Early 1900s Music Preservation

Early 1900s Music Preservation We are dedicated to preserving and promoting awareness and appreciation of vintage music and recordings from the early decades of the 20th century.

Early 1900s Music Preservation is dedicated to preserving and promoting awareness and appreciation of vintage music and recordings from the early decades of the 20th century We regard such recordings as having far greater significance than as mere historical artifacts and relics of our cultural past. It is our passionate belief that these ancient and largely forgotten performances possess an arti

stic merit that is timeless and still relevant as a source of inspiration and emotional fuel to people in our own era who are fortunate enough to discover them. The essence of our mission is to bring the forgotten music and performers of the past to the attention of new and appreciative modern audiences..

08/20/2026

๐ŸŽถโฌ‡๏ธ๐˜›๐˜ฐ ๐˜ญ๐˜ช๐˜ด๐˜ต๐˜ฆ๐˜ฏ, ๐˜ค๐˜ญ๐˜ช๐˜ค๐˜ฌ ๐˜ฐ๐˜ฏ ๐˜ญ๐˜ช๐˜ฏ๐˜ฌ ๐˜ช๐˜ฏ ๐˜ง๐˜ช๐˜ณ๐˜ด๐˜ต ๐˜ค๐˜ฐ๐˜ฎ๐˜ฎ๐˜ฆ๐˜ฏ๐˜ตโฌ‡๏ธ๐ŸŽถ
Camden, New Jersey, 1925 - Two early electrical recordings by Coon-Sanders Original Nighthawk Orchestra and Meyer Davis' Le Paradis Band.

08/16/2026

๐ŸŽถโฌ‡๏ธ๐˜›๐˜ฐ ๐˜ญ๐˜ช๐˜ด๐˜ต๐˜ฆ๐˜ฏ, ๐˜ค๐˜ญ๐˜ช๐˜ค๐˜ฌ ๐˜ฐ๐˜ฏ ๐˜ญ๐˜ช๐˜ฏ๐˜ฌ ๐˜ช๐˜ฏ ๐˜ง๐˜ช๐˜ณ๐˜ด๐˜ต ๐˜ค๐˜ฐ๐˜ฎ๐˜ฎ๐˜ฆ๐˜ฏ๐˜ตโฌ‡๏ธ๐ŸŽถ
New York, 1925 - A nice version of the Prohibition-era novelty song "Just A Little Drink," plus a fox trot version of the song that, decades later, would become the official California state song.

08/13/2026

๐ŸŽถโฌ‡๏ธ๐˜›๐˜ฐ ๐˜ญ๐˜ช๐˜ด๐˜ต๐˜ฆ๐˜ฏ, ๐˜ค๐˜ญ๐˜ช๐˜ค๐˜ฌ ๐˜ฐ๐˜ฏ ๐˜ญ๐˜ช๐˜ฏ๐˜ฌ ๐˜ช๐˜ฏ ๐˜ง๐˜ช๐˜ณ๐˜ด๐˜ต ๐˜ค๐˜ฐ๐˜ฎ๐˜ฎ๐˜ฆ๐˜ฏ๐˜ตโฌ‡๏ธ๐ŸŽถ
New York, 1925 - Two "hot" recordings of iconic and still-famous 1920s songs, "Charleston" and "Sweet Georgia Brown."

08/11/2026

๐ŸŽถโฌ‡๏ธ๐˜›๐˜ฐ ๐˜ญ๐˜ช๐˜ด๐˜ต๐˜ฆ๐˜ฏ, ๐˜ค๐˜ญ๐˜ช๐˜ค๐˜ฌ ๐˜ฐ๐˜ฏ ๐˜ญ๐˜ช๐˜ฏ๐˜ฌ ๐˜ช๐˜ฏ ๐˜ง๐˜ช๐˜ณ๐˜ด๐˜ต ๐˜ค๐˜ฐ๐˜ฎ๐˜ฎ๐˜ฆ๐˜ฏ๐˜ตโฌ‡๏ธ๐ŸŽถ
New York, 1927 - Two recordings by a now-obscure late-1920s band featuring pioneering female vocalist Vaughn DeLeath.

08/10/2026

๐ŸŽถโฌ‡๏ธ๐˜›๐˜ฐ ๐˜ญ๐˜ช๐˜ด๐˜ต๐˜ฆ๐˜ฏ, ๐˜ค๐˜ญ๐˜ช๐˜ค๐˜ฌ ๐˜ฐ๐˜ฏ ๐˜ญ๐˜ช๐˜ฏ๐˜ฌ ๐˜ช๐˜ฏ ๐˜ง๐˜ช๐˜ณ๐˜ด๐˜ต ๐˜ค๐˜ฐ๐˜ฎ๐˜ฎ๐˜ฆ๐˜ฏ๐˜ตโฌ‡๏ธ๐ŸŽถ
New York, 1939 - A very catchy recording by one of the more highly acclaimed bands of the mid-to-late 1930s that started out as a student band at a segregated Memphis, Tennessee high school.

08/05/2026

๐ŸŽถโฌ‡๏ธ๐˜›๐˜ฐ ๐˜ญ๐˜ช๐˜ด๐˜ต๐˜ฆ๐˜ฏ, ๐˜ค๐˜ญ๐˜ช๐˜ค๐˜ฌ ๐˜ฐ๐˜ฏ ๐˜ญ๐˜ช๐˜ฏ๐˜ฌ ๐˜ช๐˜ฏ ๐˜ง๐˜ช๐˜ณ๐˜ด๐˜ต ๐˜ค๐˜ฐ๐˜ฎ๐˜ฎ๐˜ฆ๐˜ฏ๐˜ตโฌ‡๏ธ๐ŸŽถ
Chicago, 1926 - First two recordings Benny Moten's Kansas City Orchestra made for Victor. They were recorded in the acoustically amazing ballroom of Chicago's Webster Hotel. If you have ever been impressed by the audio quality of Jelly Roll Morton's early Victor recordings, it's because many of them were recorded in that same ballroom.

08/01/2026

๐ŸŽถโฌ‡๏ธ๐˜›๐˜ฐ ๐˜ญ๐˜ช๐˜ด๐˜ต๐˜ฆ๐˜ฏ, ๐˜ค๐˜ญ๐˜ช๐˜ค๐˜ฌ ๐˜ฐ๐˜ฏ ๐˜ญ๐˜ช๐˜ฏ๐˜ฌ ๐˜ช๐˜ฏ ๐˜ง๐˜ช๐˜ณ๐˜ด๐˜ต ๐˜ค๐˜ฐ๐˜ฎ๐˜ฎ๐˜ฆ๐˜ฏ๐˜ตโฌ‡๏ธ๐ŸŽถ
Mexico City, 1905 - A waltz recording from Mexico that turned 121 years old this week. Too old for inclusion in Radio Dismuke, but that doesn't stop it from being interesting and enjoyable.

Some would say that the recording technology, 20 years before microphones were used, was primative. And, in one sense, that's correct.

On the other hand, it is still very pretty amazing that we can listen in on a group of then-famous musicians as they crowded themselves around a metal horn and played loudly enough so that the unamplified sound waves they generated could be captured for our enjoyment 121 years later. And, I suspect, there will be people enjoying it 121 years from now. It's about the closest thing to time travel that we have.

07/29/2026

๐ŸŽถโฌ‡๏ธ๐˜›๐˜ฐ ๐˜ญ๐˜ช๐˜ด๐˜ต๐˜ฆ๐˜ฏ ๐˜ค๐˜ญ๐˜ช๐˜ค๐˜ฌ ๐˜ฐ๐˜ฏ ๐˜ญ๐˜ช๐˜ฏ๐˜ฌ ๐˜ช๐˜ฏ ๐˜ง๐˜ช๐˜ณ๐˜ด๐˜ต ๐˜ค๐˜ฐ๐˜ฎ๐˜ฎ๐˜ฆ๐˜ฏ๐˜ตโฌ‡๏ธ๐ŸŽถ
New York via Great Britain, 1928 - Three sides by well-known American artists specifically recorded for foreign release under pseudonyms and never issued in the USA. Includes an outstandingly good side by Harry Reser's band in the same style as his Six Jumping Jacks recordings and two sides by Meyer Davis's Swannee Syncopators featuring Smith Ballew vocals.

07/27/2026

๐ŸŽถโฌ‡๏ธ๐˜›๐˜ฐ ๐˜ญ๐˜ช๐˜ด๐˜ต๐˜ฆ๐˜ฏ, ๐˜ค๐˜ญ๐˜ช๐˜ค๐˜ฌ ๐˜ฐ๐˜ฏ ๐˜ญ๐˜ช๐˜ฏ๐˜ฌ ๐˜ช๐˜ฏ ๐˜ง๐˜ช๐˜ณ๐˜ด๐˜ต ๐˜ค๐˜ฐ๐˜ฎ๐˜ฎ๐˜ฆ๐˜ฏ๐˜ตโฌ‡๏ธ๐ŸŽถ
New York, 1925 - Two nice recordings by Harry Reser's Jazz Pilots, with vocals by Johnny Marvin and Tom Stacks, of songs that are still known by modern audiences. These were also the very first two recordings issued under the name The Jazz Pilots.

07/23/2026

๐ŸŽถโฌ‡๏ธ๐˜›๐˜ฐ ๐˜ญ๐˜ช๐˜ด๐˜ต๐˜ฆ๐˜ฏ ๐˜ค๐˜ญ๐˜ช๐˜ค๐˜ฌ ๐˜ฐ๐˜ฏ ๐˜ญ๐˜ช๐˜ฏ๐˜ฌ ๐˜ช๐˜ฏ ๐˜ง๐˜ช๐˜ณ๐˜ด๐˜ต ๐˜ค๐˜ฐ๐˜ฎ๐˜ฎ๐˜ฆ๐˜ฏ๐˜ตโฌ‡๏ธ๐ŸŽถ
New York, 1928 - Two very pleasant, happy recordings credited to a Philadelphia-based band but were, in fact, recorded by an entirely different band. Jimmy Dorsey was in the band and has solo passages on both sides, with an especially catchy one immediately after the vocal on "My Miami Moon."

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P. O. Box 91
Fort Worth, TX
76101

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