Charles Mingus

Charles Mingus Composer, bassist, and activist Charles Mingus Mingus left behind the largest legacy of composition in American music after Duke Ellington.
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LET MY CHILDREN HEAR MUSIC is a 501(c)(3) non-profit organization created in 1986 to promote the compositional legacy of musician and composer Charles Mingus through publishing, education, archival preservation, and performance. Charles Mingus is recognized as a major 20th century composer, whose works have been acquired by the Library of Congress – a first for jazz, and a first for an African-Ame

rican composer. The Mingus Bands remain devoted to this vast repertoire, and true to the artistic vision of Sue Mingus, play to great critical acclaim around the world. Several grants from the NEA and others have supported touring and archival activities including the arrangement and production of Charles Mingus’ Epitaph.

Mingus Big Band at  2 sets at 7pm and 9pmStudents 1/2 price second set with IDMONDAY, JUNE 29th:Alex Norris, trumpetJere...
06/26/2026

Mingus Big Band at 2 sets at 7pm and 9pm
Students 1/2 price second set with ID

MONDAY, JUNE 29th:
Alex Norris, trumpet
Jeremy Pelt, trumpet
Philip Harper, trumpet
Brandon Wright, alto sax
Sarah Hanahan, alto sax
Wayne Escoffery, tenor sax
Craig Handy, tenor sax
Jason Marshall, bari sax
Joe Fiedler, trombone
James Burton, trombone
Earl McIntyre, bass trombone
David Kikoski, piano
Boris Kozlov, bass
Donald Edwards, drums

06/25/2026

Mingus Big Band, live in The Pocket, every Monday!

From last week’s performance, here’s a few ‘neighborhoods’ from Charles Mingus’ composition “New York Sketchbook,” as interpreted by piano-maestro David Kikoski, the piece’s featured soloist. Did you know Mingus employed two pianists for the original recording? The composition was initially titled “Tourist in Manhattan,” written and debuted in 1956 as a musical voyage through the various neighborhoods of the city, each one with its own unique identity and pace of life, which Mingus captured and represented in sound.

06/15/2026

Remembering the late, great Jaki Byard today, born June 15, 1922, who played piano and wrote arrangements for Charles Mingus in the 1960s and ‘70s. This clip features Byard playing “Take The ‘A’ Train” with Mingus’ Jazz Workshop band in Oslo, Norway, 1964.

Tonight! Alex Norris, trumpet; Jeremy Pelt, trumpet; Philip Harper, trumpet; David Lee Jones, alto sax; Erena Terakubo, ...
06/08/2026

Tonight! Alex Norris, trumpet; Jeremy Pelt, trumpet; Philip Harper, trumpet; David Lee Jones, alto sax; Erena Terakubo, alto sax; Donny McCaslin, tenor sax; Mike Sim, tenor sax; Jason Marshall, bari sax; Conrad Herwig, trombone; Evan Amoroso, trombone; Earl McIntyre, bass trombone; Manuel Valera, piano; Boris Kozlov, bass; Donald Edwards, drums

FAREWELL SONNY ROLLINS (September 7, 1930 – May 25, 2026) Tenor saxophonist-bandleader-composer Sonny Rollins was a long...
05/27/2026

FAREWELL SONNY ROLLINS (September 7, 1930 – May 25, 2026) Tenor saxophonist-bandleader-composer Sonny Rollins was a longtime friend of Charles Mingus, and the two bandleaders could often be found alternating sets at such famed venues as New York’s Five Spot in the 1950s and ‘60s. Several attempts were made over the years to assemble all-star tours involving both legends, though none ultimately came to fruition. The closest attempt came in 1966, when George Wein booked a highly-anticipated European tour for a trio that consisted of Sonny Rollins, Charles Mingus, and Max Roach. Unfortunately, Mingus had to bow out of the engagement at the last minute and was replaced by Jymie Merritt. In 1973, Mingus was a featured guest (along with Dizzy Gillespie) at a Sonny Rollins concert (pictured above). Later in the 1970s, as Mingus’ mobility was restricted by A.L.S., Rollins often called and visited Mingus at the bassist’s new home at Manhattan Plaza. In a show of appreciation, one of the last projects proposed by Mingus before his death (sadly never brought to life) was an ambitious collaboration involving Rollins, the Juilliard String Quartet, Sarah Vaughan, Joni Mitchell, and “a bowing bassist.”

We encourage fans to support the Sonny Rollins Bridge Project, a campaign to rename New York’s Williamsburg Bridge in honor of the late saxophonist, who famously took a three year sabbatical during one of the highest points of his long career to refocus himself by practicing his saxophone for many hours every day atop the pedestrian walkway of the iconic structure. Sign the petition and learn more at SonnyRollinsBridge dot net, and petition directly by contacting local officials, such as the NYC Mayor’s Office

1. Postcard from Sy Johnson to Charles Mingus. L to R: Dizzy Gillespie, Yoshiaki Masuo, Bob Cranshaw, Charles Mingus, David Lee Jr., Sonny Rollins on stage in 1973 [Mingus archives, photo by Sy Johnson]
2. Sonny Rollins, Joan DiVito, Charles Mingus, Roberto Ungaro, and Henry Robinett at Mingus’ Manhattan Plaza apartment [1978, Mingus Archives]
3. Sonny Rollins, Charles Mingus, Fran Lebowitz, and others at Manhattan Plaza [1978, Mingus Archives]
4. Sonny Rollins & Sue Mingus at Manhattan Plaza [1978, Mingus Archives]
5. Postcard from Sonny Rollins to Charles Mingus, 1978 [Mingus Archives]
6. Five Spot advertisement in The Village Voice, December, 1958 [sourced by Natalie Weiner’s The 1959 Project]
7. Excerpt from Gene Santoro’s Myself When I Am Real: The Life and Music of Charles Mingus, pg. 197-198.
8. Excerpt from Brian Priestley’s Mingus: A Critical Biography, pg. 223-224.
9. Excerpt from Charles Mingus’ 1972 essay “What Is A Jazz Composer?” originally published in the Grammy-nominated liner notes for Let My Children Hear Music, seen here as republished in Charles Mingus: More Than A Fake Book (“Pure Mingus! A must-read!” –Sonny Rollins) [pub. Jazz Workshop, distr. Hal Leonard]
10 & 11. The famous “Great Day In Harlem” photo by Art Kane, 1958, and a candid close-up containing both Mingus and Rollins during the staging. Sonny Rollins was the last surviving musician in this iconic photo.

Happy Centennial, Miles Davis! (born May 26, 1926)Although they made few recordings together, Miles and Mingus shared a ...
05/26/2026

Happy Centennial, Miles Davis! (born May 26, 1926)

Although they made few recordings together, Miles and Mingus shared a long history with each other, beginning with their first encounter in Los Angeles in 1946. Miles Davis had traveled to the West Coast to perform with Charlie Parker’s band that year, and the ensemble stayed there for an extended period. This allowed Davis to pick up additional work around Southern California with other groups, including one led by a young bassist then known as “Barron” Mingus.

Several years later, Mingus moved to New York and worked as a sideman for Davis, Parker, and others while re-establishing himself as a bandleader on the East Coast. In 1953, during a recording session for Miles Davis’s Blue Haze album, Mingus stepped in on short notice to play piano on a song. Mingus also contributed the composition for that track, titled “Smooch” for Blue Haze but more commonly known as “Weird Nightmare.”

Two years later, in 1955, Miles and Mingus assembled a group with Teddy Charles, Britt Woodman, and Elvin Jones to record an album titled Blue Moods for Mingus’ Debut Records. Several months after Debut date, Mingus also penned a widely-read open letter to Miles Davis in DownBeat magazine, challenging some comments made by Davis in an interview for the magazine’s previous issue. The two bandleaders remained close and later featured prominently in each others’ autobiographies.

1. Charles Mingus and Miles Davis smooching. Frances Taylor Davis in the background. Date, location, photographer unknown.
2. Album cover of Miles Davis's Blue Moods, Debut Records
3. Mingus' Open Letter to Miles Davis, Nov. 30, 1955, DownBeat Magazine
4. Excerpt about the early relationship between Davis & Mingus, pgs. 93-94, "Miles – The Autobiography, with Quincy Troupe"

05/13/2026

FAREWELL DANNY MIXON, pianist (and tap dancer!) from Harlem who joined Charles Mingus’ touring band in 1976 and recorded on the album Cumbia & Jazz Fusion.

On April 22, 2022, Mixon reprised his role, sitting in on piano with Mingus Big Band during our weeklong celebration of Charles Mingus’ centennial at Dizzy’s Club in New York. This clip is from his solo on “Jelly Roll” (with nods to Stevie Wonder and a clever bit of “Happy Birthday” for Mingus)

04/29/2026

Remembering tenor saxophonist George Adams today, who was born April 29, 1940. Here's a bit of Adams playing "Sue's Changes" in 1975 at the Festival with Charles

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