Rome Art Program

06/06/2026

RAP is BACK! We are delighted to welcome our students to the Rome Art Program Summer 2026!

This week, students worked en plein air at some of Rome’s most iconic sites, including the Roman Forum, Colosseum, Orange Garden, Pantheon, and Circus Maximus. Students also explored the history of the city’s impressive fountains, gaining a deeper appreciation for Rome’s artistic heritage.

Follow our journey this summer as we experience 8 inspiring weeks of art, history, and discovery in the Eternal City ✨️

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ROME ART PROGRAM
Come paint with us in Rome...

Launched in 2009, the Rome Art Program is designed to inspire students to develop their artistic vision through painting and drawing on the streets of Rome; expanding on the plein air tradition of earlier generations of artists.

The Program has an internationally recognized faculty of artists, visiting artists, and art historians.

LEARN MORE at romeartprogram.org

05/24/2026

05/07/2026

Anna Marra Art Gallery
Rome

Aron Demetz exhibition:
“Racconti brevi” “Short stories”

Curator: Claudio Libero Pisano

The exhibition recounts key moments in the South Tyrolean artist's work, with his wooden sculptures and new experiments with materials that substitute the ‘presence’, in a vibrant emotional way.

Till July 18 2026

Anna Marra Art Gallery
Via Sant’Angelo in Peschiera 32, Rome

galleriaannamarra.com



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Come paint with us in Rome! ..

-☛ The Program offers Credits.

-☛ Spend Summer 2026 with RomeArtProgram in Rome!

-☛ RomeArtProgram has an internationally recognized faculty of artists, visiting artists, art historians & curators.

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RomeArtProgram

Art-as-Power








#艺术 #فن دبي #예술

04/12/2026

Art, whatever it takes - Interview with Lucia Moni.
After earning a master’s degree in Art History from the University of Pisa, with a thesis on Salvador Dalí’s audiovisual production, Lucia Moni has been coordinator at the Centre for Dalinian Studies since 2009.
She is currently senior curator at the Fundació Gala-Salvador Dalí and responsible for the Foundation’s audiovisual archive, overseeing audiovisual projects, including the most recent documentaries on Dalí’s life.
Lucia has also participated in the curatorship of various exhibitions including ‘Dalí, Shakespeare, Visconti’ (Gala Dalí Castle, Púbol, 2016), ‘Io Dalí’ (Palazzo delle Arti, Naples, and Castello Ursino, Catania, 2018), ‘My Favourite Painters: Velázquez, Vermeer and Raphael’ (Dalí Theatre-Museum, Figueres, 2024), and ‘Dalí. Revolution and Tradition’ (Museo del Corso, Rome, 2025). Lucia is the author of specialised writings on Dalí’s relationship with Italy and classicism, particularly focusing on the painter’s admiration for Renaissance artists.
She co-curated the first chronology of Dalí in Italy for the ‘Dalí: an artist, a genius’ exhibition at the Vittoriano in Rome (Skira, 2012).


RomeArtProgram: When and how was your institution founded and what does it do?

Lucia Moni: The Fundació Gala-Salvador Dalí was established by the artist himself in 1983. It is a private entity with a clear mission: to promote, encourage, disseminate, enhance, and defend the Dalí universe worldwide. Based in Figueres, the Foundation is more than a cultural institution: it is a living reflection of Salvador Dalí's desire to ensure the continuity of his artistic, intellectual and spiritual legacy.
The Fundació Gala-Salvador Dalí manages the Dalí Theatre-Museum in Figueres, the Gala Dalí Castle in Púbol, and the Salvador Dalí House in Portlligat.


RAP: Is there a project or event of which you are particularly proud?

Lucia: The last exhibition we organized in Rome, at the Museo del Corso – Palazzo Cipolla, was a particularly significant experience for us. Entitled "Dalí. Revolution and Tradition" the exhibition explored the dialogue between Salvador Dalí and the great masters of the past, as well as his contemporary Pablo Picasso, offering the public a new perspective on the artist.
The main challenge was to create a unique narrative, specifically conceived for this collaboration with the Fondazione Roma; Montse Aguer, Director of the Dalí Museums, was entrusted with the scientific direction. Carme Ruiz and I were responsible for curating the exhibition.


RAP: What is your definition of art today?

Lucia: Art is a universal treasure, a source of emotional well-being and vital knowledge. It is a necessity.
It's a magical force that opens, expands and integrates the mind and heart.


RAP: Art is dynamic and regenerates itself...how does it change, and how did it change us?

Lucia: Art is constantly changing; it is never static. It looks to the past, reflects the present and anticipates the future, as Salvador Dalí did throughout his artistic journey. The beauty of art lies in its ability to forge connections in space and time, transforming both those who observe it and those who experience it.


RAP: When (and how) did you understand that art was becoming important in your life?

Lucia: Ever since I was a child, I have been drawn to all forms of creative expression, such as art, literature, music, poetry, cinema and the books I found in my home library.
At school, my favourite class was art education. Despite being very demanding, the teacher always managed to stimulate my curiosity. I particularly remember the museum visits with my class: seeing a work of art in person for the first time after only having seen it in books was a completely different sensory experience, which strengthened my desire to delve deeper into art.
So, when I chose to study art history at university, I realised that I wanted to make art central to my life, both personally and professionally.


RAP: What role does art play today?

Lucia: Lucia: Today art reflects the challenges and contradictions of our time, stimulating critical thinking and fostering dialogue. It invites us to view reality from new perspectives.
As a powerful tool for personal and collective expression, art is capable of evoking emotion, inspiring action and bringing about change.


RAP: Which is the real role of academies and art schools today? What can artists learn from these institutions?

Lucia: Academies and art schools continue to play a vital role in artist training. They provide the methodical approach and discipline that are essential for developing a personal style.
As Salvador Dalí argued, art is born not only from inspiration, but also from constant, rigorous work: "one must work, work, work!". Furthermore, academies are places of sharing, interpersonal encounters and examination. It is precisely these relationships that must be maintained more than ever. Otherwise, technology will eventually prevail over the creative depth of human beings, which would mark the end of art.


RAP: How do Art Galleries & Museums position themselves today, and, in your opinion, how should they?

Lucia: Art galleries and museums must keep pace with the times, respond to the needs of visitors, and foster authentic dialogue between artwork and audience.
They should promote creativity and inclusivity by offering meaningful and innovative experiences that engage the senses, stimulate the mind and awaken curiosity. They are responsible for designing exhibitions that broaden visitors' minds, excite them and teach them something new. Visitors should leave feeling as if something inside them has started to vibrate.


RAP: …will art save us?

Lucia: Art alone cannot save us; salvation depends on us, and art is one of the most powerful tools we have.

Lucia Moni


https://www.salvador-dali.org/en/


https://www.linkedin.com/in/luciamoni/


The pictures:

-Pict.2 (Dalí Theatre-Museum, Figueres): Courtesy of Fundació Gala-Salvador Dalí

-Pict.5 (Dalí. Rivoluzione e Tradizione exhibition. Palazzo Cipolla, Museo del Corso - Polo Museale, Roma, 2025-2026:) Monkeys Video Lab

-Pict.9 (Dalí Theatre-Museum, Figueres): ©Sara Cuadrado/Courtesy of Fundació Gala-Salvador Dalí


RomeArtProgram
Art-as-Power

04/02/2026

Art, whatever it takes - Mark Evans Interview
Mark Evans studied History and Art History at the University of London (BA 1975) and the University of East Anglia (PhD 1983). His interest in art was kindled as a child in 1962 by visits to the National Gallery and Bridget Riley’s first exhibition at Gallery One in London. He has held posts at the British Library Department of manuscripts (London), the University of St. Andrews (Scotland), the Walker Art Gallery (Liverpool), the National Museum of Wales (Cardiff) and in 2000 was appointed Senior Curator of Paintings at the Victoria and Albert Museum (V&A, London). His interests extend from Renaissance painting and illumination to John Constable, as well as traditional African art and the history of museums and collecting. The author of numerous books, catalogues and essays, he has curated major exhibitions on Raphael (2010), Constable (2014) and Botticelli (2016). Since 2021 he has been an Honorary Senior Research fellow at the V&A.


RomeArtProgram: What is your definition of "art" today?

Mark Evans: A commodity that provides a way of making sense of human experience and the World.


RAP: Art is dynamic and regenerates itself... How does it change and how did it change us?

Mark: Art changes spasmodically under the influence of social and cultural shifts. It changes us by affecting our emotions and thought processes. It enhances our sense of wellbeing.


RAP: What role does art play today?

Mark: It stimulates critical thought and connects people through time as well as space.


RAP: What would you recommend to an 'emerging artist' today?

Mark: Authenticity is everything. Consult the best past models & seek to develop a unique style and content.


RAP: How have new technologies & media culture changed art today?.. improving or worsening it? ...challenges?

Mark: It’s too early to tell, but they pose the danger of becoming a substitute for ‘the real thing’.


RAP: Understanding, interpreting, and then possibly judging the 'work of art'; what is the right path when confronted with a work of art?

Mark: Don’t rush to judgement. Silence is as eloquent as noise. Look slowly and try to imagine the purpose of a work of art and the circumstances of its creation.


RAP: What is the real role of Academies and Art schools today? What can artists learn from these institutions today?

Mark: Academies of art have been challenged since the rise of the avant garde, but the notion that ‘great art’ is the preserve of outsiders is a myth, as it is inherently a social activity that is all about communication. The team worker Raphael was as great an artist as the loner Michelangelo, and a more influential one. Academies ought to provide a social space for interaction, the development of ideas and induction into the serious business of art.


RAP: How do Art Galleries and Museums position themselves today, and, in your opinion, how should they?

Mark: Their role is to inform and inspire, and to act as agents of social change. They have a three-fold duty; to the past and the future, as well as the present. These essential roles can be imperilled by fashion and excessive concern for income generation.


RAP: Will Art save us?

Mark: It has saved me twice.


https://uk.linkedin.com/in/mark-evans-7063881aa

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Art-as-Power
romeartprogram.org

03/12/2026

The celebration of Ireland's national day
Rome, Embassy of Ireland

The celebration of St. Patrick's Day, major holiday in Ireland, has taken place in Rome, at the Irish Embassy Villa Spada, honoring the country’s patron saint with special events & cultural celebrations.

While originally a religious feast day, St. Patrick has evolved into a global celebration of the Irish culture, and is the Ireland national day, marking the death of the patron St. Patrick, symbol of Irish national & religious identity, including the folk music and the custom of wearing shamrocks.

The event was celebrated at the Embassy in Rome, emphasizing the cultural and religious aspects, present the new Ambassador of Ireland H.E. Elizabeth Mc Cullough.
RomeArtProgram participated in the celebratory event.

ireland.com

RomeArtProgram
Art-as-Power
romeartprogram.org


*********************************
Come paint with us in Rome !

-☛ The Program offers Credits.

-☛ Spend the Summer with RomeArtProgram in Rome!
⁠
-☛ romeartprogram.org

-☛ RomeArtProgram has an internationally recognized faculty of artists, visiting artists, art historians & curators.

*********************************
RomeArtProgram

Art-as-Power







#艺术 #فن دبي #예술

03/12/2026

Sarah Jane Morris & Tony Remy
‘The sisterhood 2’

Rome, Auditorium Parco della Musica
April 23 h 20:00
Original songs by Sarah Jane Morris & Tony Remy

Sarah Jane Morris arrives in Rome with
'THE SISTERHOOD VOL. 2'
the new chapter of a project that,
as London's Ronnie Scotts writes, sees her at the most audacious
point of her career.
An icon of British soul jazz, Sarah Jane Morris possesses a unique voice, capable of moving between blues, rock, jazz, and soul, with a four-octave range that has captivated audiences.
Compared to Sarah Vaughan and Billie Holiday, she likes to call herself ‘Nina Simone meets Janis Joplin’.
In THE SISTERHOOD VOL. 2, Morris pays an intense and personal tribute to icons like Patti Smith, Tracy Chapman, Debbie Harry, Amy Winehouse, and Joan Armatrading, artists united by artistic affinities and specific choices.
The collection of songs is held together by a voice that, according to The Guardian, exudes the raw majesty of the great legends.

April 23 2026
Auditorium Parco della Musica - Sala Petrassi
Via Pietro de Coubertin 30
Rome

*********************************
Come paint with us in Rome !

-☛ The Program offers Credits.

-☛ Spend the Summer with RomeArtProgram in Rome!
⁠
-☛ romeartprogram.org

-☛ RomeArtProgram has an internationally recognized faculty of artists, visiting artists, art historians & curators.

*********************************
RomeArtProgram

Art-as-Power







#艺术 #فن دبي #예술


https://www.auditorium.com/it/event/sarah-jane-morris-3/

03/09/2026

Art, whatever it takes - Interview with Giulia Aversente.
Giulia Aversente was born in Albano Laziale (Rome). She graduated in Art History from Sapienza University of Rome.
She began expressing her passion for drawing and painting by attending a Roman training school for comic artists, and later refined her knowledge in the workshop of Emiliano Alfonsi, her master.
Giulia’s research is based on a contemporary vision, with clear references to the Renaissance tradition, investigating the spiritual sphere manifested in bodies understood as matter.
Her attention to detail and pictorial refinement lead the viewer toward a profound exploration of beauty.


RomeArtProgram: What is your definition of “Art” today?
Giulia Aversente: In my view, art is a silent refuge from the chaos of an unstable life, a voice that speaks through different languages, but with a shared and universal energy.


RAP: Art is dynamic and regenerates itself… how does it change and how has it changed us?
Giulia: As a product of humanity, art follows its destiny of evolution & progress, finding new ways to express itself and responding to the expressive needs of a given historical period.
Change is an essential part of art, as it is connected to the human experience.


RAP: When (and how) did you understand that art was becoming important in your life?
Giulia: My love for art began at a very young age and gradually deepened over time. Studying Art History, I began to feel the need to devote myself to artistic practice. After graduating, I embarked on a formative path with a master artist, in his workshop.


RAP: What role does art play today?
Giulia: Today, art is the voice of peoples and cultures, responding to the need to tell the story of our world. From prehistoric cave pictograms to the present, humanity continues to contemplate the unknown beyond itself. The role of art is certainly to reveal and to express the transformations of a reality that moves fast and is shaken by challenging situations.


RAP: Are there still traditional figures such as collectors, muses, mecenate and patrons, in today's art and society interaction model?
Giulia: These important figures still exist, but today art certainly represents an umbrella term that embraces diverse new forms and languages, which have altered certain traditional dynamics by opening the doors to a varied audience of enthusiasts.


RAP: How have the new technologies and media culture changed art today, improving or worsening it? ...challenges?
Giulia: The positive side of technology is its ability to bring art closer to more people through a simple screen, in an accessible and universal way. At the same time, its negative side lies in contributing to the creation of an overstimulated society.
The challenge for the future is certainly to reconcile fragile human reality with an increasingly pressing digital world.


RAP: Which is the real role of academies and art schools today? What can artists learn from these institutions today?
Giulia: Personally, I did not attend an Academy or Art School. Instead, according to my life needs, I chose to train in a master’s workshop. However, I believe these institutions are interesting places of exchange and study for artistic growth and research.


RAP: How do Art Galleries & Museums position themselves today, and, in your opinion, how should they?
Giulia: Galleries and Museums allow people to fully experience art by observing works in person.
Over time, however, their predominant role has been overshadowed by the rise of social media and online sales platforms. Today it’s very important for these institutions to develop new awareness, and open themselves to digital computerized future.


RAP: …will art save us?
Giulia: Art has already saved us. It has given the world beauty and truth and will always continue to do so; it’s inherent in human nature to express one’s inner narrative.

03/05/2026

Museo del Corso - Palazzo Cipolla,
Rome

The exhibition "From Vienna to Rome, the Wonders of the Habsburgs" was presented and inaugurated, at the Museo del Corso - Palazzo Cipolla; it offers for the first time more than fifty masterpieces from the collections of the Kunsthistorisches Museum in Vienna.

The Viennese exhibition embodies the splendor & the intellectual ambition of the dynasty, with a top selection of works collected between the 16th & 18th centuries by members of the Austrian imperial family.

A special section is dedicated to the museum's architecture itself: the majestic building designed by Gottfried Semper & Carl Hasenauer, a true temple of art, with an ideal parallel dialogue with Antonio Cipolla, an affinity that goes beyond form.

The exhibition brings together works by the greatest masters:
Peter Paul Rubens, Diego Velázquez, Jan Brueghel the Elder, Anthony van Dyck, and Lucas Cranach, and the Italian masters Titian, Tintoretto, Veronese, Arcimboldo, and Orazio Gentileschi, each represented by masterpieces of rare beauty and intensity.

Completing the presentation a precious selection from the Kunstkammer, Europe's "cabinet of curiosities."
Produced by the Fondazione Roma in collaboration with the Kunsthistorisches Museum (KHM), curated by Cäcilia Bischoff, art historian at the KHM.

The Curators, H.E. the Ambassador of Austria, and General Secretary of the National Academy of San Luca Professor Strinati joined the presentation.

RomeArtProgram participated in the event.

March 6 to July 5 2026

Palazzo Cipolla Via del Corso 320, Rome

www.museo del corso.com

*********************************
Come paint with us in Rome !

-☛ The Program offers Credits.

-☛ Spend the Summer with RomeArtProgram in Rome!
⁠
-☛ romeartprogram.org

-☛ RomeArtProgram has an internationally recognized faculty of artists, visiting artists, art historians & curators.

*********************************
RomeArtProgram

Art-as-Power







#艺术 #فن دبي #예술

03/05/2026

RAP Faculty, Milos Zahradka Maiorana collaborates with artist Jill Moser and Kathryn Markel Fine Arts NYC for the exhibition, Jill Moser "Talking Pictures: Collaborations."

Talking Pictures: Collaborations is an exhibition of 40 of Moser’s painted collages that form the basis of her new book project. For Talking Pictures: Collaborations, Moser asked friends and colleagues to create a dialogue with one of her painted collages. Poets, artists, journalists, critics, curators, art historians, novelists, psychoanalysts accepted the invitation, forming a chorus that plays along the border of the visual and the verbal.

This exhibition presents the painted collages alongside each contributor’s response. An audio recording of their texts accompanies the show.

Image: Jill Moser, 5.15.21, 2021, gouache and ink on various papers, 8 x 6 in. Courtesy Kathryn Markel Fine Arts, 179 10th Avenue, NYC

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ROME ART PROGRAM⁠
Come paint with us in Rome...⁠
⁠
LEARN MORE at romeartprogram.org ✨️⁠