05/03/2026
Vid. Sunil Gargyan presented a rich and well-curated concert, supported ably by Vid. Raghul Ravichandran on violin, Vid. Sai Ragavan on mridangam, and Vid. Nerkunam Dr. Sankar on kanjira. The theme was “Saptha Bhasha, Saptha thala”, showcasing the rich diversity of Thalas and Indian languages.
The opening virutham in Kalyani flowed seamlessly into Vanajakshi varnam, setting an auspicious tone. Jaya Jaya (Nattai) was lively, with brisk swaras, while Divakara Tanujam (Yadhukula Kamboji) was rendered with serenity. Dattatreya (Ranjani) formed the sub-main, featuring a thoughtful alapana and a well-developed neraval at “Uthamothama.” Raghul’s responses were soothing, bringing the honey coated delightedness of Ranjani. Sobillu (Jaganmohini) was handled with liveliness, setting the stage for the RTP.
The RTP in Karaharapriya was the highlight, with an expansive ragam and a creative tanam incorporating Hamir Kalyani, Valaji, and Behag. Sunil’s Alapana & Tanam were classy, bringing out the key phrases and essence of the ragas. Since the artists had a flight to catch, they ditched “Chakkani Raja” for this Pallavi and this was truly improvisation at its peak! The latter half, including Main Ghulam (Dhwijavanthi), an abhang, and Jalaje Bandu Mihe (Surutti), offered pleasing contrast, before concluding with Mangalam.
The accompaniment by Vid. Sai Ragavan & Vid. Nerkunam Sankar throughout was sensitive and cohesive, with both percussionists providing “Sunaadam” and balanced support. This was certainly a traditional concert marked by variety and strong manodharma. IFAA thanks the artists for this phenomenal concert!
