National Veterans Art Museum

National Veterans Art Museum Inspiring dialogue on the impact of war & military service through art by veterans. Engage. Reflect. Preserve. Indiana Avenue in 1996.

In 1981, a few Vietnam combat veterans put together an artistic and historical collection that would become a timeless, humanistic statement of war on behalf of all veterans for future generations. The Vietnam Veterans Art Group formed in Chicago in 1981. One year later, the group mounted its first exhibit of veteran artwork entitled “Reflexes and Reflections.” The exhibit toured museums and galle

ries nationwide. The overwhelming emotional response to the work, along with an increasing amount of contributions by artists, led to the official establishment of a permanent museum. Upon viewing the collection, Mayor Richard Daley was so personally moved that he allocated a permanent building to house the collection. The National Vietnam Veterans Art Museum opened its doors at the original location at 1801 S. Since 2003, the museum has broadened its mission to include art by veterans of all wars. In 2010, the word Vietnam was dropped the from and we became the National Veterans Art Museum (NVAM). Today, the NVAM houses more than 2,500 works of art, including paintings, photography, sculpture, poetry and music. All works in the Museum’s permanent collection were created by more than 255 artists who are veterans of American conflicts. The artwork showcased at the museum provide unique viewpoint on the controversial subject of war to all. It is a tenuous and reflective balance of beauty and horror, giving unique insight into the psyche of combat veterans and consequential hindsight war
leaves on its survivors. Opening on Veterans Day, November 11, 2012, the museum recently relocated from its original location to its new home in center of the historical Portage Park neighborhood of the city of Chicago. National Veterans Art Museum
4041 N. Milwaukee Avenue, Second Floor
Chicago, Illinois 60641

We are temporarily closed for the installation of exciting new works. Reopening Tuesday, July 7, 10 AM to 4 PM.Join us f...
06/16/2026

We are temporarily closed for the installation of exciting new works.
Reopening Tuesday, July 7, 10 AM to 4 PM.
Join us for our opening reception on Saturday, July 11 at 2 PM.
See you there!

There is something Jenn Hassin knows about paper and clay. Not just how it forms or holds pigment, but what it remembers...
06/10/2026

There is something Jenn Hassin knows about paper and clay. Not just how it forms or holds pigment, but what it remembers.

Join us to close Strength in Fragility, the solo exhibition of 2025 NVAM Artist Fellow Jenn Hassin. RSVP to this admission-free event with complementary food and beverages.

Closing Reception
Saturday, June 13, 2026 at 2 PM

National Veterans Art Museum
4041 N. Milwaukee Ave, 2nd Floor, Chicago

RSVP link in bio and highlights!
https://bit.ly/NVAMfellow

Learn more at nvam.org

Join us and fellow veterans for a free collage and mixed media workshop at NVAM, in collaboration with Open Studio Proje...
06/02/2026

Join us and fellow veterans for a free collage and mixed media workshop at NVAM, in collaboration with Open Studio Project. No experience needed!

Explore your creativity through collage and other hands-on techniques, alongside the veterans in our community. NVAM offers an inspiring backdrop for a day of self-expression.

Space is limited.
RSVP in highlights to save your spot!

Thanks to!


and the Evanston Vet Center!

This Monday, NVAM opens its doors from 10:00 am to 4:00 pm, inviting you to gather in community to remember those we’ve ...
05/23/2026

This Monday, NVAM opens its doors from 10:00 am to 4:00 pm, inviting you to gather in community to remember those we’ve lost and reflect on the lives shaped by service.

From 1:00 to 3:00 pm, hear directly from veteran contributors to I Remember: Chicago Veterans of War (Big Shoulders Books, 2015) as they share readings drawn from their own experiences.

Join us as we take a moment together to remember what this day truly means.
RSVP Encouraged but not required
Link in bio✨

Stan Gillett, Paddy Bones, 1979Cast aluminum. 15 × 12 × 10 in.A small sculpture in cast aluminum, standing on three bone...
05/23/2026

Stan Gillett, Paddy Bones, 1979
Cast aluminum. 15 × 12 × 10 in.

A small sculpture in cast aluminum, standing on three bone-like legs.

The work is assembled from fragments that read as skeletal. A long upright bone rises from the upper right, ending in a rounded knuckle. Flat, leaf-shaped plates jut out at irregular angles, their edges thin and uneven, suggesting fragments of skull or hip. Smaller k***s and protrusions cluster where the pieces join.

The surface of the aluminum is rough and pitted, holding the texture of the casting process. The light catches every ridge and edge.

The pieces meet at their joints, fused where the metal pooled and cooled into one form.

NVAM Permanent Collection. Storytelling since 1981.

Richard Olsen, Wall CVII Citadel, 1994Acrylic on canvas. 26 × 45 × 2 in.A long horizontal painting, framed, roughly twic...
05/23/2026

Richard Olsen, Wall CVII Citadel, 1994
Acrylic on canvas. 26 × 45 × 2 in.

A long horizontal painting, framed, roughly twice as wide as it is tall.

The composition is built from sharp geometric planes set against a dark ground.

Reading from left to right:
A black field anchors the left edge, broken by a small curved white mark. Beside it, a large diagonal wedge rises in textured orange and brown, descending into a vivid green triangle below.

A narrow vertical stripe of bright blue cuts through the center, followed by a darker olive-black column.

To the right, an orange field opens into the painting. Near its top, an almond-shaped form, its center darker than its outline. The right edge resolves into a clean yellow triangle separated by a thin pale line.

Throughout, narrow white lines emerge between forms, like seams of light.

NVAM Permanent Collection. Storytelling since 1981.

Cao Ba Minh, Portrait of a Soldier After War, 1993 Oil on canvas. 33 × 29 × 1 in.A portrait against a deep, brushed blue...
05/23/2026

Cao Ba Minh, Portrait of a Soldier After War, 1993 Oil on canvas. 33 × 29 × 1 in.

A portrait against a deep, brushed blue background.

A figure faces forward, shoulders bare or wrapped in pale cloth that dissolves into the lower edge of the canvas. The head is elongated, narrowing upward. The face is built from thick, raised paint in burning oranges, reds, and rust. The surface lifts in clotted ridges and peaks, dense with texture.

Two dark hollows hold the eyes. The mouth is small and turned down. A long dark fracture runs vertically down the center of the face, dividing it from forehead to chin like an abstract nose.

The shoulders and chest are rendered in pale creams, mottled browns, and rust. The deep blue holds the figure still.

NVAM Permanent Collection. Storytelling since 1981.

Kurt Vonnegut Jr., Black Heart, 2004Screenprint. 12 × 10 in.A small print, framed and matted in white.A figure faces for...
05/23/2026

Kurt Vonnegut Jr., Black Heart, 2004
Screenprint. 12 × 10 in.

A small print, framed and matted in white.

A figure faces forward against a gray background. The head is pale and elongated, drawn in loose black lines. Where the eyes should be, several small green eyes scatter across the upper face and forehead, each looking in a slightly different direction.

The figure wears a green jacket over a blue collared shirt.
One hand emerges at the bottom of the frame, nearing a pin on the figure's left shoulder. The pin resembles a purple heart military ribbon.

A black border surrounds the image, edged in cream. The print is numbered and signed in pencil along the bottom margin.

NVAM Permanent Collection. Storytelling since 1981.

Jay Hellwege, Typewriter for Writing the Great War Novel: Two Kinds of Murder, 2003 Sculpture. 16 × 22 × 16 in.A white s...
05/23/2026

Jay Hellwege, Typewriter for Writing the Great War Novel: Two Kinds of Murder, 2003 Sculpture. 16 × 22 × 16 in.

A white sculpture in the shape of a typewriter.

At first glance, a familiar machine.
Then the surface resolves into something else. From every part of the typewriter emerges small human figures. Their individual features the unmistakable silhouette of soldiers positioned in a battle scene. They climb and tangle across each other to hold the shape across the top of the machine.

NVAM Permanent Collection. Storytelling since 1981.

Dominic Sondy, Reading the "Stars and Stripes"Photograph. 18 × 22 × 1 in.A black and white photograph, matted and framed...
05/23/2026

Dominic Sondy, Reading the "Stars and Stripes"
Photograph. 18 × 22 × 1 in.

A black and white photograph, matted and framed in black.
A soldier sits beneath a makeshift shelter, hunched over a folded newspaper. He is shirtless, his back curved with the concentration of reading. He rests on a low crate, his boots planted in the dirt.

Behind him, an armored vehicle on tracks fills the left side of the frame. A camouflage net stretches from the vehicle to a wire mesh on the right, forming a low canopy. Pieces of clothing and gear hang from its edges. Tall grass grows around scattered objects on the ground.

The light is even and gray. He reads. The vehicle waits.

NVAM Permanent Collection. Storytelling since 1981.

Address

4041 N Milwaukee Avenue, Floor 2
Chicago, IL
60641

Opening Hours

Tuesday 10am - 4pm
Wednesday 10am - 5pm
Thursday 10am - 4pm
Friday 10am - 4pm
Saturday 10am - 4pm

Telephone

+13123260270

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