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Monday 7am - 11pm Tuesday 7am - 11pm Wednesday 7am - 11pm Thursday 7am - 11pm Friday 7am - 11pm Saturday 7am - 11pm Sunday 7am - 11pm

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High Line Art, 820 Washington Street, New York, NY (2026)

09/15/2026

Act fast—tickets are now available! Join us beneath the High Line at 7:30pm on September 30, October 1, or October 2 for Georgia Gardner Gray's High Line Art Performance commission, "Cookie" ✨

Staged in the parking lot of the Meatpacking District's final meat purveyor, "Cookie" is a story of desperation disguised as elite ambition. Gray's short play explores a cast of characters who maneuver through the cracks of a glittering superpower purely to secure their next meal. At the center is Gunnar Churchwell, a sleazy yet charismatic suit salesman who is recruited by the egomaniacal ringleader of a grifting crew of makeshift "tailors.” Their baseline rule for survival is simple: "never let them know you are hungry."

"Cookie" follows the traditional picaresque format, a literary style developed during the height of Spain’s Golden Age in which a clever but poor hero, a pícaro, uses their wits and tricks to survive in a corrupt and crumbling society. The performance unfolds around "The Lair" a twisted aluminum sculpture by the artist that resembles a street scaffold.

Join us just under the High Line for this must-see performance.

Get your free tickets ASAP with the link below!

🎭"Cookie," Georgia Gardner Gray

✨Commissioned by High Line Art

📅 September 30, October 1, October 2, 2026 | 7:30pm

📍By 826 Washington Street, beneath the High Line in the former Weichsel Beef parking lot

🎟️ https://bit.ly/4zTfnQ0

📸 Courtesy of Georgia Gardner Gray

07/10/2026

Now on view on the High Line Channel—Laura Huertas Millán's solo show "The Anaconda River." 📽️

For her High Line Channel exhibition, Huertas Millán presents two video works, "Aequador" (2012) and "The Labyrinth" (2018). Rooted in the haunting landscape of the Colombian Amazon, both works explore the historical colonization of nature and the psychological scars of exploitation. Both films fluidly blend traditional documentary footage with elements of science fiction, surrealism, and fantasy.

Huertas Millán’s practice is anchored by an effort to deconstruct official histories and the colonial roots of anthropology through a hybrid narrative form she coined “ethnographic fiction.” By altering and appropriating historical accounts, colonial archives, and genre tropes, she presents alternative stories of political resistance and generational trauma.

Stop by the High Line Channel this summer to watch these films on the park, or use the link below to explore the themes of these films and Laura's practice.

✨ "The Anaconda River," Laura Huertas Millán
📍 On the High Line at 14th Street, screens daily from noon – 10pm
📆 July 8 – September 5, 2026
📸 Photography by Timothy Schenck
🎥 https://bit.ly/4pbJIUP

05/06/2026

Now on view on the High Line Channel: "Fantasy Fútbol." ⚽

"Fantasy Fútbol" brings together films by Marianna Simnett, Filip Kostic, and Ana Hušman that explore the drama and myth surrounding the world’s most-watched sport: soccer, or football/fútbol as it is known beyond the United States. The works examine the narrative structures that shape the sport’s public life, from the roles and power dynamics on and off the field to the authority of commentary and broadcast media that frame how matches are seen and remembered.

In "WINNER: (2024), Marianna Simnett stages soccer’s emotional economy as a three-act dance in which performers embody the archetypes of hooligan, player, and referee. In the same vein of theatrics, Filip Kostic’s livestreamed performance "Filip Kostic VS Filip Kostic" (2019) unfolds as a Twitch standoff in which the artist plays the video game FIFA against Serbian professional soccer player Filip Kostić. Lastly, Ana Hušman’s film "Football" (2011) reconstructs the infamous “Hand of God” goal scored by Argentine soccer player Diego Maradona during the 1986 FIFA World Cup quarterfinal between Argentina and England.

"Fantasy Fútbol" marks the New York City premiere of all three films and coincides with the arrival of the 2026 FIFA World Cup in the New York tri-state region.

⚽ "Fantasy Fútbol" featuring works from Marianna Simnett, Filip Kostic, and Ana Hušman
📍 On the High Line at 14th Street
📆 May 6, 2026 – July 6, 2026
📸 Photography by Timothy Schenck
🎥 https://bit.ly/4exBKlS

03/31/2026

Kick off the beginning of a new season with some "spring cleaning" on the High Line!

For the High Line’s 18th Street Billboard, Katherine Bernhardt presents "Spring Cleaning," a painting of a vivid, crowded still life that stages an encounter between domestic labor, consumer goods, and everyday ritual. Cleaning supplies such as paper towel rolls, glass cleaner, Ajax, and dish soap sit atop a packed white kitchen counter alongside bananas, a pot of purple orchids, a stick of butter, a to-go coffee cup, and a fuchsia sink faucet.

Rendered in Bernhardt’s signature palette of bright color and assertive brushwork, the composition is unified by a bright pink spray-painted outline, a recurring gesture in her practice. By collapsing distinctions between high art and popular imagery, Bernhardt creates paintings where images from mass culture and everyday life coexist on equal terms.

On view in the spring on the High Line, Katherine's work resonates with seasonal rituals of renewal while reflecting the challenges of maintaining order within a culture shaped by constant consumption and accumulation. Use the link in our bio to learn more about the billboard and the High Line Art team who helped bring it to life.

📸: Timothy Schenck
✨: https://bit.ly/4m5A19f

01/22/2026

Looking to brighten up your chilly winter New York City evenings? We invite you to join the Friends of the High Line team for an upcoming Artist Talk with Kameelah Janan Rasheed and Taylor Zakarin, Associate Curator of High Line Art, as they discuss Rasheed's current High Line Channel exhibition.

Admission is open to all members of the public and free with advance RSVP, and we hope you join the Friends of the High Line team for this illuminating and engaging program! Use the link in our bio to reserve your spot in advance.

For her High Line Channel exhibition (which screens from 12 – 8pm daily on the High Line at 14th Street.), Rasheed presents two recent video works, "Keeping Count, annotated" (2021–23) and "disorganize the spirit, i" (2025). Both works are a pulsing, grainy collage of archival footage, hand animation, xeroxed images, and fragments of sentences and diagrams. Rasheed's expansive practice is anchored by a focus on, and an effort to unlearn, preconceived notions of Blackness, language, and dominant cultural narratives, and folks will have the opportunity to explore the themes of Rasheed's body of work during the talk.

✨: Artist Talk with Kameelah Janan Rasheed and Taylor Zakarin, Associate Curator of High Line Art
📍: Friends of the High Line Headquarters
📆: Wednesday, February 11
⏰: 6:30 – 7:30pm ET
🎟️: https://bit.ly/4baWVIM
📸: Christopher Gregory for The New York Times, Liz Ligon

01/06/2026

Now on view on the High Line Channel—Kameelah Janan Rasheed's "Keeping Count, annotated" (2021–23) and "disorganize the spirit, i" (2025).

Both of Rasheed's works are a pulsing grainy collage of archival footage, hand animation, xeroxed images, and fragments of sentences and diagrams. Errant, flickering images and text fill and then evacuate the frame. "Keeping Count, annotated" interrogates the certainty and purported objectivity of numbers and formulas, juxtaposing them with poetic associations, digital noise, and spiritual abstraction. Initially created as a video titled "Keeping Count," the later "annotated" the later annotated version functions as a dialogue, with the artist adding a layer of marginalia, drawings, and animated text onto her own earlier work, doubling its runtime and making it a "living document." In doing so, Rasheed resists finite certainty, and instead embraces the incalculable, the unfinished and the illegible.

"Disorganize the spirit, i" similarly looks to liberate the unquantifiable. The work considers how information, identity, and experiences are often abbreviated or contained by societal expectations. Rasheed draws a critical parallel between this and data compression—a process in data and computing systems that collapses and simplifies information. In response, "disorganize the spirit, i" proposes an “embrace of Black excess and expansion,” resisting expectations to contain and regulate emotion, presence, cognition, and sensory input.

Use the link below to plan your visit to watch "Keeping Count, annotated" and "disorganize the spirit, i" on the High Line.

🎥: "Keeping Count, annotated" (2021–23) and "disorganize the spirit, i" (2025), Kameelah Janan Rasheed
📍: The High Line on 14th Street
✨: https://bit.ly/4prNLuY
📸: Timothy Schenck

11/07/2025

This weekend is your last chance to experience the magic of Kaela Mei-Chee Chambers's "Eastern Aphasia Caress (EAC)" in-person. The final Eastern Aphasia Caress Touch Tour with Kaela and the High Line Art team will be taking place on Saturday, November 8 from 3-4:30PM.

Presented in partnership with the New York Public Library’s Andrew Heiskell Braille and Talking Book Library, "Eastern Aphasia Caress (EAC)" is a Art Off Line Commission that is near and dear to our hearts. At its core, EAC is a reimagination of the Western Aphasia Battery (WAB), a diagnostic assessment administered by speech-language pathologists for language loss.

The conceptual cornerstone and foundation of Eastern Aphasia Caress is a series of five art workshops hosted by Chambers in the Andrew Heiskell Library’s community room over the previous summer that were open to the public. The final result is an ambitious installation composed of all 44 manipulatives made in the workshops by attendees, 44 high contrast stimulus drawings of the objects, each carefully and tenderly drawn by Chambers, a large-scale worksheet painting, and two tactile EAC “kits”—a collection of six manipulatives cast in resin available for the public to interact with, and a corresponding “stimulus book.”

Together, these elements present an emotional, human antidote to the clinical, standardized Western Aphasia Battery. We hope you and your loved ones join us off line on Saturday, November 8 for our final touch tour and for an immersive exploration of Kaela's moving exhibition. Use the link below to save your spot!

📸: Carlos Sanfer
📚 https://bit.ly/47EwxoB

11/05/2025

Now on view on High Line Channel, "Third Nature." 🎥 🌎

"Third Nature" brings together three video works that explore our increasingly complex relationship with the natural world as it is continuously redefined in the name of technology and human advancement. The artists—Cecelia Condit, Petra Cortright, and Seba Calfuqueo—present landscapes that are surveilled and simulated, encouraging reflection on how we perceive, interact with, and impact our environment.

Cecelia Condit’s "AI and I" is a chilling, surrealist plunge into the relationship between a woman (played by Condit) and an omnipresent, Alexa-like artificial intelligence (AI) personal assistant. Seba Calfuqueo uses 3D animation to highlight the Mapuche, the Indigenous people of southern Chile and Argentina, and their reciprocal, balanced relationship with nature. Petra Cortright’s "wet sunlight Paradis "pomme de terre" 3D" resembles a first-person exploration game, set within a computer-generated scene of ever-changing flora and fauna. Cortright's work was originally commissioned by CHANEL Culture Fund for The Window, an ongoing site-specific public art project located in a prominent window of London’s busy West End district.

Use the link in our bio to plan your visit to the park to watch "Third Nature."

🎥: "Third Nature," featuring works from Cecelia Condit, Seba Calfuqueo, and Petra Cortright
📍: The High Line on 14th Street
✨: https://bit.ly/3WCFJ6v
📸: Timothy Schenck

09/25/2025

New "seeds" have "sprouted" in the High Line's gardens! Sopheap Pich's plant-inspired sculptures, "Kânh Chhrôôl (Gluta Usitata)," "Melembu," and "Khlông (Dipterocarpus Tuberculatus)," are now on view in the High Line's gardens at 24th Street!

Sopheap Pich's three copper and steel sculptures are inspired by the seedpods of hardwood trees that stand in the garden of the National Museum of Cambodia and the artist’s garden in Phnom Penh. Pich works primarily with natural materials—bamboo, rattan, burlap, beeswax, and earth pigments—and materials of the developing world, such as discarded metal gathered from around Cambodia. He uses these to make sculptures and installations inspired by bodily organs, vegetal forms, and abstract geometric structures.

As the real-life plants that inspired Pich's work continue to be cut down by poachers for their valuable timber, the seed pod sculptures on the park suggest the attention we must give to nature and all it touches, from natural and man-made disasters to human migration and displacement caused by transformations in society and the environment. Use the link in our bio to learn more about this piece and to plan your visit to the park!

📸: Timothy Schenck
🌾: https://bit.ly/4gGXRVX

09/23/2025

We are thrilled to kick off autumn on the High Line with the park's first event of the fall season—a special screening and conversation with artist Frank WANG Yefeng (.frank.wang), in celebration of his new work "Groundless Flower – ཨ!" 🌱 📽️

On Thursday, September 25, at 6:30pm, we invite you to join High Line Art and artist Frank WANG Yefeng, in celebration of his new work Groundless Flower – ཨ, co-commissioned by High Line Art and the CHANEL Culture Fund. Yefeng will be joined in conversation by High Line Art Associate Curator, Taylor Zakarin, to discuss his practice and this exciting new work.

"Groundless Flower – ཨ" is an experimental video that continues the artist’s exploration of themes related to estrangement, and considers questions relevant to his own diasporic existence between East and West. Titled after the Tibetan letter “ཨ”—the primordial vowel signifying the “beginning of all things”—Yefeng’s commission interweaves and reimagines various cultural, historical, and religious motifs to evoke a sense of placelessness and liminality.

We hope you join us on the park for this engaging conversation, and use the link below to save your spot for this upcoming Artist Talk!

🗣️: Artist Talk: Frank WANG Yefeng in conversation with Taylor Zakarin
📆: Thursday, September 25 | 6:30pm
📍: The High Line on 14th Street
✨: https://bit.ly/3I4UDyP
📸: BFA Images

High Line Art

09/15/2026

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Monday	7am - 11pm
Tuesday	7am - 11pm
Wednesday	7am - 11pm
Thursday	7am - 11pm
Friday	7am - 11pm
Saturday	7am - 11pm
Sunday	7am - 11pm