Mid-Missouri Composers Symposium

Mid-Missouri Composers Symposium Mid-Missouri Composers Symposium and beyond to share their expertise, engage in discussions about new music, work on their projects, and much more.

From July 15 to 22, 2015 the Osage Arts Community will host the Mid-Missouri Composers Symposium, an opportunity for established and emerging composers from across the U.S. The symposium's purpose is to gather a strong group of composers to learn from one another, to inspire, and to provide a place to compose, all within a relaxing and informal environment. Located on a farm along the Gasconade Ri

ver in Central Missouri, OAC has been a place of inspiration for composers, writers and visual artists. Symposium attendees are invited to explore the area, interact with the other artists, and work on new or existing compositions. During the first three days of the symposium, composers will present about their own works to the public. Over the course of the symposium, there will be a series of nine informal panel discussions on a variety of topics related to new music, composition, and the profession.

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Invited Composers (bios listed below):
Michelle McQuade Dewhirst (Associate Professor, University of Wisconsin-Green Bay)
Aleks Sternfield-Dunn (Assistant Professor, Wichita State University)
Nolan Stolz (Assistant Professor, University of South Carolina-Upstate)
Andrew Walters (Associate Professor, Mansfield University)

The Mid-Missouri Composers Symposium will accept four or five more composers to take part, depending on available space. Applications will be accepted up until April 3rd, 2015. Review of applications will begin mid-February. Description of the symposium:
Composers should arrive on July 15th, and the symposium will run from the 16th to the 21st. There will be a farewell breakfast on the 22nd. Composers will present about their own works at the Art Center in Belle during the first three days of the symposium, open to the public; each composer should plan on presenting for 30 minutes with an additional 10 minute Q&A session. Over the course of the six-day symposium, there will be a series of nine informal discussions on topics decided by the symposium attendees. There will be plenty of “down time” which you may use to compose, interact with the symposium attendees and current artists-in-residence at OAC, explore the residency grounds and nearby towns, etc. It is encouraged that the invited composers interact with the young musicians involved in OAC’s Youth Music Project. The residency grounds are located on a farm along the Gasconade river, with additional buildings in the city of Belle nine miles south. There is no charge for the symposium; it is funded by the Osage Arts Community. You will be provided with lodging, a place to work, and groceries (you prepare meals). If accepted, you will be asked to send a $200 deposit to hold your place which will be returned at the end of the symposium. As this symposium is different from a residency, applicants do not have to go through the usual OAC artist-in-residence application process. To apply, send PDFs to [email protected] of the following:
1. A one-page cover letter describing your interest in the symposium (e.g., what topics you might be interested in discussing or presenting, what you hope to gain from the experience, etc.)
2. Two representative compositions
3. Links to recordings of those two compositions
4. A three-page CV: be sure to include education, previous and current employment, important performances, discography, etc.
5. Please put “Mid-Missouri Composers Symposium Applicant” for the subject line

There will be several opportunities to take part in fun events including, but not limited to: day trip to Columbia to watch Alarm Will Sound’s rehearsals, live music/wine/food at Wenwood Farm Winery, swimming in the Gasconade river, Belle Community Fair (rides, rodeo, demolition derby, etc.).

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Tentative Schedule:
Arrival on afternoon or evening of Wednesday, July 15th
Thursday: Welcome breakfast, grocery shopping run, tour of Osage Arts Community, tour of Belle
Thursday early afternoon: Topic discussion #1
Thursday 5-7pm: Composer presentations at Art Center in Belle, open to public. Friday late morning or early afternoon: Topic discussion #2
Friday 5-7pm: Composer presentations at Art Center in Belle, open to public. Saturday late morning: Topic discussion #3
Saturday 1-3pm: Composer presentations at Art Center in Belle, open to public. Sunday afternoon: Topic discussion #4
Sunday evening: Topic discussion #5
Monday late morning or afternoon: Topic discussion #6
Monday afternoon or evening: Topic discussion #7
Tuesday afternoon: Topic discussion #8
Tuesday evening: Topic discussion #9
Wednesday, July 22nd: Farewell breakfast

Optional events:
pretty much any evening: swim or sit in the river until sunset
Thursday 7-?: Belle Fair (rodeo?)
Friday 7-?: Belle Fair (demolition derby?)
Saturday 3-?: Belle Fair
Saturday 7-9?: Summer Music Saturday Nights at Wenwood Farm Winery (drink wine, listen to music, etc.)---they sometimes cancel live music not to conflict with the Belle fair
Sunday morning: there are several churches in the area if you wish to attend
Tuesday morning: caravan or carpool to Columbia to watch Alarm Will Sound rehearsal, open to the public. Wednesday after farewell breakfast: you may wish to watch more Alarm Will Sound rehearsals in Columbia in the afternoon instead of heading straight home
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Michelle McQuade Dewhirst holds degrees from Ithaca College and the University of Chicago, and is Associate Professor of Music at the University of Wisconsin-Green Bay. She is the founder of the miniaturist ensemble a very small consortium. In September 2014, she was an Iron Composer contestant, placing second overall and taking home the "Audience Favorite" award. Aleksander Sternfeld-Dunn is an Assistant Professor of Composition at Wichita State University. He is the winner of the 2013 American Prize, The 2012 Global Music Award, and The National Flute Associations Best Newly Published Music Competition. For more information visit aleksandersternfelddunn.com. Nolan Stolz has an individual compositional voice: one that is influenced by his background as a jazz and progressive rock drummer, yet firmly rooted in the contemporary classical tradition. His compositions may be heard on releases from Six Strings Sounds, Ablaze and Tributary Music. Stolz is currently Assistant Professor of Music at University of South Carolina-Upstate. Andrew Walters' music has been performed at various conferences throughout the United States and Canada including SEAMUS, SCI, ICMC, and Electronic Music Midwest. His music appears on volume nine and sixteen of the "Music from SEAMUS" compact discs. Currently he is Associate Professor of Music Theory and Music Technology at Mansfield University in Mansfield, Pennsylvania.

Address

89 Eagle Lane
Belle, MO
65013

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2018 Mid-Missouri Composers Symposium - hosted by the Osage Arts Community

From July 13 to 22, 2018 the Osage Arts Community will host the 4th annual Mid-Missouri Composers Symposium, an opportunity for established and emerging composers from across the U.S. and beyond to share their expertise, engage in discussions about new music, work on their projects, and much more. The symposium’s purpose is to gather a strong group of composers to learn from one another, to inspire, and to provide a place to compose, all within a relaxing and informal environment. Located on a farm along the Gasconade River in Central Missouri, OAC has been a place of inspiration for many composers, writers and visual artists. Symposium attendees are invited to explore the area, interact with the other artists, and work on new or existing compositions.

MMCS 2018 Invited Composers:

• Jennifer Bellor (Visiting Lecturer, University of Nevada, Las Vegas)