16/02/2026
好吧，🐴年來了。
在所有畫過的動物裡，常玉對馬情有獨鍾；數量、背景、顏色和姿勢各不相同。
馬也一直是中國畫中重要的主題。自唐代以來，鞍馬畫發展為獨立畫科。
唐代詩人李白，就特別偏愛關於白的東西，包括白馬🎠。
他在《少年行》其二中就這樣寫道：
五陵年少金市東，
銀鞍白馬度春風。
落花踏盡游何處？
笑入胡姬酒肆中。
願大家都能瀟灑踏著春風
與家人朋友開懷暢飲
只是，別策馬奔騰過頭🐎
Oh well, here comes, Year of the 🐴.
Of all the animals he painted, Sanyu had a soft spot for horses — in different numbers, backdrops, colors, and poses.
Horses have also long been an important subject in Chinese painting. Since the Tang dynasty, horse painting developed into an independent genre.
And there was Li Bai, who seemed particularly fond of all things white, including white horses.
He puts 🎠 this way in Song of the Young Part II
Young men of Wuling, by the eastern market,
Silver saddles, white horses in the spring wind.
Having ridden over fallen blossoms — where next?
Laughing, they disappear into a tavern for a drink.
Wishing you all a carefree ride into the spring breeze,
sharing drinks with family and friends.
Just… don’t gallop a little too far 🐎.
——
常玉，《白馬》，1920-30年代，水墨水彩紙本，21 × 28 公分
