21/08/2025
Trouble Reflection 🎻📝 7/18
《殘影 AFTERIMAGES》
——大提琴、詩、散文與即興交織的一夜。
A night of cello, poetry, prose, and improvisation.
演出者/Performers：
🔸Bess |
🔸川穎 Tracy |
合作單位/In collaboration with：
🔸台北詩社 Taipei Poetry Collective |
（更多資訊請見 Linktree）
(see Linktree for more info)
Venue: 海月Kurage .taipei
這個夜晚如同 Trouble 的一貫方式開始——意外。
Bengisu 在香港遇見 Bess，他們一起辦展覽並成為朋友。Bess 與川穎本就關係親密。Jeremy 則是「剛好」造訪 Trouble，提出詩歌的點子，於是台北詩社也加入其中。一連串奇怪的巧合，最後交織成了一整晚。
Bess 以大提琴獨奏和自己針對 Trouble 主題的作品開場，接著即興演奏，回應 Tracy 的散文與詩歌——在聲音與記憶之間編織出一條安全通過的小徑。最後由台北詩社主持的開放麥克風，邀請觀眾分享：有人朗讀詩，有人演奏音樂，聲音在空間中彼此連結，碰撞出意料之外的火花。
這不僅是一場表演，更是一個透過藝術來反思、分享 Trouble 的夜晚。不同的藝術形式與友情故事交織，生成了新的可能。
—
This night began the way Trouble things usually do—by accident. Bengisu met Bess in Hong Kong; they made an exhibition and became friends. Bess was already close with Tracy. Then Jeremy just “happened” to visit Trouble, dropped the idea of poetry, and suddenly Taipei Poetry Collective joined in. A strange chain of coincidences unfolded into a whole evening.
Bess opened with a cello recital and her own composition inspired by the idea of Trouble, then moved into improvisations on Tracy’s prose and poetry, threading a path where memory and sound could safely pass. The night closed with Taipei Poetry Collective’s Open Mic, where audience members shared poems, played music, and filled the room with unexpected connections.
It was more than a performance: it was a night of reflecting and sharing Trouble through art. Different art forms, and different friendship stories, intertwined into something new.
