Rare Terra Theatre

10/18/2013
As many of you know, Chicago actor - RTT founding member - Rick Sandoval died last week after a 9-month battle with Kidn...
10/15/2013

As many of you know, Chicago actor - RTT founding member - Rick Sandoval died last week after a 9-month battle with Kidney Cancer. Money was raised during the summer to help the family deal with medical and family bills.

If you can, please consider making a donation. Rick's wonderful family can absolutely use your help as they proceed into the next challenging phase.

Thanks for considering helping the Sandovals.

Chances are good you have sat next to Rick at a game or a play, or in the audience for one of his shows. Chances are you have stood next to him at the bar or maybe just stood in awe of his hair. Now its time to stand up for him. Rock for Rick! Act. Like you care. All proce...

RTT's good friend Greg Kalleres has a play running Off Broadway. H***Y is a NY Times Pick.We saw the show last weekend a...
03/26/2013

RTT's good friend Greg Kalleres has a play running Off Broadway. H***Y is a NY Times Pick.

We saw the show last weekend and it really is fantastic: hilarious & substantive script, superb acting & a beautiful production..

Greg is the author of A BEAUTIFUL SPELL, which RTT produced at the Royal George in 2011.

We couldn't be prouder of Greg.

http://theater.nytimes.com/2013/03/16/theater/reviews/honky-at-urban-stages.html?ref=theater&_r=0

“Honky,” a brash comedy by Greg Kalleres presented at Urban Stages, looks at race relations through the perspective of basketball shoe company executives.

It's murder by numbers, one, two, threeIt's as easy to learn as your ABC
12/13/2012

It's murder by numbers, one, two, three
It's as easy to learn as your ABC

"The Lesson" One of two plays by Ionesco. Running Nov. 7 thru Dec. 15 @ Second Stage in Chicago. Directed by Dragan Torbica. With Nicholas Harazin, Gary Barth, Lucinda Johnston, Naomi Lindh, Catherine Price-Griffin, Dan Essig, Catherina Chupein, T Graham Brown.

12/11/2012

Everything is a cat.

Disfunctioning: Two Plays by Ionesco, Rare Terra Theatre hits the mark and then some.http://chicagotheaterbeat.com/2012/...
12/10/2012

Disfunctioning: Two Plays by Ionesco, Rare Terra Theatre hits the mark and then some.
http://chicagotheaterbeat.com/2012/11/10/review-disfunctioning-two-by-ionesco-rare-terra-theatre/?utm_source=rss&utm_medium=rss&utm_campaign=review-disfunctioning-two-by-ionesco-rare-terra-theatre

You don’t have to be a fan of Absurdist drama to enjoy these two one-acts: Rare Terra Theatre has done a terrific job of making them entertaining and accessible to anyone. Judging by the audience’s enthusiastic response, I’d say they agree. (read more...)

12/01/2012

The Chicago Reader says:

“Director Dragan Torbica clearly understands that Ionesco’s bizarre gestures must be grounded in truthful human interaction. He lets a long scene between Jack and his triple-nosed betrothed play out with revelatory humanity.”
Read the full review here:
http://www.chicagoreader.com/chicago/disfunctioning-two-by-ionesco/Event?oid=7835061

At the start, Rare Terra Theatre's double bill of early Eugene Ionesco plays looks like standard-issue absurdism—i.e., everybody acts funny. That's not surprising, since the first play of the evening, Jack or the Submission, concerns itself with a young man who frustrates his parents' matchmak...

11/29/2012

A GREAT review for RTT's DISSFUNCTIONING:

Famed for being one of the founding fathers of Absurdist Theatre, inventive playwright Eugene Ionesco wrote bizarre sketches, referred to as ‘anti-plays,’ that caught the public’s imagination in the early 1950’s. Two of these strangely wonderful exercises, 1955’s “Jack or The Submission” and 1951’s tart “The Lesson” are nicely collected together in Rare Terra Theatre’s adventurous “Disfunctioning: Two By Ionesco.”

Director Dragon Torbica chooses to open the evening with the more inscrutable of the two works, “Jack.” Seemingly a parable about rebellion to conformity and adult responsibility, this piece details the pouty antics of a young man whom is encouraged to behave at an arranged meeting between his family and the parents of his fiancé. Ionesco uses dialogue like a short tone poem to emphasize the ridiculous nature of familial expectations. Meanwhile, the haunting images he conjures through the odd stories of Jack’s intended ultimately make the title character’s acceptance of his fate, comical and heart stopping, at once.

A favorite of dramatic literature classes, “The Lesson” is one of Ionesco’s better-known works. Detailing the fate filled meeting of a young female student and her learned tutor, this one act is intrinsically funny and menacing. Working a vibe similar to “Eyes Without a Face,” George Franju’s well-regarded film, Ionesco explores academia’s tragic underbelly, here. When the professor eventually takes his work to deadly serious levels, it is only the actions of a loving maid that can keep him in line – and out of jail!

Torbica works with efficiency here, adding nice touches of movement and costuming to accentuate Ionesco’s points. His work on “Jack” has a playgrounds’ worth of enthusiasm. “The Lesson,” meanwhile, could benefit from tauter emotional constraints. One never feels a sense of apprehension for the vulnerable yet defiant student. Still, this is ultimately an incredibly solid evening of theater and a nice primer to a famed playwright.

Concerning the versatile cast, Nicholas Harrazin’s Jack and Vashti Emigh’s Young Pupil, both, shine with layered warmth and eclectic presences. Catherina Kusch’s Maid, in “The Lesson,” meanwhile, is an embellished wonder, pulling at your heartstrings and your funny bone, almost simultaneously.

“Disfunctioning: Two by Ionesco” runs through December 15 at The Second Stage, 3408 N. Sheffield in Chicago. Tickets are $18-$28 and can be purchased at rareterratheatre.com or by calling 773-305-5643. – Brian Kirst

http://www.sheridanroadmagazine.com/blog/?paged=2

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