HOMAG Homage (h)am-ij): special reverence, admiration, respect, and or esteem for. Honoring Our Multitude of African American Ancestors and Generations (HOMAG).

HOMAG: Honoring Our Multitude of African-American Ancestors and Generations, will sponsor activities, focus groups, and fundraisers within our community. The goal of HOMAG is to raise awareness of the contributions of ALL African-Americans, not only those national leaders that we hear and read about everyday on the news or in our history books, but more specifically, those unsung, local leaders

- the preachers, the teachers, the janitors, farmers, mothers and fathers - anyone who sacrificed to get us where we are today. The ultimate goal is to be able to sponsor a a family-centered African-American History Festival. Some of the overall activities HOMAG hopes to implement include geneaological research, interviews of our local seniors, a cataloging of our local churches & gravesites, and tours of historical landmarks, to name a few. HOMAG would also sponsor focus groups to invite our local, political leaders and. Congressional representatives for one-on-one and face-to-face question & answer sessions (voter registration, how to get involved in community offices, etc.) There would also be sessions for our YOUTH (careers, college, financial aid, technology, campus tours, etc.); and for ADULTS (home ownership forums, computer how-to and technology classes, etc.); and the list goes on and on. HOMAG also hopes to sponsor field trips to in & out-of-state historic landmarks (i.e. the African-American History Museum in Washington D.C.). We are always in need of volunteers, so if you love all forms of History, this would be ideal for you; however, you DO NOT have to be a history-buff to participate. Any prior experience in event organizing, party planning and set-up, and/or website design would also be of great help. So if this sounds like something that you would be interested in, feel free to contact us. Be on the look-out for the HOMAG logo in your local city or town for future events; and Thank you in advance for your support. Kimberly Walker
Email: [email protected]

07/29/2026

The story of Frazier Baker, Lake City, SC

07/14/2026
07/14/2026

To be a Negro in this country and to be relatively conscious is to be in a state of rage almost all of the time.

- James Baldwin

https://www.facebook.com/share/p/18Tjrkf45Y/
01/27/2026

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In Louisiana around 1930, a white twelve-year-old girl found an old book on a plantation. It was published in 1853. Its title was 12 Years a Slave. That moment quietly reshaped American history.

Her name was Sue Lyles—later Sue Eakin. She was born in 1918 in Bunkie, Louisiana, and grew up white in the segregated South, in a society built on rigid racial lines and selective memory.

The book she found told the story of Solomon Northup, a free Black man from New York who, in 1841, was lured to Washington, D.C., kidnapped, and sold into slavery. For twelve years, he was enslaved on plantations in Louisiana. In 1853, after being rescued, he published his account—graphic, specific, and devastating.

Most people who read the book might have been horrified and moved on.

Sue did something else.

She recognized the places.

Northup described rivers, plantations, towns—names Sue knew. Real geography. Real people. Real detail. At twelve years old, she asked a question that would define her entire life:

Was this true?

That question became a seventy-year mission.

In a region where many white Southerners were denying, softening, or rewriting the history of slavery, Sue Eakin decided to do the opposite. She would verify it. Line by line. Name by name.

She became a teacher. A newspaper editor. She raised a family. But she never stopped researching Solomon Northup.

She tracked down plantation records. Interviewed descendants. Studied court documents. Walked the land Northup had described. Checked dates, names, transactions, locations.

In her forties, while working and raising children, she went back to school and earned a master’s degree.

At sixty years old, she completed her PhD at Louisiana State University.

Her dissertation topic was the same book she’d picked up as a child.

She proved Solomon Northup was telling the truth.

In 1968, when 12 Years a Slave was largely forgotten and rarely taught, Sue Eakin published the first extensively annotated scholarly edition. She added hundreds of notes—verifying facts, identifying people, correcting history.

She brought the book back into the world.

She kept going.

In 2007, at nearly ninety years old, she published a second, even more detailed annotated edition—drawing on decades of additional research.

She had spent over seventy years proving one man’s story was real.

Sue Eakin died on March 20, 2009, in the same Louisiana town where she was born. She was ninety years old.

She never saw what came next.

In 2013, director Steve McQueen released the film 12 Years a Slave, based directly on Solomon Northup’s narrative—using the scholarship Sue Eakin had spent her life building.

The film was unflinching. Brutal. Honest.

It was nominated for nine Academy Awards.

In 2014, it won Best Picture.

Accepting the award, McQueen said:
“I’d like to thank this amazing historian, Sue Eakin, who gave her life’s work to preserving Solomon Northup’s book.”

She wasn’t there.

She had died four years earlier.

But without her, the story might still be doubted. Still be buried. Still be dismissed as exaggeration.

A white girl in segregated Louisiana found a book at twelve years old. She crossed every social boundary of her time. She earned a doctorate at sixty. Published scholarship at eighty-eight. Died at ninety.

And four years later, her life’s work reached the world.

Solomon Northup told the truth.

Sue Eakin spent seventy years proving it.

And because she did, millions finally heard it.

Address

Lexington, SC

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