delaney's work through her own experience, imagination, and perspective.

Different works.
Different questions.
Different voices.

This is Resonance.

Explore Caden's work and the other young writers' responses:

https://thebeauforddelaneyproject.com/toca-in-aix-2026



Images/videos of students and illustrated creative writing provided by Teens of Color Abroad (TOCA). All rights reserved.
Reproduction or alteration without prior written consent is strictly prohibited.

Self-portrait
(1944) Oil on canvas
Art Institute of Chicago
© Estate of Beauford Delaney
By permission of Derek L. Spratley, Esquire,
Court Appointed Administrator

What happens when a young writer looks into The Eye?Grace DeSouza answered with a piece of writing called "Watching."As ...
09/08/2026

What happens when a young writer looks into The Eye?

Grace DeSouza answered with a piece of writing called "Watching."

As part of Resonance: Art & Writing in Conversation, Grace encountered Beauford Delaney's The Eye (1965) and transformed her response into an original piece of writing. She then gave it a voice by reciting it for her peers in Aix-en-Provence.

"Someone is watching."

The words recur throughout Grace's piece, creating a feeling of being observed—as though the idea follows you wherever you go.

But who is watching?

And why?

Grace doesn't give us an easy answer. Instead, she leaves us with a question and invites us to consider it for ourselves.

Good art doesn't always give us answers. Sometimes it gives us better questions.

Listen to Grace read Watching and explore the work of the other young writers participating in Resonance:

https://thebeauforddelaneyproject.com/toca-in-aix-2026



Images/videos of students and illustrated creative writing provided by Teens of Color Abroad (TOCA). All rights reserved. Reproduction or alteration without prior written consent is strictly prohibited.

The Eye
(1965) Oil on canvas
Private Collection
© Estate of Beauford Delaney
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
Courtesy of Michael Rosenfeld Gallery, LLC, New York, NY

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3104 Trail Hollow Drive
Pearland, TX
77584

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