Project Background and Description:
The goal of this project is to produce an interactive and multidisciplinary art exhibit, including public and studio based visual art as well as a documentary, which examines, illustrates, and educates the origin and the evolution of zombies in contemporary culture. The current phenomenon of zombie popularity is primarily based on a series of films beginning wi
th 1968’s “Night of the Living Dead’. The flesh-eating zombie concept is full of social commentary. Contemporary film uses the Zombie as a way of describing the collapse of civilization based on whatever modern problems society faces. The Vodou Zombie, on the other hand, can be said to pose the question “What is the true nature and power of an individual”. The “Zombie” scares and invokes thoughts of the macabre, but the facts are often stranger than fiction. Our aim is to bring to light the true history and separate actual cultural and religious practices from stereotyped ideas of the western world. My team’s goal is to travel to Haiti to document our interactions with local historians, relic based artisans and other experts while creating relevant art and bringing HAMOC and FSC a unique style of exhibition that engages a new and diverse audience. Project Scope:
Our team, which includes myself, two videographer/documentarians, one muralist, one dance expert, and one tech expert travels to Port au Prince, Haiti for two weeks to film and investigate the true origin, religious significance and modern day relevance of the Vodou Zombie. While one crew films and interviews local Vodouists, priests and experts the second will film and engage local gallery owners and artists collecting relics and zombie related art. We will devote one week to our investigation process and one week to the time lapse filming of a single 8x14 foot piece of un-stretched canvas. The final painting will be a collaborative piece created by all the visual artists based on the discoveries of our investigation.