08/24/2025
The last couple of weeks has been extraordinarily busy and ridiculously productive for the Chunklet Music Preservation Project! Henry and I trekked to the Savannah area to visit with Eugene Lyons and to scan materials just after the most recent installment of the Samizdat reissue came out.
Our gracious Richmond Hill host and close friend, Kay, went with me to SCAD to view the Fiorucci book in person for one bit of research, while Henry spent the first of what would become a few days with Murray Silver. We have worked with Doc before, when his essay about, and ad from The Great Speckled Bird for, the Grateful Dead's first show in Atlanta made it into Plus 1: Atlanta. We are working with Doc now to preserve his materials and to bring them to light in new and exciting ways.
THEY ARE STUNNING.
That same trip, we spent two delightful days working on Jekyll Island with the administrator for the Estate of Gordon Stevenson. As many of you know, we first came to know Gordon (Ecstatic Stigmatic, Teenage Jesus and the Jerks, Junk) through our work with his brother Davey's band, Limbo District.
This started as 200+ letters from Gordon to his family detailing his time at Eckerd College, then his time in New York City detailing No Wave and the East Village in real time, his life with and then after the death of his wife Mirielle Cervenka, and then the illness that would become known as AIDS and take his life in August 1983.
In April of this year, on a research trip to NYC to view other materials, we were STUNNED to find out that Gordon's former business partner, Anthony, had kept the materials from his apartment after his death. Henry drove to NYC in May and brought home boxes of papers, photographs, tapes, film, and so much more. We are still in process of getting the final details of what was recovered, but I can tell you that the 11/16/1980 interview with Siouxsie Sioux after their show at the Palladium is exactly what you hope it is.
There is so much more that happens in the midst of all of this. And there is more work being done and to be done, on top of these major projects. It's not just the big stuff that matters.
We have been fortunate that expenses have been covered so far, but we are asking for your help. We do not take any fees or salary from the Project. Our time is strictly volunteer.
We really need a new laptop, a couple of external SSD drives, and archival storage containers and materials. (These are acid-free, reinforced, made for long-term preservation.) A donor just helped us get a new negative and slide scanner, which means significant savings of time and money on several projects. There are always ongoing costs--shipping, software subscriptions (discounted at non-profit rates), travel costs for day trips, etc. Having film and audio transferred and digitized is expensive.
The Chunklet Music Preservation Project is a 501c3 tax-exempt organization, and your donation may be tax-deductible. (Talk to your tax professional.) We also have some things for sale that directly benefit the Project.
Finally, if you're local and have some time to spend with Henry to type some things into an Excel spreadsheet, he could use some help cataloging some of these collections. You must be very comfortable with Excel, and you must be very comfortable with spending hours with Henry. (Hell, add it to your LinkedIn profile.)
We know things are crazy for everyone right now, and we appreciate all the love and support we constantly receive. This is all just a sampling of what we have going on right now; it really is a second and third job for each of us.
Thank you all for your time and every good wish and hug and place to crash and margarita and everything else you've shared with us on this journey. We are looking forward to more of it with each of you.
Stephanie Quinn Jackson
Executive Director, Chunklet Music Preservation Project