05/08/2026
Friday Field Notes: Bison Association with Birth-giving Goddess
Mythological images identified as the “Birth-giving Goddess” are found around the world in various art forms and date as early as the Upper Paleolithic in Europe. They are linked with primal mothers in animal form such as the she-bison, -bear, -elk and -deer (Gimbutas 1989:xxii). This is just one example of many universal elements of the hunting religion mytho-religious complex that rock art panels share across the oceans. Closer to home: “There is a legend [Blackfoot Medicine Legend], known to a number of bison-hunting tribes of the North American plains, of a woman who married a bison and through her life-restoring magic became the institutor of those hunting rites by which the lives of the slaughtered beasts were restored” (Campbell 1983:68, 234). Keyser and Klassen note ethnographic evidence of bison/female human themes in rock art as related to fertility, fecundity, and the sacred relationship between women and bison (2001:177-179).
A rock art panel located on the Uncompahgre Plateau features a prominent depiction of a "Birth-giving Goddess." The anthropomorphic figure is female, as indicated by a subtle breast impression on the right side of the image. Also, the line-and-bulb shape situated between the legs represents birth. [Note the difference between the apparent female image and the anthropomorph (photo right) that is obviously a male representation.] The presence of a cloven hoof on at least one foot suggests the figure symbolizes a mythological “she-bison” being.
References:
Campbell, Joseph (1983) The Way of the Animal Powers: Volume I, Historical Atlas of World Mythology. Alfred Van Der Marck Editions. Distributed by Harper and Row, San Francisco.
Gimbutas, Marija (1989) The Language of the Goddess. Published in paperback in the United States in 2001 by Thames and Hudson Inc., New York.
Keyser, James D. and Michael A. Klassen (2001) Plains Indian Rock Art. University of Washington Press, Seattle