Charles Mingus

Charles Mingus Composer, bassist, and activist Charles Mingus Mingus left behind the largest legacy of composition in American music after Duke Ellington.
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LET MY CHILDREN HEAR MUSIC is a 501(c)(3) non-profit organization created in 1986 to promote the compositional legacy of musician and composer Charles Mingus through publishing, education, archival preservation, and performance. Charles Mingus is recognized as a major 20th century composer, whose works have been acquired by the Library of Congress – a first for jazz, and a first for an African-Ame

rican composer. The Mingus Bands remain devoted to this vast repertoire, and true to the artistic vision of Sue Mingus, play to great critical acclaim around the world. Several grants from the NEA and others have supported touring and archival activities including the arrangement and production of Charles Mingus’ Epitaph.

FAREWELL SONNY ROLLINS (September 7, 1930 – May 25, 2026) Tenor saxophonist-bandleader-composer Sonny Rollins was a long...
05/27/2026

FAREWELL SONNY ROLLINS (September 7, 1930 – May 25, 2026) Tenor saxophonist-bandleader-composer Sonny Rollins was a longtime friend of Charles Mingus, and the two bandleaders could often be found alternating sets at such famed venues as New York’s Five Spot in the 1950s and ‘60s. Several attempts were made over the years to assemble all-star tours involving both legends, though none ultimately came to fruition. The closest attempt came in 1966, when George Wein booked a highly-anticipated European tour for a trio that consisted of Sonny Rollins, Charles Mingus, and Max Roach. Unfortunately, Mingus had to bow out of the engagement at the last minute and was replaced by Jymie Merritt. In 1973, Mingus was a featured guest (along with Dizzy Gillespie) at a Sonny Rollins concert (pictured above). Later in the 1970s, as Mingus’ mobility was restricted by A.L.S., Rollins often called and visited Mingus at the bassist’s new home at Manhattan Plaza. In a show of appreciation, one of the last projects proposed by Mingus before his death (sadly never brought to life) was an ambitious collaboration involving Rollins, the Juilliard String Quartet, Sarah Vaughan, Joni Mitchell, and “a bowing bassist.”

We encourage fans to support the Sonny Rollins Bridge Project, a campaign to rename New York’s Williamsburg Bridge in honor of the late saxophonist, who famously took a three year sabbatical during one of the highest points of his long career to refocus himself by practicing his saxophone for many hours every day atop the pedestrian walkway of the iconic structure. Sign the petition and learn more at SonnyRollinsBridge dot net, and petition directly by contacting local officials, such as the NYC Mayor’s Office

1. Postcard from Sy Johnson to Charles Mingus. L to R: Dizzy Gillespie, Yoshiaki Masuo, Bob Cranshaw, Charles Mingus, David Lee Jr., Sonny Rollins on stage in 1973 [Mingus archives, photo by Sy Johnson]
2. Sonny Rollins, Joan DiVito, Charles Mingus, Roberto Ungaro, and Henry Robinett at Mingus’ Manhattan Plaza apartment [1978, Mingus Archives]
3. Sonny Rollins, Charles Mingus, Fran Lebowitz, and others at Manhattan Plaza [1978, Mingus Archives]
4. Sonny Rollins & Sue Mingus at Manhattan Plaza [1978, Mingus Archives]
5. Postcard from Sonny Rollins to Charles Mingus, 1978 [Mingus Archives]
6. Five Spot advertisement in The Village Voice, December, 1958 [sourced by Natalie Weiner’s The 1959 Project]
7. Excerpt from Gene Santoro’s Myself When I Am Real: The Life and Music of Charles Mingus, pg. 197-198.
8. Excerpt from Brian Priestley’s Mingus: A Critical Biography, pg. 223-224.
9. Excerpt from Charles Mingus’ 1972 essay “What Is A Jazz Composer?” originally published in the Grammy-nominated liner notes for Let My Children Hear Music, seen here as republished in Charles Mingus: More Than A Fake Book (“Pure Mingus! A must-read!” –Sonny Rollins) [pub. Jazz Workshop, distr. Hal Leonard]
10 & 11. The famous “Great Day In Harlem” photo by Art Kane, 1958, and a candid close-up containing both Mingus and Rollins during the staging. Sonny Rollins was the last surviving musician in this iconic photo.

Happy Centennial, Miles Davis! (born May 26, 1926)Although they made few recordings together, Miles and Mingus shared a ...
05/26/2026

Happy Centennial, Miles Davis! (born May 26, 1926)

Although they made few recordings together, Miles and Mingus shared a long history with each other, beginning with their first encounter in Los Angeles in 1946. Miles Davis had traveled to the West Coast to perform with Charlie Parker’s band that year, and the ensemble stayed there for an extended period. This allowed Davis to pick up additional work around Southern California with other groups, including one led by a young bassist then known as “Barron” Mingus.

Several years later, Mingus moved to New York and worked as a sideman for Davis, Parker, and others while re-establishing himself as a bandleader on the East Coast. In 1953, during a recording session for Miles Davis’s Blue Haze album, Mingus stepped in on short notice to play piano on a song. Mingus also contributed the composition for that track, titled “Smooch” for Blue Haze but more commonly known as “Weird Nightmare.”

Two years later, in 1955, Miles and Mingus assembled a group with Teddy Charles, Britt Woodman, and Elvin Jones to record an album titled Blue Moods for Mingus’ Debut Records. Several months after Debut date, Mingus also penned a widely-read open letter to Miles Davis in DownBeat magazine, challenging some comments made by Davis in an interview for the magazine’s previous issue. The two bandleaders remained close and later featured prominently in each others’ autobiographies.

1. Charles Mingus and Miles Davis smooching. Frances Taylor Davis in the background. Date, location, photographer unknown.
2. Album cover of Miles Davis's Blue Moods, Debut Records
3. Mingus' Open Letter to Miles Davis, Nov. 30, 1955, DownBeat Magazine
4. Excerpt about the early relationship between Davis & Mingus, pgs. 93-94, "Miles – The Autobiography, with Quincy Troupe"

05/13/2026

FAREWELL DANNY MIXON, pianist (and tap dancer!) from Harlem who joined Charles Mingus’ touring band in 1976 and recorded on the album Cumbia & Jazz Fusion.

On April 22, 2022, Mixon reprised his role, sitting in on piano with Mingus Big Band during our weeklong celebration of Charles Mingus’ centennial at Dizzy’s Club in New York. This clip is from his solo on “Jelly Roll” (with nods to Stevie Wonder and a clever bit of “Happy Birthday” for Mingus)

04/29/2026

Remembering tenor saxophonist George Adams today, who was born April 29, 1940. Here's a bit of Adams playing "Sue's Changes" in 1975 at the Festival with Charles

Celebrating Charles Mingus on the 104th anniversary of his birth!“Just because I'm playing jazz I don't forget about me....
04/22/2026

Celebrating Charles Mingus on the 104th anniversary of his birth!

“Just because I'm playing jazz I don't forget about me. I play or write me the way I feel through jazz, or whatever. Music is, or was, a language of the emotions.”
—Charles Mingus� (April 22nd, 1922 – January 5th, 1979)

Be sure to tune in to WKCR today (FM, HD, or online http://wkcr.org) for 24 hours of Mingus music and more, including a newly digitized archival interview from 1972

04/18/2026

"Town Hall Concert 1964, Vol. 1" is available on vinyl again after 40 years from Jazz Workshop / Candid Records as a Record Story Day Indie Exclusive. Special clear smoke color available only at your local store today!

Out of print for 40 years, "Town Hall Concert 1964, Vol. 1" is finally available on vinyl again from Jazz Workshop / Can...
04/17/2026

Out of print for 40 years, "Town Hall Concert 1964, Vol. 1" is finally available on vinyl again from Jazz Workshop / Candid Records as a Record Story Day Indie Exclusive. Special clear smoke color available only at your local store this Saturday, April 18th.

Mingus Mondays is BACK!Mingus Big Band
04/06/2026

Mingus Mondays is BACK!
Mingus Big Band

Mingus Mondays are back!

Mingus Big Band is now in its 4th decade celebrating the work of the towering bassist/composer/activist Charles Mingus. The GRAMMY Award-winning band is comprised of NYC's finest musicians, and will bring the fire every Monday night starting June 1st.

If you're not sure what to see at The Pocket, this is undoubtably the place to start.

The Pocket is honored to continue this legacy, and can't wait to see old friends and new faces at Mingus Mondays.

Reserve your table at http://thepocketnyc.com

01/05/2026

"Truth, honesty, sincerity" — Remembering Charles Mingus on the 47th anniversary of his death (April 22, 1922–January 5, 1979)

Excerpt from an interview with Bob Quintrell in Vancouver, Canada, January 1961, for Canadian Broadcasting Corporation

Address

291 Broadway #1405
New York, NY
10007

Telephone

+12127364749

Website

https://linktr.ee/charlesmingus, https://charlesmingus.org/, https://bsky.app/profile/charle

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