Early 1900s Music Preservation

Early 1900s Music Preservation We are dedicated to preserving and promoting awareness and appreciation of vintage music and recordings from the early decades of the 20th century.

Early 1900s Music Preservation is dedicated to preserving and promoting awareness and appreciation of vintage music and recordings from the early decades of the 20th century We regard such recordings as having far greater significance than as mere historical artifacts and relics of our cultural past. It is our passionate belief that these ancient and largely forgotten performances possess an artistic merit that is timeless and still relevant as a source of inspiration and emotional fuel to people in our own era who are fortunate enough to discover them. The essence of our mission is to bring the forgotten music and performers of the past to the attention of new and appreciative modern audiences..

10/05/2026

Upcoming Nauck's Vintage Records Broadcast - The Autumn 2026 Nauck's Vintage Records broadcast will air on Radio Dismuke in two parts over the course of two consecutive weekends.

Part One will air in continuous rotation throughout the weekend of October 10-11. Part Two will air over the weekend of October 17-18.

For more information and program start times in your time zone, visit the Radio Dismuke website at www RadioDismuke com or follow the link in the first comment.

10/02/2026

๐ŸŽถโฌ‡๏ธ๐˜›๐˜ฐ ๐˜ญ๐˜ช๐˜ด๐˜ต๐˜ฆ๐˜ฏ, ๐˜ค๐˜ญ๐˜ช๐˜ค๐˜ฌ ๐˜ฐ๐˜ฏ ๐˜ญ๐˜ช๐˜ฏ๐˜ฌ ๐˜ช๐˜ฏ ๐˜ง๐˜ช๐˜ณ๐˜ด๐˜ต ๐˜ค๐˜ฐ๐˜ฎ๐˜ฎ๐˜ฆ๐˜ฏ๐˜ตโฌ‡๏ธ๐ŸŽถ
London, 1929 - Two recordings of popular 1929 songs by a jazz quartet featuring piano, violin, and two guitars. One of the guitar players is Len Fillis, who was widely regarded as the era's top guitar and banjo player in Britain. It is highly likely that the other guitar player is Al Bowlly, who, in the 1930s, was Britain's most famous "crooner" and was popular in the USA as well.

You can read more about the recordings and listen to them in their entirety by following the link in the first comment.โฌ‡๏ธ โฌ‡๏ธ

09/28/2026

๐ŸŽถโฌ‡๏ธ๐˜›๐˜ฐ ๐˜ญ๐˜ช๐˜ด๐˜ต๐˜ฆ๐˜ฏ, ๐˜ค๐˜ญ๐˜ช๐˜ค๐˜ฌ ๐˜ฐ๐˜ฏ ๐˜ญ๐˜ช๐˜ฏ๐˜ฌ ๐˜ช๐˜ฏ ๐˜ง๐˜ช๐˜ณ๐˜ด๐˜ต ๐˜ค๐˜ฐ๐˜ฎ๐˜ฎ๐˜ฆ๐˜ฏ๐˜ตโฌ‡๏ธ๐ŸŽถ
Dallas Texas, 1938 - Two recordings by a small Western Swing group that was primarily active in the San Antonio area. Western Swing was a fusion of multiple musical genres and was enormously popular in the Southwest and southern Plains states in the 1930s and 1940s. Both recordings are excellent, and the one of "Beale Street Blues" is an especially nice rendition of that very famous song, which was already 21 years old when these recordings were made.

The blog posting provides more information about the group and the recordings, as well as additional information about the 1930s service station in the accompanying image. You can read the posting and listen to both recordings in their entirety by following the link in the comments below. โฌ‡๏ธโฌ‡๏ธ

09/25/2026

๐ŸŽถโฌ‡๏ธ๐˜›๐˜ฐ ๐˜ญ๐˜ช๐˜ด๐˜ต๐˜ฆ๐˜ฏ, ๐˜ค๐˜ญ๐˜ช๐˜ค๐˜ฌ ๐˜ฐ๐˜ฏ ๐˜ญ๐˜ช๐˜ฏ๐˜ฌ ๐˜ช๐˜ฏ ๐˜ง๐˜ช๐˜ณ๐˜ด๐˜ต ๐˜ค๐˜ฐ๐˜ฎ๐˜ฎ๐˜ฆ๐˜ฏ๐˜ตโฌ‡๏ธ๐ŸŽถ
New York, 1936 - Two recordings with vocals by Chick Bullock, who was prominent on radio and appeared on hundreds of inexpensive "dime-store" records throughout the 1930s. The pressing heard in the blog posting is from the Romeo label, sold through the Kress dime store chain. On both sides, Bullock is backed up by a band led by Jack Shilkret, the younger brother of the more famous bandleader Nat Shilkret, who led the in-house band for Victor during the late 1920s and early 1930s.

You can listen to both recordings in their entirety by following the link in the first comment. โฌ‡๏ธโฌ‡๏ธ

09/22/2026

๐ŸŽถโฌ‡๏ธ๐˜›๐˜ฐ ๐˜ญ๐˜ช๐˜ด๐˜ต๐˜ฆ๐˜ฏ, ๐˜ค๐˜ญ๐˜ช๐˜ค๐˜ฌ ๐˜ฐ๐˜ฏ ๐˜ญ๐˜ช๐˜ฏ๐˜ฌ ๐˜ช๐˜ฏ ๐˜ง๐˜ช๐˜ณ๐˜ด๐˜ต ๐˜ค๐˜ฐ๐˜ฎ๐˜ฎ๐˜ฆ๐˜ฏ๐˜ตโฌ‡๏ธ๐ŸŽถ
New Orleans, 1929 - The only two recordings made by the now-obscure vocalist, Milton Paisant, who was famous and popular in regions reached by New Orleans radio signals during the late '20s and early'30s. Were it not for these two recordings, made during a Brunswick field trip to New Orleans, he wouldn't be obscure - he would be completely forgotten.

The lyrics and double entendres on both recordings were somewhat risquรฉ for the time.

An overview of Paisant's life and career could not be found anywhere online. Thus, one of the objectives of the blog posting is to provide one, using information gleaned from mentions in period publications.

You can read the posting and enjoy both recordings in their entirety by simply following the link in the first comment. โฌ‡๏ธโฌ‡๏ธ

09/16/2026

๐ŸŽถโฌ‡๏ธ๐˜›๐˜ฐ ๐˜ญ๐˜ช๐˜ด๐˜ต๐˜ฆ๐˜ฏ, ๐˜ค๐˜ญ๐˜ช๐˜ค๐˜ฌ ๐˜ฐ๐˜ฏ ๐˜ญ๐˜ช๐˜ฏ๐˜ฌ ๐˜ช๐˜ฏ ๐˜ง๐˜ช๐˜ณ๐˜ด๐˜ต ๐˜ค๐˜ฐ๐˜ฎ๐˜ฎ๐˜ฆ๐˜ฏ๐˜ตโฌ‡๏ธ๐ŸŽถ
Berlin, 1932 - From the closing months of the Weimar Republic, here are recordings of two captivating and memorable songs from 1932 German films performed by the Kardosh-Singers, a vocal harmony group that, at the time, was considered a rival to the better-remembered Comedian Harmonists.

On one of the recordings, they are joined by a female jazz and s**t singer, credited on the label as Miss Louise Gordan, who appeared on several German recordings in the early 1930s but whose real name, national origin, and what became of her remain a mystery.

As with the Comedian Harmonists, the Kardosh-Singers were forced to break up because of the Jewish ancestry of some of its members, in this instance, its founder, Istvรกn Kardos.

The posting discusses how, as a Hungarian citizen, Kardos was able to keep the group intact as one of Germany's top musical acts all the way through 1935 by simply not telling anybody about his ancestry - and the events that followed after it became increasingly difficult to keep it secret.

It also discusses the concert hall, built in 1827 and famed for its acoustics, where the recordings were made by the newly formed Telefunken label.

Both of the recordings will be part of Radio Dismuke's next playlist update and are enjoyable even if one does not understand German. However, you can hear them in their entirety right now by simply following the link in the first comment. โฌ‡๏ธโฌ‡๏ธ

09/13/2026

๐ŸŽถโฌ‡๏ธ๐˜›๐˜ฐ ๐˜ญ๐˜ช๐˜ด๐˜ต๐˜ฆ๐˜ฏ, ๐˜ค๐˜ญ๐˜ช๐˜ค๐˜ฌ ๐˜ฐ๐˜ฏ ๐˜ญ๐˜ช๐˜ฏ๐˜ฌ ๐˜ช๐˜ฏ ๐˜ง๐˜ช๐˜ณ๐˜ด๐˜ต ๐˜ค๐˜ฐ๐˜ฎ๐˜ฎ๐˜ฆ๐˜ฏ๐˜ตโฌ‡๏ธ๐ŸŽถ
New York, 1930 - Two jazzy and enjoyable instrumental recordings by Ted Lewis and His Band. Both songs were already several years old at the time that Lewis recorded them.

"Yellow Dog Blues" is a W. C. Handy composition that dates back to 1914, and "Sobbin'Blues" dates back to 1923.

Both are from a pressing with a special picture label that Columbia used on all Ted Lewis records pressed between 1929 and 1933.

Sidemen in the Ted Lewis band at the time of these recordings included Muggsy Spanier, Harry Raderman, and Jimmy Dorsey.

Both recordings will be part of this week's Radio Dismuke playlist update. But you can listen to them now by following the link in the first comment. โฌ‡๏ธโฌ‡๏ธ

09/11/2026

๐ŸŽถโฌ‡๏ธ๐˜›๐˜ฐ ๐˜ญ๐˜ช๐˜ด๐˜ต๐˜ฆ๐˜ฏ, ๐˜ค๐˜ญ๐˜ช๐˜ค๐˜ฌ ๐˜ฐ๐˜ฏ ๐˜ญ๐˜ช๐˜ฏ๐˜ฌ ๐˜ช๐˜ฏ ๐˜ง๐˜ช๐˜ณ๐˜ด๐˜ต ๐˜ค๐˜ฐ๐˜ฎ๐˜ฎ๐˜ฆ๐˜ฏ๐˜ตโฌ‡๏ธ๐ŸŽถ
London, 1928 - Two nice but quite different recordings by the very prolific British bandleader Harry Bidgood from an 8-inch Broadcast record.

The first selection, 'I Think Of What You Used To Think Of Me," is memorable not just for its catchy melody and upbeat arrangement but also because the band is accompanied by the large pipe organ inside London's Stoll Picture Theatre, an architecturally spectacular former Opera House that had transitioned into a grand movie palace. Sadly, the theater was destroyed in the 1950s and replaced by a dreary rectangular box.

The second selection, "All By Yourself In The Moonlight," is a well-known novelty song that many artists recorded in 1928 and in the years since. If you enjoy novelty records or enjoy the soundtracks on early cartoons that were originally made for movie theaters, you will appreciate this recording.

To listen to either or both recordings, simply follow the link in the first comment. โฌ‡๏ธ โฌ‡๏ธ

09/08/2026
09/04/2026

๐ŸŽถโฌ‡๏ธ๐˜›๐˜ฐ ๐˜ญ๐˜ช๐˜ด๐˜ต๐˜ฆ๐˜ฏ, ๐˜ค๐˜ญ๐˜ช๐˜ค๐˜ฌ ๐˜ฐ๐˜ฏ ๐˜ญ๐˜ช๐˜ฏ๐˜ฌ ๐˜ช๐˜ฏ ๐˜ง๐˜ช๐˜ณ๐˜ด๐˜ต ๐˜ค๐˜ฐ๐˜ฎ๐˜ฎ๐˜ฆ๐˜ฏ๐˜ตโฌ‡๏ธ๐ŸŽถ
New York, 1922 - A very charming 1922 recording that, in some respects, is more reminiscent of the ragtime era of the previous decade than the early Jazz Age.

The recording features two of the more prolific early 1920s recording artists, bandleader Joseph Samuels and vocalist Arthur Fields. The now-obscure song, "November Rose," by the now-obscure composer Jack Snyder, was recorded by most other record labels as either a ballad or a waltz. But this recording, issued on both the Banner and Regal labels, features an arrangement in dance tempo as a happy, peppy fox trot which, combined with its beautiful melody, along with nice saxophone and xylophone solos, results in a very delightful performance.

You can hear the digitally restored recording for yourself by following the link in the first comment. โฌ‡๏ธ โฌ‡๏ธ

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P. O. Box 91
Fort Worth, TX
76101

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