CUE Art Foundation

CUE Art Foundation A visual arts center dedicated to creating career and educational opportunities for emerging artists.

Thank you to everyone who joined us on Saturday for the opening of “Datos Helados | Soft Tidal,” an exhibition by Federi...
06/11/2026

Thank you to everyone who joined us on Saturday for the opening of “Datos Helados | Soft Tidal,” an exhibition by Federico Bolagno-Romero and Mathías Chumino, curated by Will Rubenstein and with an amazing set of opening night performances by Daren Ho, Imminent Death, and Yellow Tears.

The exhibition will remain on view through Saturday, June 27th. Stop by the gallery during public hours to see (and hear!) this sculptural and media installation that traces data as liquid matter across the Hudson and el Río de la Plata, estuaries that share a condition of irreversible mixing.

The exhibition is part of the artists’ broader Datos Helados project, a series of site specific projects that treat data as a force with agency: capable of settling, eroding, and transforming.

See links in bio for more photos from the opening and to read about the show.

📸: Leo Ng

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Datos Helados | Soft Tidal
June 6–27, 2026
Gallery Hours: Wed–Sat, 12–6 pm

Artists: Federico Bolagno-Romero (Federico), Mathías Chumino / C03RA (Mathías Chumino | C03RA 𓆗)
Curator: Will Rubenstein (Vial)
Exhibition Text: Leticia Almeida (𝖙𝖆𝖓𝖐𝖞)
Graphic Design: Jvy Vazquez (jvyyyvj) + Nicolas Turek
Performances: Yellow Tears (Yellow Tears), Imminent Death (nothingnatural), Daren Ho (the_daren_ho_story)
Music Programming: Federico + Vial

Earlier this month, CUE and .space co-hosted d̶i̶r̶t̶ 𝘦𝘢𝘳𝘵𝘩, a new dinner work by in Pittsburgh. Presenting an iteratio...
05/27/2026

Earlier this month, CUE and .space co-hosted d̶i̶r̶t̶ 𝘦𝘢𝘳𝘵𝘩, a new dinner work by in Pittsburgh. Presenting an iteration of the artist’s series “Fruits of passing (remains from home)” and a menu of 10 courses that drew from histories of accident, spoilage, and contamination, the work acted as an ephemeral set of relations to land across geographies and over time.

Each course incorporated ingredients that we have learned to distrust, with the menu becoming a site for speculation on the practices that have shaped what we consider to be either palatable or objectionable. Through vocabularies of refusal and relation, the work reconsidered our prevailing conceptions of value and sustenance.

Music by .exe 🎶

Photos by .lee (+ a few selects from event attendees) 🤍

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Many thanks to Carnegie Mellon School of Art, Brian Wongchaowart, Chris and Dawn Fleischner, and JADED () for their essential support to make the work possible, as well as and for providing drinks.

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d̶i̶r̶t̶ 𝘦𝘢𝘳𝘵𝘩
Tsohil Bhatia
Saturday, May 2nd, 8-11 pm
Peel | 5806 Forbes Ave, Pittsburgh, PA

ANNOUNCING: “Datos Helados | Soft Tidal” byFederico Bolagno-Romero & Mathías Chumino, curated by Will Rubenstein Join us...
05/20/2026

ANNOUNCING: “Datos Helados | Soft Tidal” by
Federico Bolagno-Romero & Mathías Chumino, curated by Will Rubenstein

Join us at the opening reception on Saturday, June 6th, 6-10 pm, with performances by Yellow Tears, Imminent Death, and Daren Ho beginning at 8 pm.

Datos Helados is an ongoing project of site specific installations that delve into the tensions between data, memory, meaning, and territory. This installment of the series, “Soft Tidal” presents a sculptural and media installation tracing data as liquid matter across the Hudson and el Río de la Plata.

Read more and RSVP for the opening at links in bio. 🔗

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Graphic design: Jvy Vazquez ()

Photos: Details of past and in-process works as part of “Datos Helados,” 2026

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Datos Helados | Soft Tidal
June 6–27, 2026
Gallery Hours: Wed–Sat, 12–6 pm

Artists: Federico Bolagno-Romero (), Mathías Chumino / C03RA ()
Curator: Will Rubenstein ()
Exhibition Text: Leticia Almeida ()

Performances: Yellow Tears ( ), Daren Ho ( ), Imminent Death ()

05/20/2026

Last chance to acquire works as part of mādar, curated by and .adili! Browse the available works, part of a collection contributed by 80+ artists in support of on-the-ground relief efforts in Iran via and .

Link in bio to more info, acquisitions, and donations for the relief effort 🤍

“mādar,” a group benefit exhibition and relief effort curated by and .adili, is on view for one final day! Stop by the ...
05/17/2026

“mādar,” a group benefit exhibition and relief effort curated by and .adili, is on view for one final day! Stop by the gallery the from 12-6 pm.

At a moment of ongoing uncertainty in Iran, the exhibition brings together artists spanning generations and disciplines—from Bandar Abbas, Hormozgan, Iran to Brooklyn, New York—in a collective gesture of solidarity.

Artworks in the show, contributed by over 80 artists, are available for acquisition, with proceeds supporting humanitarian relief efforts through Moms Against Poverty and additional initiatives directed toward people on the ground in Iran.

Links in bio to available works + merch shop! 🔗

Photos by .nyc 📸

Join us on Saturday, May 2nd, for d̶i̶r̶t̶ 𝘦𝘢𝘳𝘵𝘩, a new dinner work by Tsohil Bhatia () co-presented with Peel (.space) ...
04/22/2026

Join us on Saturday, May 2nd, for d̶i̶r̶t̶ 𝘦𝘢𝘳𝘵𝘩, a new dinner work by Tsohil Bhatia () co-presented with Peel (.space) in Pittsburgh, PA. The meal will be followed by a set from multi-disciplinary DJ, artist, and designer Formosa (.exe).

Guests gather for a shared eight-course meal in which the table becomes a site for speculation on the practices that have shaped what we consider to be either palatable or objectionable.

Drawing upon ingredients and methods that have existed for centuries— ash, clay, salt, grain; fruit, char, fermentation— the menu acts as a set of relations to land across geographies and over times. Recipes carry evidence of the propositions of the land. They draw from histories of accident, spoilage, and contamination, often incorporating ingredients that we have learned to distrust.

Read more and reserve a seat ($50) at links in bio. 🔗

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d̶i̶r̶t̶ 𝘦𝘢𝘳𝘵𝘩 is made possible through essential support from the Carnegie Mellon School of Art, Brian Wongchaowart, Chris and Dawn Fleischner, and JADED ().

“dirt earth”
Tsohil Bhatia
Saturday, May 2nd, 8-11 pm
Peel | 5806 Forbes Ave, Pittsburgh, PA

Today is the last day of “What’s Left in the Remaking.” Come visit us before the show closes at 6 pm!Work in the show is...
04/18/2026

Today is the last day of “What’s Left in the Remaking.” Come visit us before the show closes at 6 pm!

Work in the show is available to collect, and sales directly support the artists and help to sustain CUE’s emerging artist-centered program.

To inquire or express interest, visit link in bio. 🔗

Myeongsoo Kim ()
“Desolate Landscape-01,” 2022
Cut-out pigment print, framed
20 x 26 x 1 ¾ inches

Fereidoun Ghaffari ( )
“Untitled,” ongoing
Oil on canvas
29 x 28 inches

Levani ()
“v. hierophant (i),” 2025
Bull horns, pigmented cast silicone, polished stainless steel, laboratory hardware, ceramic, steel
40 x 16 x 20 inches

Shellyne Rodriguez ()
“NO PASARÁN!,” 2024
Linocut relief print, chine collé, collage
36 x 24 inches (framed: 42  x 30 inches)

Tania Bruguera ()
“Dear Diary,” 2025
Digital print on Canson Rag
16 x 24 inches (sheet: 18 x 26 inches)
Artist Proof (A.P.)

Camilo Godoy ( )
“HIC HABITAT FELICITAS (Contacto),” 2022
Archival pigment print
8 x 10 inches (framed: 16 x 18 inches)
Edition of 1 of 5 + 2 APs

Naeem Mohaiemen ()
“When Worlds Collide 2,” 2020
Polyamide 12 nylon 3D print, spray paint
15 x 15 x 10 inches
Edition of 5 + 1 AP

Paul Miller (DJ Spooky) ()
“Orwell: A Portrait,” 2025
Digital print on architectural vellum
48 x 36 inches

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What’s Left in the Remaking
On view through April 18, 2026
Gallery Hours: Wed–Sat, 12–6 pm

See more of the works on view in “What’s Left in the Remaking,” come visit us in the gallery before the exhibition close...
04/16/2026

See more of the works on view in “What’s Left in the Remaking,” come visit us in the gallery before the exhibition closes this Saturday, April 18th.

The works are available for sale, directly supporting both the artists and CUE’s deeply relational and artist-centered model.

To inquire or express interest, head to link in bio. 🔗

Abigail DeVille ()
“Night Rider (Jupiter’s Wish),” 2022
Antique dolls, tulle, galvanized gold metallic wire, oven wire rack, paint, plywood, paper, MDF, canvas board
48 x 48 x 10 inches

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Keli Safia Maksud (   / )
Detail of “If I say the sky’s small arithmetic, its inscription, its echo I,” 2023
Embroidery and carbon transfer on carbon paper
76 x 26 inches

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Esperanza Mayobre ()
“1000 lingotes,” 2025
Acrylic paint and tape on board
30 x 24 inches

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Catalina Tuca (.tuca)
“The Sensitive Project: Emotion of Orsolya Gal (Romania),” 2021
3D printed resin; accompanied by drawing, 3D model, and rendering
4 x 4 x 7 inches

“The Sensitive Project: Emotion of Vishal Kumaraswami (India),” 2021
3D printed PLA; accompanied by drawing, 3D model, and rendering
8 x 4 x 4 inches

“The Sensitive Project: Emotion of Ryan Doherty (Canada),” 2021
3D printed silicone rubber; accompanied by drawing, 3D model, and rendering
6 x 6 x 7 inches

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Juan Eduardo Gómez ()
“Untitled,” 2020
Oil on linen
24 x 18 inches

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Tsohil Bhatia ()
“Untitled (Scene I – dosa batter),” 2025
Hardwood flooring, homemade dosa batter (rice, lentils, fenugreek seeds, water; fermented), chipboard, lumber, acrylic
Wall configuration: 22 x 32 x 5 inches
Floor configuration: 5 x 32 x 22 inches

“Untitled (Scene II – mustard seeds),” 2025
Hardwood flooring, mustard seeds, chipboard, lumber, acrylic
Wall configuration: 22 x 32 x 5 inches
Floor configuration: 5 x 32 x 22 inches

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Jade Guanaro Kuriki-Olivo ()
“Chick with a Dick,” 2025
Taxidermied chick, TPE d***o
7 x 7 x 3 inches

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What’s Left in the Remaking
On view through April 18, 2026
Gallery Hours: Wed–Sat, 12–6 pm

It’s the final week of “What’s Left in the Remaking.” Check out more of the works in the show, and come see them in pers...
04/14/2026

It’s the final week of “What’s Left in the Remaking.” Check out more of the works in the show, and come see them in person before it closes this Sat, April 18th!

The exhibition doubles as a benefit, and works are available for sale. Sales help sustain individual artists practices and ensure that CUE can continue to provide opportunities for emerging and experimental work during this challenging moment.

To inquire or express interest, head to link in bio. 🔗

Golnar Adili (.adili)
“A Thousand Pages of Chest in A Thousand Mirrors - For Palestine,” 2024
Transfer of book cloth, grandmother’s gown, board, print sculpture on paper
9 x 23 x 1½ inches (open); 9 x 11 x 1 ½ inches (closed)

James Yakimicki (.micki)
“78 in a 65 - Still (afraid) and Going for It,” 2025
Oil paint on stretched linen
36 x 24 inches

Athena LaTocha ()
“Untitled, No. 20,” 2022
Shellac ink, soils from the Green-Wood Cemetery, demolition sediment from Downtown Brooklyn, pulverized brick, glass microbeads from New York City Department of Transportation on paper, custom raw steel artist frame
18½ x 27 x 2 inches

Mo Kong ()
“Swift Island Chain Compass,” 2024
Biotech concrete, Sporosacrina Ureae, Sporosarcinca Pasteurii, Sentiment AI feedback system, hand-blown glass, heavy duty spring, nonfood algae-based energy bars, Guano, Spirulina, liquid magnets, magnetic levitating educational models
39 x 9¼ x 7½ inches

Steffani Jemison ()
“Untitled (Same Time / way in the middle of the air),” 2025
Acrylic on brass
23⅝ x 23⅝ inches

Yang Mai ()
“Shhh! (Whitewash),” 2025
Chinese school uniform, barricade, paint, foam, PVC pipe
37 x 32 x 23½ inches

David Humphrey ()
“At the Controls,” 2019
Acrylic on canvas
22 x 28 inches

Judy Linn ()
“acute angle,” 2015
Archival pigment print
16¼ x 11¼ inches

Miatta Kawinzi ()
“Reaching for our other halves (1),” 2023
Archival pigment print of cut paper on paper
14 x 11 inches

Ernst Fischer ()
“Untitled (Spessartine),” 2013
Pigment print, Diasec-mounted
22½ x 32 inches

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What’s Left in the Remaking
On view through April 18, 2026
Gallery Hours: Wed–Sat, 12–6 pm

There’s a little more than a week left to see the works of the 30+ artists taking part in “What’s Left in the Remaking,”...
04/09/2026

There’s a little more than a week left to see the works of the 30+ artists taking part in “What’s Left in the Remaking,” a group exhibition and benefit for CUE.

The works in the show are available to collect. Sales support participating artists and also invite a shared investment in the infrastructure that sustains opportunities for emerging and experimental work at CUE in these unprecedented times. 

Check out the following works, listed in order of photos.

To inquire, DM us or see link in bio. 🔗

Levani () x Papuna ()
“alphabet (i) თ” and “alphabet (i) ი”,  2025
Lilac marble with leather finish
21 x 15 x 12 inches

Esperanza Mayobre ()
“Antenas de Golindano,” 2018
Silkscreen on paper
30 x 22 inches (framed: 32 ¼ x 24 ½ inches)
Edition of 7

Devin Kenny ()
“Paper Tiger Series,” 2025
Relief print with thermal ink and archival ink on mixed media paper, faceted mirrored glass frame, MP3 audio mix by artist
6 ⅛ x 8 ⅛ inches

Mo Kong ()
“Swift Island Chain Calendar,” 2024
Ink on paper, graphite, costume frame
16 ½ x 72 inches

Jade Guanaro Kuriki-Olivo ()
“Chicks with Dicks,” 2025
Vinyl text on wall
5 x 36 inches
Edition of 2 + 1 AP

Kiki Smith ( )
“Open,” 1987–2018
Ink, watercolor, and pencil on Losiny Prague paper
Monoprint; open edition varié
11 ½ x 8 inches
(framed: 14 x 10 ½ inches)

Karen Azoulay ()
“Flowers and Their Meanings,” 2023/25
Archival pigment print
10 x 11 inches
(framed: 11 ¾ x 10 ¾ inches)
Edition 1 of 5

Rob Davis ()
“Shoes,” 2024
Watercolor on paper
9 x 12 inches
(framed: 11 ¾ x 14 ¾ inches)

Cal Siegel ()
“Hi-Ho, Alas,” 2023
Wood, silkscreen on cotton, stain
21 x 21 x 11 inches

Zachary Fabri ()
“Duppy_11,” 2017
Black and white gelatin silver print
12 x 8 inches
(framed: 16 ½ x 12 ¼ inches )
Edition 1 of 3  + 2 APs

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What’s Left in the Remaking
On view until April 18, 2026
Gallery Hours: Wed–Sat, 12–6 pm

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137 W 25th Street
New York, NY
10001

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Wednesday 12pm - 6pm
Thursday 12pm - 6pm
Friday 12pm - 6pm
Saturday 12pm - 6pm

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