LEIMAY Supporting artistic exploration, creation and the intersection of mediums and cultures

✨ Meet LEIMAY’s Incubator Artists of COHORT II 2025 ✨We’re thrilled to welcome these five incredible artists (shown in o...
02/02/2026

✨ Meet LEIMAY’s Incubator Artists of COHORT II 2025 ✨

We’re thrilled to welcome these five incredible artists (shown in order):

Storm Stokes

Sammie Murray

Quashiera Muhammad

Eden Johnson

Yolette Yellow-Duke

Starting today, and for six weeks, they’ll be developing new ideas, testing pathways, and exploring the possibilities of movement inside CAVE.

This is what the Incubator is all about: honoring experimentation, nurturing curiosity, and making room for discovery.

Stay tuned as we share glimpses of their journeys — and celebrate what emerges.

An essential dimension of A Meal was its immersive cinematic layer: a 17-channel video installation throughout the two t...
01/20/2026

An essential dimension of A Meal was its immersive cinematic layer: a 17-channel video installation throughout the two theaters and hallways of HERE, paired with an enveloping sound design that transformed the stage into a living, shifting landscape. The film A Meal: Dream Portraits was created by Shige Moriya and Ximena Garnica, co-edited with Catalina Santamaría. Costumes and makeup were co-designed with Irena Romendik, and the immersive sound design was by Drew Weinstein.

1. Krystel Mazzeo and Masanori Asahara in a scene from A Meal: Dream Portraits, a film by Shige Moriya and Ximena Garnica, commissioned by All Arts. The film operates as an embodied extension of the live performance, merging cinematic portraiture with choreographic presence.

2. View of the company on stage within the immersive video environment. Peggy Gould appears as a sculptural installation, while Akane Little performs in the Aquarium —live bodies moving in dialogue with projected filmic landscapes.

3. Andrea Jones in A Meal: Dream Portraits (All Arts). The film’s intimate portraiture magnifies gesture and texture, creating a parallel choreography.

4. Derek DiMartini as a live performer in conversation with multi-channel video projections. Film and performance intersect to create a porous boundary between recorded and living bodies.

5. “Ice Cream Creature” (played by Masanori Asahara)— a cinematic image from A Meal: Dream Portraits, where excess, pleasure, and consumption are rendered through the language of close-up, duration, and saturation.

6. Frame from A Meal: Dream Portraits.
In the image: Shige Moriya and Ximena Garnica.
Labor, desire, and intimacy merge in this captivating image.

7. Frame from A Meal: Dream Portraits.
In the image: Andrea Jones.
The camera amplifies vulnerability and resistance, transforming the portrait into a site of choreographic tension.

8. Frame from A Meal: Dream Portraits.
In the image: Masanori Asahara.
The cinematic frame becomes a container for memory, resistance, and embodied transformation.

This project was a monumental undertaking. We extend our deepest gratitude to every artist, collaborator, and crew member whose skill, care, and dedication made A Meal possible. We see and honor your work.

A Meal is supported in part by the National Endowment for the Arts. This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. and by public funds from the New York City Department of Cultural Affairs in Partnership with the City Council. A Meal is a National Performance Network (NPN) Creation & Development Fund Project co-commissioned by HERE, 7 Stages, and NPN. The Creation & Development Fund is supported by Doris Duke Foundation, Mellon Foundation, and National Endowment for the Arts. For more information, visit npnweb.org. A Meal was made possible by the New England Foundation for the Arts' National Dance Project, with lead funding from the Doris Duke Foundation and the Mellon Foundation. We are also grateful for support from Agnes Gund.

Join us to watch the Bessies Awards via live stream — link in stories

1, 2 & 3. Over 300 pieces of ceramics were made by Ximena with Shige, A.V, the LEIMAY Ensemble and community members (Ma...
01/20/2026

1, 2 & 3. Over 300 pieces of ceramics were made by Ximena with Shige, A.V, the LEIMAY Ensemble and community members (Masanori Asahara, Izya Baird-Appleton, and many more). Every object, even those for washing the utensils and hands, was created piece by piece. You can purchase some of these pieces in our online store!

4. Ceramic spoons made during “Spoon Making Parties” with dozens of people through work exchange & the support of community members (shout out to Xi Nan!)

5. In the photo: Krystel Mazzeo

6. We had to purchase large freezers to make this sculpture, which became a profound symbol in the work
In the photo: Akane Little

7 & 8. A sculptural piece of furniture that alludes to street food carts, used in the show to cook real arepas to be shared with audiences
In the first photo: Carolina Oliveros
In the second photo: Mar Galeano

9. Wood tray designed by Shige, and Ximena fabricated by Iida Ryuichiro, became a canvas for aburi sushi cooking during the show by dancers Masanori and Akane, and backstage by chef Andres Tangarife

10. On the last scene, the audience were seated at a meticulously crafted table with ceramic tablemats and organic shapes resonating with Ximena and Shige’s Colombian and Japanese sensibilities. The audience was invited to cook Japanese Shabu Shabu, with an 8-month marinated sauce made using Shige’s family recipe
In the photo: Synead Nichols

11. A sculptural table designed by Ximena Garnica and Shige Moriya, constructed using traditional kigumi wood joinery. The set of eight tables and benches assembles and disassembles quickly, allowing the theater to fully transform between scenes. With a minimalist Japanese sensibility, the structures function as choreographic materials—shifting between furniture, architecture, and embodied partners within A Meal

Photos by Maria Baranova, Pasha Antonov, Raphael Almoznino & Brandon Perdomo

A Meal, by Ximena Garnica and Shige Moriya, world premiere at HERE, 2024

Join us to watch the Bessies today! link in our stories

Tonight is the Bessies! We are filled with pride and gratitude for Ximena and Shige’s nomination for Outstanding Visual ...
01/20/2026

Tonight is the Bessies! We are filled with pride and gratitude for Ximena and Shige’s nomination for Outstanding Visual Design (Set, Film, and Costume) for our work, A Meal. This achievement was made possible by so many people in our community, through their work, dedication, and art. Deep gratitude to costume co-designers Irena Romendik and Dayeon Jeong; the LEIMAY Ensemble; the LEIMAY community; A Meal creative producer, Kristin Marting; and LEIMAY's producing partner HERE for helping us bring this world to life!

Today, we want to recognize their labor

1. Ximena Garnica & Shige Moriya on the stage for the final scene of A Meal

2 & 3. Sculptural furniture designed by Ximena & Shige, fabricated by Iida Ryuichi and Shige Moriya

4. A sculptural garment handmade and co-designed by Dayeon Jeong, using fabric brought from Shige’s Kyoto family home

5. A sculptural head piece co-designed by Irena Romendik, made using upcycled material from KALAVINKA with wax-encaustic technique, crafted by Irena, Ximena, and Polina Porras with the LEIMAY Ensemble

6. Commissioned for A Meal to the Colombian artist and craft maker Lizardo Cordoba, these head piece is made from cabecinegro fibers originating from the Colombian Choco and Amazonia of Colombia
In the photo: Maitlin Jordan
(more descriptions in the first comment)

7. This piece took hundreds of hours to clean the clams and work on the pieces (we made it twice! Once for the film, once for the live performance). Designed by Ximena with fabrication support by Camila Barra, Krystel Mazzeo, Brandon Perdomo, Dayeon Jeong, and many more
In the photo: Derek DiMartini

8. The same meticulous work with bones. Cleaning and working with hundreds of chicken bones, then creating a sculptural garment using macramé technique. Design by Irena and Ximena. Fabricated by the LEIMAY Ensemble. A shot out to Mr. Hector Porras for his contributions
In the photo: Krystel Mazzeo

9. This costume came from all the food our cat ate. Izya Baird-Appleton spent an entire summer making this garment, designed by Ximena
In the photo: Maitlin Jordan

10. This character was represented on stage by: Denisa Musilova, and in the film "A Meal Dream Portraits" by Andrea Jones. Thanks to the support of Steven Cranford for supporting the making of these wigs

11. These sculptural garments became furniture co-designed with Irena, Shige, and Ximena. The costumes became part of the table where, later, a spread of vegetables was offered

Photos by Maria Baranova, Pasha Antonov, Raphael Almoznino & Brandon Perdomo

A Meal, by Ximena Garnica and Shige Moriya, world premiere at HERE, 2024

Stay tuned! More photos coming!

Join us to watch the Bessies via stream today! link in our stories

We are thrilled to share that we have been nominated for a 2024–2025 Bessie Award in Set, Film, and Costume Design for o...
12/04/2025

We are thrilled to share that we have been nominated for a 2024–2025 Bessie Award in Set, Film, and Costume Design for our work A MEAL with LEIMAY and HERE Arts Center.

This recognition honors the deep, collective labor behind our latest creation — a work that weaves body, image, light, sound, food, and materiality into one living ecosystem.
Our heartfelt gratitude goes to the incredible LEIMAY Ensemble performers and dancers, whose presence and rigor shape the soul of the piece; to our exceptional collaborators and composers whose sonic worlds breathe life into the work; to our collaborators who support fabrication of so many elements, and and to the community that continues to walk with us through this evolving journey.

Thank you to The New York Dance and Performance Awards, The Bessies and the selection committee for uplifting artists who experiment, imagine, and expand what performance can be.

We’re humbled and energized.
Winners will be announced on January 20, 2026 at Dixon Place

A work by
Ximena Garnica & Shige Moriya

The LEIMAY Ensemble and Guests:
Masanori Asahara; Krystel Mazzeo; Maitlin Jordan; Akane Little; Derek DiMartini; Mar Galeano Peggy Gould; David Guzman; Synead Cidney Nichols; Denisa Musilova; Carolina Oliveros; Polina Porras

Video Performers
Masanori Asahara, Krystel Copper, Ximena Garnica, Andrea Jones, Cora Laszlo, Michael Mangieri, Shige Moriya, Aono Oyanagi, Brandon Perdomo, Irena Romendik

Lead Composer & Sound Designer
Drew Sensue-Weinstein

Associate Composers
Thea Little & Jeremy D. Slater

Vocal Composition
Synead Cidney Nichols & Carolina Oliveros with Ximena Garnica

Sound Assistant
Luisa Pinzon

Associate Lighting designer & Electrician
Juan Merchan

Video Editors
Ximena Garnica, Shige Moriya & Catalina Santamaria

Video Head & Systems Engineer
Glenn Potter-Takata

Multimedia Specialist
Benja Thompson

Costume Design
Ximena Garnica, Dayeon Jeong & Irena Romendik

Wearable Sculptures & Ceramics
Ximena Garnica

Ceramics Fabrication Assistance
A.V., Masanori Asahara, Xi Nan, Izya Baird-Appleton

Costumes
Dayeon Jeong, Irena Romendik

Wearables Fabrication
Ximena Garnica, Camila Barra, Izya Baird-Appleton, Polina Porras, Etu (the cat) & the Ensemble

Furniture & Artifacts
Iida Ryuichi

Vendors Portraits
Armando and Sandy
Walid
Luz Maria Ramos
Eduardo
Mohamed
Md-Abdullhaque
Ahmed Mostaque

Vendors Photos
Brandon Perdomo

Kitchen Master
Andrés Tangarife

Kitchen Assistant
Iida Ryuichiro

Make-up
Mar Galeano, Ximena Garnica & the Ensemble

Video Production Assistance
Masa Asahara , Krystel Copper & Irena Romendik

HERE TEAM:
Kristin Marting
Daniel Morrow
Ben Elling
Berit Johnson
Max Mooney & Kristina Gramlich-Casta
Ward Archer, Sasha Gheesling, Kristen Hoffman, Clara Livingston, Jackie Rivera, Ben Snyder, Vini Tabarini
Jesse Cameron Alick, Annalisa Dias, Lanxing Fu, Lauren Miller
Haley Fragen
Brandi Knox
Ariana Albarella
Sonia Kiran
Maria Baranova
Moti Margolin
Alex White
Brandon Schock
Ayumu “Poe” Saegusa
Richard Stauffacher
Mat Blasio, Charles Shipman, Emilia Smithies, Benjamin Snyder, Ian Reid

11/13/2025

¡Ya casi llega!

LEIMAY se enorgullece en presentar el estreno en Bogotá de la Danza Ópera Rituales de Extinción, una obra multidisciplinaria de gran formato que fusiona danza contemporánea, música en vivo y videoarte.

Con el Ensamble LEIMAY y reconocidos artistas invitados, esta obra invita a un viaje sensorial para explorar, a través del cuerpo, la imagen y el sonido, la memoria colectiva de todo aquello que se extingue: desde especies y ecosistemas naturales hasta conocimientos tradicionales y formas de vida únicas.

Dónde: Centro Nacional de las Artes Delia Zapata Olivella (Bogotá)

Cuándo: Viernes 14, 19:30 h

Sábado 15, 19:30 h Domingo, 16 de noviembre, 15:00 h

Ganador de la Beca del Centro Nacional de las Artes para la Creación y Circulación de una Obra Interdisciplinaria de Artes Escénicas, en el marco del Programa Nacional de Estímulo 2025 del Ministerio de Culturas, Artes y Conocimiento, con el apoyo internacional de Creative Capital.

¡Detrás de escena, un increíble equipo trabaja para que este espectáculo sea posible! Conoce a nuestro equipo de producc...
11/11/2025

¡Detrás de escena, un increíble equipo trabaja para que este espectáculo sea posible!

Conoce a nuestro equipo de producción de Rituales de Extinción.

No te pierdas las funciones los días 14,15 y 16 de noviembre en el Teatro Delia Zapata.

¡Entrada gratuita!
Enlace en la bio

Ximena y Shige
Dúo artístico multidisciplinario que crea obras que abarcan múltiples formatos.
Sus obras reflexionan sobre el ser, la percepción, la interdependencia y la coexistencia.
Son cofundadores y directores artísticos de LEIMAY y el LEIMAY Ensemble.

Katherine Guevara
Jefa de producción de Rituales de Extinción y gestora cultural con experiencia en formulación, ejecución, y evaluación de proyectos culturales, sociales y educativos en el ámbito público y en cooperación internacional.

Valentina Peña
Asistente de dirección y Stage Manager del proyecto Rituales de Extinción. Actriz, cantante y realizadora audiovisual. Concibe su trabajo como un diálogo constante entre las disciplinas escénicas y audiovisuales.

Emilia Winschu
Coordinadora de comunicaciones y progamas en LEIMAY. Gestora cultural y productora, su trabajo se centra en promover el acceso comunitario a la cultura.

Camila Millán
Bailarina, coreógrafa, profesora productora artística. Actualmente trabaja con la compañía LEIMAY como productora en campo.

Diego Martínez
Artista escénico, se desempeña en la asistencia en producción y operaciones culturales. Busca conectar desde las artes escénicas aportando a procesos de gestión, investigación y creación.

Stanly Aguilar
Diseñador de iluminación en Rituales de Extinción.
Su mirada creativa se ha entrelazado con el teatro, donde explora la iluminación desde la sensibilidad escénica. Ha explorado la luz como elemento poético que amplifica la presencia del cuerpo y la escena.

Paula Luengas
Pintora y artista visual. Su trabajo explora las nociones del recuerdo, repetición y transitoriedad a través de procesos como la pintura, el dibujo, el grabado, la fotografía, entre otros.

Carlos Aleko Botero
Ingeniero de sonido, especializado en la optimización de sistemas de refuerzo sonoro.
Realiza el diseño y operación de los sistemas sonoros inmersivos en nuestra Danza Ópera.

This week! Premiere in Colombia of the Creative Capital project: Extinction Rituals!https://forms.office.com/pages/respo...
11/11/2025

This week! Premiere in Colombia of the Creative Capital project: Extinction Rituals!
https://forms.office.com/pages/responsepage.aspx?id=Tovyk1yTFEyIrOSGl8H8lyLo4i9dpt5Hu_pEEyJV1CdURVVJWkQ0RDA4RFNHNVBEQTEyVzdTRVI1Vy4u&route=shorturl

‘Rituales de Extinción’ es una obra de artes vivas que combina danza, música en vivo y video en una propuesta interdisciplinar que reflexiona sobre la desaparición de especies, saberes y formas de vida sostenibles. ☀️

Inspirada en los rituales de duelo y celebración de las comunidades afrocolombianas del Pacífico y el Caribe, la obra propone un espacio de reflexión y una experiencia estética sobre las formas de relacionamiento con el entorno.

¡Te esperamos! 👏🏽

🗓️ 14 de noviembre a las 7:30 p.m.
🗓️ 15 de noviembre a las 7:30 p.m.
🗓️ 16 de noviembre a las 3:00 p.m.
📍 , Calle 11 #5-60, Bogotá, Colombia.
🎟️ Entrada libre con inscripción previa
💻 Más información en www.eneldelia.gov.co

As our artists travel and create, classes will pause until November 25! We will return with renewed energy, ready to bre...
10/29/2025

As our artists travel and create, classes will pause until November 25!

We will return with renewed energy, ready to breathe, move, and explore together once more.

But don’t worry! You can come visit CAVE for our Constellation Series November 2, 8, and 9 to see some amazing performances and curated works!

Stay tuned!

~Actividades paralelas: Rituales de Extinción~Te esperamos este miércoles 22 de Octubre para dos actividades que se enma...
10/19/2025

~Actividades paralelas: Rituales de Extinción~

Te esperamos este miércoles 22 de Octubre para dos actividades que se enmarcan dentro del proyecto Rituales de Extinción

↪ 3:00 pm. Clase Abierta y Gratuita de LUDUS

↪ 5:30 Conversatorio con los co-directores Ximena Garnica y Shige Moriya sobre el proceso de realización de Rituales de Extinción

📍 Dónde: Sala Mallarino, CNA. Calle 10 # 5-32. Bogotá, Colombia

Las actividades son gratuitas! Los cupos son limitados hasta completar aforo. Regístrate escaneando el código QR o en nuestro link en bio.
Recibirás un correo de confirmación del CNA.

08/01/2025

LEIMAY is deeply moved by the passing of our dear Honorary Board Member—stage director, designer, visual artist, and founder of The Watermill Center— Robert Wilson.

A message from LEIMAY's Artistic Directors:

"Thank you, dear Bob...

Yesterday, on the morning of July 31, 2025, while in rehearsal, I learned that Bob had passed earlier that day. I was in the midst of making work—movement, poetry, and song filled the room. That felt right. Work held me. And I thought about how Bob always held space for work—how he embraced it, and all of us inside it.
His passing left a piercing absence and reminded me, once again, of the fragility of life. And yet, my heart is full—with gratitude, admiration, and love. The world has lost a magical being—a visionary who could conjure form, sensation, contradiction, and beauty into being. And we lost someone who believed in us.

Bob nurtured our artistic practice. He gave us space, opportunities, and wind. As immigrant artists in New York City, we weren’t part of any institutional pipeline. We had to carve our own way, path by path. We’ve always embraced multiplicity—interdisciplinary forms, cultural opposites, craft, community, the poetry of beauty—but we’ve often felt outside the frame of the NYC art scene, clearing ground with machetes where doors hadn’t opened. Bob saw us—as he so often saw artists. He welcomed Shige and me into his playground. Into his universe.
He let us play. And he allowed us to create our own universe.

Over the last 18 years, we created and incubated many LEIMAY works at The Watermill Center. He commissioned us. He took us—and our work—to Europe. We collaborated on his creations. He performed at our live-work space, CAVE. He showed up at our events. He wrote letters on our behalf. That was Bob to us—magical, generous, unpredictable, present. We connected with his New York of loft stories and underground scenes—maxing out credit cards to fund his first European tour. And also with his grand vision of prosceniums, where scale, form, and imagination pushed the boundaries of the “real.” He did a lot for many artists!

As a teenager growing up in a city shaped by one of the world’s largest international theater festivals, I first encountered Bob’s work from afar. And then, years later, in 2007, we found ourselves inside his world. I was so happy! (Except for having to make a perfectly fitted bed). We built string installations. We danced. We created sculptures and films. Shige even helped design a rooftop. The galas in the Hamptons, in New York, in Berlin—each one, a performance. Always an invitation to a dream.
Though we didn’t get to say goodbye, we had plans to visit him soon. We had hoped to tell him we had finally secured CAVE—something we dreamed of for so long—and to thank him for the wind he gave us.

Through Bob, we met patrons and artists from across generations and continents. He brought people together. Some of them are now our friends, our collaborators, our new winds. He had theater in his bones—he knew how to gather, how to set conditions for magic to emerge. With rigor. With play. With his unmistakable radar for beauty.

Thank you, dear Bob.

Now you may become the light and shadow you understood so well.

Shige loved you deeply.

Gracias, Bob. We continue here, connecting with the invisible, trusting that beauty carries ancient power and opens the way for all possible futures.

With love,

Ximena and Shige"

Address

58 Grand Street
New York, NY
11249

Telephone

+13478384677

Website

https://linktr.ee/LEIMAYfoundation

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