Kenosha History Center

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Kenosha History Center The Kenosha History Center is a county history museum located on Simmons Island in downtown Kenosha.

The Kenosha History Center collects and preserves artifacts, records and information vital to the understanding the history of the County's social, cultural, ethnic and industrial heritage since its settlement. The Center uses these materials, acting alone or in collaboration with other citizens and organizations, to disseminate knowledge of our collective local history through its museum, historic sites, research and outreach and publication programs for the benefit of the community and its visitors.

"Rambler automobile, B. P. O. E. 750, by Fred S. Schroeder, c. August 1908.This bedecked Rambler automobile of about 190...
10/18/2026

"Rambler automobile, B. P. O. E. 750, by Fred S. Schroeder, c. August 1908.

This bedecked Rambler automobile of about 1907 model is about ready to drive to Racine to take part in a state convention of the B. P. O. E. Elks [sic], in late summer 1908. The driver is Mr. Bert Tanner, lady in the front seat is Mrs. William F. Fisher. Ladies in the rear seat from left to right: Mrs. O. L. Trenary, Mrs. Arthur Fisher and Mrs. William Kupfer. The picture was taken in Kenosha by Fred S. Schroeder."

I don't know where it is in Kenosha, but it's been suggested to me that it evokes Wisconsin Ave in Racine, and the caption could well be mistaken in the location.

The reason we're sharing this today is because we often get a questions during school tours when we take third graders to look at the 1903 Rambler that revolve around its lack of a roof and windshield.

Because didn't you get bugs in your mouth?

Come on, it's extra protein!

But also, that's what the motor veil was for, at least in women's fashion. And also to keep dust off your face. Men would likely just wear a scarf over their mouth.

The motor veil would often cover the entire head, including the hat. Keeping hats clean. And they became fashion accessories.

The ladies in the car are wearing them over hats which result in the net effect of giving the impression that the ladies are attended a UFO event. Nanu nanu.

June 1907: "Many women prefer for all ordinary motoring to wear a separate veil ties over the hat and covering all of the head save face and select their veils with a view to their becoming qualities as well as their relation to the costume"

December 1907: "New models in motor veils seem to make their appearance every day. One of the most becoming is a chiffon in a pale shade with black velvet spots scattered over the portion that covers the face. They come in all shades, but perhaps the most effective is a pale apricot ground showered with black disks. Among those designed for street wear there is nothing so popular as the black and white effects, despite all we have heard about the reign of the colored silk, heavily dotted mesh veils."

May 1910: "Brilliant green lace, deep myrtle, rose and other colors are freely used as carriage or motor veils and are well liked. Green is universally likes, possibly because the color is restful to the eyes. The veils are heavily decorated, so much so, in fact, that features are concealed almost as thoroughly as if heavy crepe was worn."

In June 1910, Thomas Sullivan's clothing store was selling "Chiffon motor veils and lace veils from 50c to $3.00"

In September 1910, women in England were wearing two veils of different colors: "The fashion of the combination of colorings, in veiling one over the other, which has become such a pronounced vogue in both evening and afternoon dresses, has spread to the veil itself. Motor veils of different tints worn over each other to produce a shot effect lead the way to the same style of veiling for wear with the promenade hat." But there's a practical reason besides fashion: "The several layers of veiling are effective as well as picturesque, as they protect the face from the dust better than a single veil."

And so they'd get bigger and thicker and more protective.

September 1911: "Many of the new motor veils are as large as scarfs."

Getting bigger required them to be weighed down or they could become parachutes behind you. April 1913, talking about strings of pearls: "As a girdle dropping below the waist there is manifold beauty in a strong of the jewels, and some women give their necklaces a sun bath by wearing them to weigh down the chiffon motor veil that preserves their complexion in more radiant climes than this."

In December 1913, June Haughton, who was a celebrity traveler and crack r***e shot, she lobbied for feminist causes via women learning how to shoot, she'd raise a women's r***e corps during WWI that wouldn't be accepted for service, also invented practical things, including "a motor veil which fastens by a button and loops over large or small hats." Lots of folks were getting in on it.

And you had people upset at the ladies in their flivvers, as you do. In Girlington, Bradford in West Yorkshire, in early 1914, a vicar who had previously banned shawls from church--because he personally believed they look untidy and can hide when a women hasn't done her hair before church--banned the motor veil from his parish church as well. In a few months he'd have bigger things to worry about. 5000 men and boys from Bradford would die in the coming years.

But fashion continued to advance. By April 1917, they were like a chiffon Snuggy: "Motor veils are now drapy affairs strikingly bordered with vivid or contrasting colors."

And soon they were gone, because windscreens and roofs became standard. And who wants that veil anyway.

THE LIGHT SHINES!October 18, 2026Tonight, the 1866 Kenosha (Southport) Lighthouse Shines In Loving Memory and Celebratio...
10/18/2026

THE LIGHT SHINES!

October 18, 2026

Tonight, the 1866 Kenosha (Southport) Lighthouse Shines In Loving Memory and Celebration of Jeremiah Hunter

10/18/1995 to 11/02/2021

We light this beacon in your memory,
but our memories never fade –
of the fierce kindness, strength,
joy, and love you shared with us.
Thank you, for blessing us with your light.
We’ll forever love and miss you.

🔑 Unlock Something New in Kenosha!We're excited to be participating in Keys to Kenosha on Saturday, Nov. 7!This communit...
10/17/2026

🔑 Unlock Something New in Kenosha!
We're excited to be participating in Keys to Kenosha on Saturday, Nov. 7!
This community-wide event invites you to explore unique businesses, historic buildings, cultural spaces and local attractions throughout Kenosha. Stop by our location, discover something new and experience what makes our community special.
📅 Saturday, Nov. 7 | 10 a.m.–4 p.m.
📍Kenosha History Center and Southport Light Station Museum (Kenosha, WI)
🔑 No tickets or pre-registration required for general self-guided visits. Some locations may offer special tours or activities.
Plan your adventure at www.KeysToKenosha.com

Sticking with the spooooooooooooooky theme, sometimes a ghost is just a big black cat.  Wait...  I've seen too many movi...
10/17/2026

Sticking with the spooooooooooooooky theme, sometimes a ghost is just a big black cat. Wait... I've seen too many movies to have that be reassuring...

November 28, 1927.

The resident of 4718 18th Ave, it appears to be rented out at this time, with many residents around that time, so it's not clear who lived here at this time. Or if there were many residents at a time. There are accounts, especially from closer to the auto plant, of homes with individual full families renting out each room. So your early 20th century home with four bedrooms could have four tenant families.

And the article is confusing in calling the space an attic and a garret. A garret (a habitable room directly below the roof) is an attic (a room directly below the roof) but an attic is not necessarily a garret.

The black cat is worrying. I say that as a person who had a black cat in their house for over two decades, you can't say you have a cat, it's the other way around: the cat has you. And black cats are better at tripping you on the stairs, because they blend in.

But then you have to ask: did no one ask where the cat was? Was this big black cat just living in the attic? It got big and thumpy by eating soot sprites? This big black cat just appeared in the attic? Oooooooo, spooky.

Also, I need to point out that a big black cat IS a ghostly creature that story books describe. It's literally the title of one of Poe's best known works, which is usually paired with Tell-Tale Heart.

If you're looking for the best movie version of Edgar Allen Poe's "The Black Cat," there isn't one. But if you're looking for the best classic horror, check out Roger Corman's 1962 "Tales of Terror," it's the second of three Poe adaptations in the movie. But if you want vibes, check out 1981's "The Black Cat" by Italian filmmaker Lucio Fulci. It's not Fulci at his best, the script is weak. But it's as stylish as you could want and Patrick Magee plays as weird a character as he ever played. But it goes nowhere.

For a book of ghost stories and mysteries that doesn't go nowhere, come to the Kenosha History Center. We've got "Haunted Kenosha" by Candice Shatkins.

Now available in the Long Running, Award Winning, series Kenosha Voices: "Richard Bosanko/Retired Kenosha Firefighter"Ri...
10/16/2026

Now available in the Long Running, Award Winning, series Kenosha Voices: "Richard Bosanko/Retired Kenosha Firefighter"

Richard Bosanko came to Kenosha in 1978 from West Allis, he went to Marquette High School and Marquette University and majored in business. But he always wanted to be a firefighter. In 1977, he was hired by Kenosha Fire Department. And moved to the community due to the residency requirement. The rest is what you have to watch to learn. Rich sat down with Karl to talk about a career protecting Kenosha.



Please like and subscribe! We have an easy to remember URL.
youtube.com/kenoshahistorycenter We're (slowly) inching towards that gold play button!

Kenosha Community Media will be broadcasting the same interview on Spectrum Channel 14 on the following Saturday at 5pm, and Sunday at Noon. It will also be available on their Roku channel.

We are also a podcast. "Kenosha Voices" is available from most major podcast platforms.

https://www.youtube.com/watch?v=bXRZnfpeIwE

"Kenosha Voices" is an a...

THE LIGHT SHINES!October 13, 2026Tonight, the 1866 Kenosha (Southport) Lighthouse Shines In Loving Memory of Kenneth Ste...
10/16/2026

THE LIGHT SHINES!

October 13, 2026

Tonight, the 1866 Kenosha (Southport) Lighthouse Shines In Loving Memory of Kenneth Stettner

October 13, 1931 – February 15, 2020

Thinking of you on your birthday,
but that is nothing new.
For no day dawns
and no day ends
without a thought of you.
Love, Your Family

Kenosha Fire Department  is celebrating its 175th Year.Let's take a look at the equipment of early fire fighting in Keno...
10/16/2026

Kenosha Fire Department is celebrating its 175th Year.

Let's take a look at the equipment of early fire fighting in Kenosha history.

“Kenosha Volunteer Fire Fighters, Rescue Hook and Ladder No. 1, 1878.”

Unfortunately, none of these photos are identified. Rescue Hook and Ladder No. 1 was formed in 1851. In 1875, the company had 30 members and its officers were Thomas Hensen, Foreman, Jacob Becker, 1st Assistant Foreman, Nic Lentz, 2nd Assistant Foreman, Adolpf Burg, Secretary, and Paul Sauber, Treasurer. But they do show us the equipment of a late 19th century firefighter.

Uniform: Heavy wool clothes resist burning, they could be paired with leather coats.

Helmet: At this point, the helmets used by Kenosha’s volunteer firefighters was a soft leather with a metal stiffener along the top ridge, ending in a eagle’s beak, which holds the front plate in place. The plate identified the fire company.

Pike Pole or Ceiling Hook: Early firefighting, before modern water systems, was primarily aimed at containing fires and stopping their spread. “We Raze to Save” was a common motto for these early companies. The hooks in “hook and ladder” included a large hook on a rope or chain, sometimes in conjunction with a winch, which literally pulled the walls of buildings down; to create a firebreak or keep the flames contained. At this time, the pike pole, or ceiling hook, was used to stab into and pull down portions of walls and ceilings so the larger hook could do its job more easily. In modern firefighting, it is used to create openings in walls and ceilings so water can reach hidden embers or flames.

Ladder: The other part of “hook and ladder” was the ladder. Ladders provide external access to upper floors and roofs, both to rescue people and to combat the fire. They would have been pulled to the site of a fire on a cart which the firefighters themselves would have pulled. Horses were introduced in the late 1880s. This evolved into the ladder truck, the largest of which reach over 200 feet in the air.

Record Book: Volunteer companies still had several kinds of record books to record their business. On one hand, they were essentially clubs. So they had members, who voted for officers, who ran the club by the consent of the voters. One record book would record meetings and reports and other club business. They were also funded by someone, sometimes the city, sometimes local businesses, and had to maintain their budget. So a second book would record their financial information. Money in and expenses. And they’d keep a constant tally of their bank balance.

Lantern: Light is important in many contexts. Due to smoke, there may not be much light in a burning structure. The work area outside needs to be lit at night. Inspections often require looking into dark areas. And a moving fire cart needs a light to mark its progress in the dark. Oil lanterns used by firefighters were extra-sturdy, so if it falls it doesn’t break and start its own fire. Later lanterns would be waterproof and have special attachments for mounting them to equipment.

Leather Harness: The pictured firefighter is not wearing it fully. His legs should be through the loops at his sides. The leather belting is intended to prevent dangerous falls while fighting fires. The arm pieces appear to offer places for rescued people to grab while the firefighter removes them from upper floors.

Fire Axe: The axe has been a firefighting tool for thousands of years but during the second half of the 19th century, the classic fire axe was developed. The flat side is for chopping, including the early firefighting work of razing structures, but also to break through obstacles to save lives. The other side is a pick, which allows the axe to pry into walls and anything else.

Speaking Horn or Fire Trumpet: the scene of a fire is a loud place. Before electronic megaphones and man-worn radios, there was the speaking horn. Made of brass, the speaking end had a cup which went around your mouth. And if you spoke, or shouted, into it magnified the sound of your voice, making it louder. So the firefighter directing efforts could be heard anywhere on the scene of a fire. The Fire Trumpet subsequently took on symbolic meanings and are often ceremonially awarded to firefighters for service and achievement.

THE LIGHT SHINES!October 16, 2026Tonight, the 1866 Kenosha (Southport) Lighthouse Shines In Loving Memory of Elliot C. B...
10/16/2026

THE LIGHT SHINES!

October 16, 2026

Tonight, the 1866 Kenosha (Southport) Lighthouse Shines In Loving Memory of Elliot C. Budd

September 3, 1981 – October 16, 2016

“We’re on to Heaven”

We love and miss you

Carrie Kram and Brady

MS HÖEGH CLIFF in Kenosha Harbor, mid-October 1965.About midnight between the 13th and 14th of October 1965, the MS HÖEG...
10/15/2026

MS HÖEGH CLIFF in Kenosha Harbor, mid-October 1965.

About midnight between the 13th and 14th of October 1965, the MS HÖEGH CLIFF hit a concrete pier on the breakwater at the entrance to Kenosha Harbor. The 10,400 DWT, 495.8 foot long ocean freighter was flagged and captained Norwegian but crewed out of Singapore. The impact ripped a 40-foot hole in the bottom of the ship. None of the crew were injured, which was something of a miracle. By the time the captain and crew got the ship into harbor, it was listing 15 degrees. Luckily, it hit the bottom so it neither rolled over or broke apart, and it eventually corrected to 12 degrees as it took on more water. Unluckily, it hit the bottom where a water main crosses under the harbor.

Filled with water, with a hole in the side, and touching the bottom, the HÖEGH CLIFF threatened to close down Kenosha Harbor for the foreseeable future. It also may have damaged the water system and made the city's water undrinkable. This threat spurred a world-class effort to patch up the ship, float it, and get it down to Chicago or up to Manitowoc for repairs as quickly as possible.

Tom Murtha, port director for Jupiter (the local cargo authority), tamped down on fears and pointed out that the docks could still be used as tugs could move other ships around the HÖEGH CLIFF. But it was still a big deal to get it floating again.

In mere hours, a contract was made with the General Salvage Company—who had just been working to raise the wreck of the PRINS WILHELM from the Milwaukee Harbor the day before—to bring in the men and equipment needed to mend the hole. Using local divers from the Aqua Club, the damage was surveyed and recommendations made.

While waiting for the hole to be plugged, the cargo had to start being removed. It had absorbed so much water that its weight had at least doubled and it had to go. Regardless of the water, the ship would ride low once refloated and to make it into a dry dock for repairs it needed to ride as high as possible. Even dry cargo would have to go. The cargo? Primarily flour and powered milk. What reports called "a big pot of library paste." Over several days, the cargo was removed.

And divers inspected the water main. Luckily, it was undamaged. This wasn't a disaster after all.

By Saturday the 16th, the hole was patched and cargo partly removed. The ship would slowly be pumped out and the damaged cargo holds cleared out. The second part didn't start until Friday the 22nd. To make room for a car carrier coming in to pick up Ramblers, the HÖEGH CLIFF was moved to along the south dock, which also aided in unloading.

Either the 27th or 28th, the HÖEGH CLIFF left the harbor, escorted by four tugs and a crane on a barge keeping it even. It made it to Chicago safely. It was laid up at the old Chicago Shipbuilding docks on the Calumet River.

"Beyond compare" is how the freighter's owners, the Kerr line, described how Kenosha reacted to the accident. Not only was the ship patched and unloaded quickly, but the 53 Singaporean crewmen were welcomed in the town and wanted for nothing during their stay. Kerr arranged to pay for every cost that was incurred by the accident. General Salvage wrote an open letter to the people of Kenosha expressing the same sentiments.

On November 9, MS HÖEGH CLIFF returned and picked up the surviving cargo before making for the Seaway, which was scheduled to close on December 3, and it would then make its way to European ports.

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220 51st Place
Kenosha, WI
53140

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