Indianapolis Chapter, EGA

Indianapolis Chapter, EGA The Indianapolis Chapter EGA is a non-profit organization, devoted to education in the needle arts.

Interested individuals, regardless of their expertise, are welcome at meetings, but are urged to become members after attending twice. This page will chronicle the events occurring within the Indianapolis Chapter of this international organization.

Hazel Blomkamp's Fine Needlecraft😊
06/07/2026

Hazel Blomkamp's Fine Needlecraft😊

Just completed is a contemporary crewel songbird stitched with cotton and a bundle of interesting stitches and techniques. If you want to order the full kit with everything you need to complete the project, you'll find it on our website at https://www.hazelblomkamp.com/product/perching-songbirds/ If you are a subscriber to the Workroom, the pattern and full instructions are at https://www.hazelblomkamp.com/perching-songbird/ along with a video project dictionary that has a video for every single stitch and technique that is used in the project. That's at https://www.hazelblomkamp.com/perching-songbird-stitch-dictionary/

06/04/2026

Topiaries with Kay Ackerman is now live!

If you love counted work, this class is for you. You'll stretch your skills while stitching a selection of fun topiary designs. Register here: https://egausa.org/courses/topiaries/

Sampler of English style embroidery work from the 17th century. Read more about it in the post from Attire's Mind.
06/04/2026

Sampler of English style embroidery work from the 17th century. Read more about it in the post from Attire's Mind.

The Cooper Hewitt, Smithsonian Design Museum holds this wonderful surviving sampler of English style embroidery work from the 17th century. A piece of plain woven un-dyed linen was used as the base for 31 individual embroidered motifs that have all been worked in silk thread. They are all images that were in common use in English embroidery. They showed up everywhere from cushions, to bed clothes, to furniture, to clothing of all sorts including jackets, hats and gloves. These images are lively, playful and vary from naturalistic to quite stylized.
The piece is sizable, measuring 49.5 x 34.9 cm, or 19 1/2 x 13 3/4 in.

The Smithsonian’s National Museum of the American Indian is launching it's first every Quilt Along! It's a five-month, m...
05/31/2026

The Smithsonian’s National Museum of the American Indian is launching it's first every Quilt Along! It's a five-month, mystery-style quilt along for anyone interested in quilting to sew along - you do not need to be an expert quilter to participate.
The event runs from June 1–October 17, 2026
Participation and patterns are free; materials not included
Components: Four 10″ x 10″ blocks and a 5″ border
Finished size: approximately 55″ x 22″

“Whenever you miss home, open the quilt and place it on your bed or wrap it around you. The quilt was made with love, given with love, and all the love I sewed into the quilt will comfort you,” said a mother to her daughter who was preparing to leave the Hawaiian Islands for the mainland. The quilt featured a pattern, known as Kanani O Ka Home, that reflected the beauty of their island home.

Quilting, though not a traditional Native art, became part of community gatherings, in the wake of Western expansion. Long before the founding of the United States, many Native cultures used buffalo hides not only for clothing and shelter, but also for ceremony and storytelling. In the late 1800s, bison and buffalo hides grew scarce as herds were hunted nearly to extinction in a campaign to subdue the Plains tribes. Christian missionary women began teaching quilting techniques to Native women as a form of assimilation during forced relocations and displacement of Native communities. Despite its forced origin, quilts became a way to maintain traditions of gift-giving and bestowing honor on individuals in Native communities from the Woodlands to the Plains and from Alaska to the Hawaiian Islands. Today, quilting remains a vibrant tradition in Native communities, bridging generations and cultures.

Now, you’re invited to be part of that tradition. Join the museum as we launch our first-ever Quilt Along! In recognition of 250 years since the signing of the Declaration of Independence, we’ve invited five Native designers to create quilt patterns that reflect on the relationship between Indigenous communities and what is now the United States of America. Our featured artists are Lauren Good Day (Arikara/Hidatsa/Blackfeet/Plains Cree), Cissy Serrao (Native Hawaiian), Emma Alcazar (Chickasaw), Nikki Corbett (Yup’ik), and Margaret Wood (DinĂ©/Seminole). At the end, you will have created a commemorative wall hanging that honors Indigenous stories, perspectives, and histories that shape this country.

Learn more and sign up for updates on our site. Each month from June to October, we’ll reveal a new pattern and instructions online. with us! https://americanindian.si.edu/quilting/
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Image credit: Individual quilt squares commissioned by the National Museum of the American Indian and assembled into a single quilt for the 1997 “To Honor and Comfort: Native Quilting Traditions” exhibition. 26/9621

This project received funding from the Smithsonian’s “Our Shared Future: 250,” a Smithsonian-wide initiative supported by private philanthropy and created to commemorate the nation’s 250th anniversary and advance the Smithsonian vision for the next 250 years.

The George Washington University Museum and The Textile Museum The design of this bag (Uzbekistan, 20th century. Cotton,...
05/31/2026

The George Washington University Museum and The Textile Museum The design of this bag (Uzbekistan, 20th century. Cotton, silk; embroidery) is characteristic of the Lakai people’s style. Silk needlepoint decorates the surface with geometric motifs and an interlocking key border. Traditionally, older Lakai women draw out these complex patterns for younger brides, who then devote several years to embroidering multiple objects for their dowry.

For today’s we are spotlighting the vibrant embroidery of a small bag from Uzbekistan.

The design is characteristic of the Lakai people’s style. Silk needlepoint decorates the surface with geometric motifs and an interlocking key border. Traditionally, older Lakai women draw out these complex patterns for younger brides, who then devote several years to embroidering multiple objects for their dowry.

Bag, Uzbekistan, 20th century. Cotton, silk; embroidery, printed; 17 x 13 cm. Cotsen Textile Traces Study Collection T-1752. Photo by Bruce M. White Photography.

05/31/2026

Registration is now open for Patterns and Pieces: Whitework Samplers of the 17th Century with Tricia Wilson Nguyen!

We talked with Tricia about her passion for history and textiles, and how her background as an engineer and a scientific mindset informs and drives her study of textiles, materials, and techniques. Learn more about Tricia in our interview and register for her virtual lecture now! https://egausa.org/interview-with-tricia-wilson-nguyen-uncovering-historical-needlework-traditions/

Needle Weaving Techniques for Hand Embroidery by Hazel Blomkamp's Fine Needlecraft - updated and available now! đŸ€©
05/27/2026

Needle Weaving Techniques for Hand Embroidery by Hazel Blomkamp's Fine Needlecraft - updated and available now! đŸ€©

Today, Sunday May 24, 2026: Don’t miss Phillipa Turnbull & Hazel Blomkamp demoing their stunning Velvet Lovebirds design...
05/24/2026

Today, Sunday May 24, 2026: Don’t miss Phillipa Turnbull & Hazel Blomkamp demoing their stunning Velvet Lovebirds designs live!⁠
⏰ 7pm UK / 2pm US Eastern / 4am (Mon) Sydney⁠
The link is in the post below. The Crewel Work Company đŸ€©

"Quilt Star Kitty - Celebrations" designed by Karen Gillespie. Follow the link in the post below to download a free PDF ...
05/23/2026

"Quilt Star Kitty - Celebrations" designed by Karen Gillespie. Follow the link in the post below to download a free PDF of the chart.

Our dear friend Karen Gillespie has graciously worked up a new Patriotic Free Cross Stitch Pattern for us!!

She is planning on doing a series of these quilt square patterns over the next year so be sure to keep your eye open for them.

In the meantime, you can download the PDF file for this pattern all of our Free Cross Stitch Patterns from this link:

https://www.dropbox.com/scl/fo/n564zklf67pu2x48onk4w/AI7902swe3QI3r16dsdhyq8?rlkey=8mwqqmmke5dighpwkqhk9r93k&st=fj8t0io0&dl=0

Happy Stitching!!

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