06/04/2026
🍚🍵🍗 From Ochazuke to Adobo: Care, Memory, and the Immigrant Kitchen with Julia LaChica
⏰ ARTIST RECEPTION: Friday, June 26, 5:30-6:30 pm
🖼️ ON VIEW: June 24-August 15 (Wed-Fri, 12-5 pm)
📍Oakland Asian Cultural Center
388 9th St Suite 290, Oakland
🎟️ FREE tix at oacc.cc/event/ochazuke-adobo/
Join us a reception with artist Julia LaChica celebrating her newest exhibition. "From Ochazuke to Adobo: Care, Memory, and the Immigrant Kitchen" is a multidisciplinary installation that grows out of her ongoing work on caregiving, family history, and diasporic identity. Building on themes first explored in "A Promise Unspoken," a memorial project for her mother, this installation extends that inquiry into food, migration, and the ways culture is continually made within everyday domestic spaces.
LaChica understands ochazuke and adobo as living archives—recipes as pedagogy, kitchens as classrooms, and caregiving as cultural transmission. Growing up Japanese/Filipino in San Francisco, she learned culture not through formal institutions but through daily acts of cooking, storytelling, and adaptation.
Through visual art, text, and ritual gestures, she examines how families preserve, hybridize, and reinvent traditions across generations. LaChica is particularly interested in how memory is carried forward within q***r, mixed-race, and diasporic communities. In this work, cooking and caregiving become forms of cultural production and resistance—acts through which we sustain one another and make belonging possible.
The exhibition will be on view from June 24-August 15 during OACC open hours (12 noon-5 pm) or by appointment. The June 26 artist reception with Julia LaChica is free to attend with registration at oacc.cc/event/ochazuke-adobo/. Light refreshments will be served.
ABOUT THE ARTIST
Julia LaChica is a q***r Japanese/Filipino multidisciplinary visual artist, designer, and educator based in Oakland, California. Her work explores intergenerational memory, caregiving, diaspora, and the everyday rituals through which culture is made and transmitted. Drawing from family archives, spoken word, and a visual language shaped by protest and pedagogy, LaChica centers domestic spaces—kitchens, altars, and archives—as sites of cultural production, resistance, and healing.