Great Plains Emerging Arts Project

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Great Plains Emerging Arts Project Contact information, map and directions, contact form, opening hours, services, ratings, photos, videos and announcements from Great Plains Emerging Arts Project, Nonprofit Organization, 1333 E 902 Road, Lawrence, KS.

Great Plains Emerging Arts Project is a Lawrence, Kansas nonprofit producing the Great Plains Art, Food & Maker Festival and working to build a public amphitheater at Sesquicentennial Point Park overlooking Clinton Lake and the Wakarusa River Valley.

10/11/2026
10/10/2026

Join Great Plains Art Connect live from Shirk’s Farm for the second annual Kaw Valley Field Day - Save Our Soil! We’re bringing you Band That Saved the World during golden hour, with our broadcast beginning around 5:50 PM Central and music expected from 6–7 PM on Saturday, October 10. Can’t make it out? Watch with us from wherever you are! We plan to wrap up after the band’s set. Timing may shift with the event schedule and connection conditions.

Date: Today, October 10, 2026
Time: 5:50 PM
Time zone: America/Chicago — Central

Live-streamed music from the farm—today! 📡🎶Great Plains Art Connect is bringing you Band That Saved the World live from ...
10/10/2026

Live-streamed music from the farm—today! 📡🎶

Great Plains Art Connect is bringing you Band That Saved the World live from Shirk’s Farm during the second annual Kaw Valley Filed Day supporting SOS Kaw Valley Foundation - Save Our Soil!

We tested our Starlink Mini on location yesterday, and the picture and sound looked great. If you can’t make it out, join us online for some golden-hour music!

🎥 Tune in today, Saturday, October 10, around 5:50 PM Central.

🎶 The Band That Saved The World is expected from 6–7 PM. We plan to wrap up after the band’s set. Split Lip Rayfield headlines if you have not heard them they are AMAZING as well.

Open the event below and join us here for the livestream:

https://www.facebook.com/share/19iRUkrk5t/

Share this with someone who would enjoy the show!

Live Love Local Lawrence

10/10/2026

Livestreaming music from the middle of a farm? We put it to the test! 📡🎶

I was out at Shirk’s Farm testing our livestream setup, and the Starlink Mini worked extremely well!

Tomorrow, Great Plains Art Connect plans to bring you Band That Saved the World live from the second annual Field Day supporting Save Our Soil Kaw Valley River Foundation.

🎥 Tune in right here on our page! We’re aiming to start at 5:50 PM and wrap up around 7 PM, if all goes as planned. We should also be broadcasting on our TikTok, YouTube and Instagram.

Can’t make it out? Catch some golden-hour live music with us from wherever you are! 🌅
Sat. Oct. 10th, 2026

Our first Great Plains Art Connect outing is this Saturday! We’ll be at Kaw Valley Field Day with SOS Kaw Valley Foundat...
10/09/2026

Our first Great Plains Art Connect outing is this Saturday! We’ll be at Kaw Valley Field Day with SOS Kaw Valley Foundation at Shirk’s Farm.

Our goal is to livestream The Band That Saved The World from 6–7 PM, during golden hour as the sun goes down, for everyone who can’t make it out. That’s why we started this: to help people experience local music, art, and community events even when they can’t be there in person(😭).

We’re taking our Starlink Mini out Friday night to test the connection. Livestreaming from the farmland beside a pumpkin patch—should be no problem, right? If the signal holds, we’ll bring you along live. If not, we’ll record and share video afterward.

Split Lip Rayfield plays from 7:30–9 PM, so stick around if you’re there! Right now, our plan is to wrap up our coverage after The Band That Saved The World.

The event runs from 2–9 PM and is FREE and family friendly, with live music, hayrack rides, a pumpkin patch, food trucks, a local organization fair, and more.

📅 Saturday, October 10
🎶 Our planned livestream: 6–7 PM
📍 Shirk’s Farm
1359 N 1900 Rd, Lawrence, KS 66044

Come out and say hello, or keep an eye on this page for stream updates!

SOS Kaw Valley Foundation Great Plains Art, Food & Maker Festival Live Love Local Lawrence The Band That Saved The World Tom Wenner

Hey ya'll!  This is a call to local artists, performers, and creative events! We’re excited to launch Great Plains Art C...
10/08/2026

Hey ya'll! This is a call to local artists, performers, and creative events! We’re excited to launch Great Plains Art Connect, and we’d love to feature what you’re doing!

We’re looking for singer-songwriters, solo musicians, duet performances, poets, dancers, art openings, and all original creative work to feature over the next 10 months on our new show. Essentially, we're looking to live stream these performances and events for those people that are not leaving their homes anymore(😭).

The idea is, we come to your performance (or you come to us) and we live stream the parts that we can, make short videos, social posts, and updates so people can discover your work. When we’re there filming, we can also share raw clips you can use later to help spread the word about your art, your mission, or your space.

Interested in being featured? Send us a message, tell us what you have coming up, or tag someone we should meet. Email: [email protected].

A STAGE THAT GROWS WITH THE CROWD.HOW AMPHITHEATERS TAKE SHAPELower-Density Grass TerraceA NATURAL, PARK-LIKE EXPERIENCE...
09/03/2026

A STAGE THAT GROWS WITH THE CROWD.

HOW AMPHITHEATERS TAKE SHAPE

Lower-Density Grass Terrace

A NATURAL, PARK-LIKE EXPERIENCE

What if an amphitheater could feel alive with a few hundred people — yet still have room to welcome a couple thousand when Lawrence comes together for something bigger?

That is the idea behind the Lower-Density Grass Terrace, our next exploration for Sesquicentennial Point Park, overlooking Clinton Lake and the Wakarusa River valley.

Instead of filling the hillside with rows of permanent seats, this shape uses broad grass terraces, accessible pathways, landscaped edges and generous open lawn. On an ordinary summer evening, families could spread out on blankets, friends could bring lawn chairs, and a few hundred people could make the hillside feel comfortably full.

Then comes the festival. The major community celebration. The special performance that draws a much larger audience.

The same hillside opens up.

That flexibility is what makes this form so intriguing. A venue capable of accommodating a larger crowd does not necessarily have to look or feel enormous when that crowd is not there. The amphitheater can almost expand and contract with the audience.

For a civic venue, that matters.

One night might bring a school performance, theatre production or free community concert. Another could bring a festival, touring artist or regional cultural event. In modern cities, public spaces increasingly need to be flexible enough to serve many kinds of people, programs and budgets rather than being designed around one perfect night each year.

And this shape could potentially grow with Lawrence.

The essential infrastructure — stage, utilities, drainage, accessibility, pathways and production support — could be planned carefully from the beginning, while future phases add amenities, performance capabilities or audience improvements as actual use and resources guide the way.

Of course, a lawn amphitheater only looks simple.

Grass has to survive crowds. Water has to move safely down the hillside. Accessible viewing and circulation must be designed into the landscape. A professional stage still needs sound, lighting, power, backstage support, loading, restrooms, emergency access and all the less-visible systems that make public performances work.

That is exactly why feasibility matters.

Maybe professional study eventually tells Lawrence that the right everyday audience is several hundred, with the ability to accommodate larger crowds on special occasions. Maybe it supports something approaching the low thousands. Or perhaps the research shows enough regional demand to justify one of the larger amphitheater forms we will explore later in this series.

We do not know yet — and that is part of the excitement.

We are exploring the possibilities before choosing the answer.

On a quiet afternoon, this could still feel like a park.

With a few hundred people, it could feel intimate and alive.

And on the right evening, with the prairie full of people and music carrying across the lawn, it could become something much bigger.

A natural, park-like experience — with room for Lawrence to gather, grow and dream.

Concept study only. No design, capacity, capital budget, funding package or construction project has been approved. AI visualizations are not engineered architectural drawings.

🚨 HEADS UP, FOLKS. WE NEED TO PAY ATTENTION TO WHAT IS HAPPENING.This Lovegrass post hits very close to home.Festivals a...
09/03/2026

🚨 HEADS UP, FOLKS. WE NEED TO PAY ATTENTION TO WHAT IS HAPPENING.

This Lovegrass post hits very close to home.

Festivals are disappearing.

Not just obscure little events nobody attended. Beloved festivals. Long-running festivals. Festivals that took people years — sometimes decades — to build.

Here in our part of the country alone, we’ve watched Boulevardia end. Symphony in the Flint Hills hold its final event after 20 years. Wild West Festival in Hays announce the end of more than three decades of programming. Kansas City’s Chicano Arts Festival cancel its 10th-anniversary year because the resources weren’t there. 80/35 in Des Moines disappear after its nonprofit producer dissolved.

Kansas City has already watched major jazz and blues festivals struggle or disappear. Kanrocksas assembled a massive lineup for its attempted comeback and still canceled because not enough people bought tickets.

And nationally, the list keeps growing.

Pitchfork Chicago. Desert Daze. Music Midtown. Made in America. Firefly. Moon River. Skull & Roses. Michelada Fest. Other festivals have canceled years, gone on hiatus, downsized or simply disappeared.

Different festivals. Different circumstances.

But the same pressures keep showing up:

Everything costs more.

Artists. Production. Staging. Insurance. Security. Equipment. Advertising. Infrastructure. Labor.

Sponsors are harder to find. Grants are increasingly competitive. Weather can destroy a year of work in an afternoon. Volunteers burn out. People have less disposable income.

And there is another part of this that I think we need to be willing to talk about.

Getting people to actually leave the house and show up has become harder.

We live in a world where almost unlimited entertainment is sitting in our hands.

Movies. Television. YouTube. TikTok. Reels. Livestreams. Games. Podcasts. Microdramas. Concert footage. An algorithm that will happily entertain you indefinitely without asking you to put on shoes.

The couch has become one of the biggest competitors every festival has.

I don’t think people stopped wanting real experiences.

I think we’ve created a world where it’s incredibly easy to get just enough entertainment and just enough simulated connection that we can keep postponing the effort required to experience the real thing.

And that’s the part that worries me.

Because clicking ❤️ on a festival post doesn’t pay the stage company.

Clicking “Interested” doesn’t pay the musicians.

Watching the videos afterward doesn’t pay the insurance.

Saying, “I love that festival,” doesn’t keep that festival alive.

Showing up does.

Buying the ticket does.

Making the donation does.

Sponsoring it does.

Volunteering does.

Bringing your friends does.

Supporting the businesses that support it does.

And at a time when so much of our existence is becoming artificial, automated, algorithmic and experienced through screens, I believe these strange little grassroots gatherings matter more than ever.

Real musicians standing on a stage.

Real artists standing next to something they made.

Someone cooking your food.

Someone pouring your b**r.

Kids running around.

Friends laughing.

Strangers meeting each other.

Grass under your feet.

Wind in your face.

A Kansas sunset.

Thousands of little things happening around you that no algorithm selected for you.

That’s real life.

And maybe we need to start treating it like something worth protecting.

Great Plains Fest is heading into Year 5.

Lovegrass is heading into Year 10.

I desperately want to see both of us celebrating Years 15, 20 and 25.

But this is the uncomfortable truth:

None of these things are guaranteed to be here next year.

So when there’s an independent festival, arts organization, concert series, community event or grassroots cultural project you care about:

GET OFF YOUR BUTT AND GO.

Buy the ticket.

Take your kids.

Call your friends.

Drive the hour.

Volunteer.

Donate.

Sponsor something.

And yes —

put the damn phone down for a while and go touch grass.

Support the culture you want your community to have.

Support Lovegrass.

Support your local festivals.

Support the crazy people still willing to take the financial risk and spend months of their lives creating places where the rest of us can come together for a day.

Because the worst time to discover how much something mattered to you is the morning after somebody announces it isn’t coming back.

08/28/2026

We’re excited to announce the first show of the MOKA Artist Exchange Tour on September 11th at 7:00pm! MOKA is a collaborative multi-city artist exchange program, including Missouri, Oklahoma, Kansas, and Arkansas.

Join us at The Bottleneck to see featured performers Hello Biplane (KS), Frankie Lynn Shorez (MO), Baang | Jeremiah Pickett (AR), and Marlee Vox + Micaela (OK)!

These musicians will also perform at Crossroads Music Festival in Kansas City, MO on September 12th, so stop by if you’re craving more MOKA!

Cover is $10 at the door. Hope to see you there!

WHERE THE PRAIRIE MEETS THE STAGE.HOW AMPHITHEATERS TAKE SHAPEPrairie Lawn PavilionWhat if Lawrence could create a signi...
08/27/2026

WHERE THE PRAIRIE MEETS THE STAGE.

HOW AMPHITHEATERS TAKE SHAPE
Prairie Lawn Pavilion

What if Lawrence could create a significant civic performance venue at Sesquicentennial Point Park—the City park overlooking Clinton Lake and the Wakarusa River valley—while allowing the landscape itself to remain the star?

This is Part 1 of our new Shapes of Amphitheaters series, a six-part exploration of the different forms, styles and types an amphitheater can take. Each offers a different way for architecture, performance, audience experience and landscape to come together. The idea is to open the imagination, explore the possibilities and better understand what professional feasibility work could one day help Lawrence determine.

Our first concept is the Prairie Lawn Pavilion—a natural hillside amphitheater shaped around one of The Point’s greatest assets: the land itself.

Here, the hill becomes part of the architecture.

Natural grass terraces follow the contours of the prairie rather than fighting them. Accessible viewing areas, native landscaping, walkways and gathering spaces settle into the hillside, while a permanent architectural stage pavilion creates a true home for performance.

The hillside becomes the room. The horizon becomes the backdrop. The prairie remains part of the experience.

The simplicity is visual. Behind it would be the infrastructure of a serious civic performance venue: a covered stage designed for professional performances, sound and lighting systems, production power and rigging, backstage and artist spaces, accessible circulation and viewing, restrooms and concessions, storage, drainage and stormwater improvements, service and emergency access, and the support systems needed for festivals and community events.

That balance is what gives the Prairie Lawn Pavilion its character. From the audience lawn, it can feel open, relaxed and deeply connected to the landscape. Behind the scenes, it can function with the capability expected of a professional civic venue.

It could also grow naturally over time. Early investment might establish the landscape, drainage, utilities, accessibility, stage and essential support infrastructure. Future phases could add audience amenities, expanded performance capabilities, weather protection or other features as community use, resources and professional study guide the way.

There is also something fitting about beginning this series with a lawn amphitheater.

Lawrence has been imagining a grassy amphitheater at Sesquicentennial Point for more than two decades. Early City planning for The Point envisioned an amphitheater on the hillside below the time capsule, and the 2003 master plan for the leased Clinton Lake parkland identified an outdoor amphitheater as a destination feature that could complement Sesquicentennial Plaza and support festivals and special events.

Today, that long-standing idea is receiving renewed attention. The Lawrence Kansas Amphitheater Project appears as RR-260004 in the City’s proposed 2027–2031 Capital Improvement Plan, while the City’s 2025 Parks, Recreation and Culture Master Plan recommends a market study for an outdoor event space/amphitheater.

For this educational concept, we are exploring an approximate $8–15 million concept-level investment range for a more complete Prairie Lawn Pavilion. That figure is intended to help illustrate the potential scale of a genuine civic performance venue and the infrastructure required to make it work.

Audience size would also be determined through study. Our current concept work favors lower-density grass terraces that preserve the feeling of a park and remain welcoming for smaller community gatherings, while approximately 3,000 people represents an upper conceptual scenario worth studying.

What excites us about this first shape is the possibility of creating something memorable without losing the openness that makes The Point extraordinary.

A stage set into the prairie.
A hillside shared by a community.
Music carrying across the lawn.
And beyond it, the long Kansas horizon.

Something built with the land and made for performance. Something that feels unmistakably of this place. Something that can serve Lawrence today and become part of its civic landscape for generations.

A signature civic amphitheater. Designed for Lawrence. Built in phases. Scaled responsibly.

Over the next five parts of Shapes of Amphitheaters, we’ll explore very different ways that same possibility could take form.

Concept study only. No design, capacity, capital budget, funding package or construction project has been approved.

Great Plains Art, Food & Maker Festival Live Love Local Lawrence

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1333 E 902 Road
Lawrence, KS
66047

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