ScreenDance Festival

ScreenDance Festival The idea of the group is to promote screendance, videodance, multimedia, new media art, video art, digital technologies, etc.

ScreenDance Festival is a new annual festival in Stockholm. The festival’s main aim is to showcase Swedish dance film, and establish an international collaboration and network with other dance filmmakers. The festival facilitate workshops, lectures and panel discussions with international, professional filmmakers and new media artists for the Swedish dance film makers. The purpose is to build up a

national platform for this art form, as well as create public awareness about the use of the digital resources and social media in performing arts.

Several works stood out in the selection process, and choosing just one winner to the residency was no easy task. The se...
29/04/2026

Several works stood out in the selection process, and choosing just one winner to the residency was no easy task.

The second- and third-ranked projects were especially compelling and left a lasting impression on us.

2nd place - HOODS. Director: Ami Skånberg
3rd place - A Peak paRticle. Director: Anna Borràs

Thank you to all the filmmakers whose works were selected for this year's Top 10 festival night. Your films contributed to an inspiring and vibrant programme.

See you in 2027!

We are delighted to announce that the ScreenDance Residency goes to HOLOGRAM. Director: Elida Jondal Thorsen.This one-we...
29/04/2026

We are delighted to announce that the ScreenDance Residency goes to HOLOGRAM. Director: Elida Jondal Thorsen.

This one-week residency offers a unique opportunity to research, explore and deepen within the field of screendance.

Join Us for an Inspiring Evening! Enjoy a special film screening, followed by networking. Dansmuseet Kungsholmens Kultur...
29/04/2026

Join Us for an Inspiring Evening!

Enjoy a special film screening, followed by networking. Dansmuseet Kungsholmens Kulturhus

Today, Wednesday April 29, 18:00–19:00 at Kungsholmens Kulturhus, we present the Festival Night featuring a screenings o...
29/04/2026

Today, Wednesday April 29, 18:00–19:00 at Kungsholmens Kulturhus, we present the Festival Night featuring a screenings of the International Selection and at 19.30 -20.30 the Swedish Selection.

Take a look of the TOP 10 Swedish Selection!

IN AND OUT OF TIME. Director: Christina Tingskog

Four dancers meet and interact at different speeds and with different emotions. Filmed mostly in different slow motions. One of the dancers has Downs Syndrome. I have worked with her in several stage performances and it became apparent that she had a different relationship to time. I also wanted to capture the physicality in movements on screen, the feeling you get from experiencing dance IRL. I think slow motion conveys that, I wanted to choreograph with movements, camerawork and editing so I have done everything myself. I made two films, will apply with the other one "Encountering" too. My first dance films made directly for the camera but I have always videofilmed and photographed my own work and have made short trailers and documentations for many years. Sweden – 8’30

HOODS. Director: Ami Skånberg

A screendance piece where choreography, landscape and camera co-create in real time. Drawing on Skånberg's earlier choreographic material and improvisation shaped on site, the film unfolds in spaces marked by histories that precede industrial clear-cutting and pulp mills. Sweden – 10’02

SHE RETURNS TO HERSELF. Directors: Laura Kristine Graham Anderson & Petter A. Olofsson

Exploring inner and outer landscapes through movement and tactile visuals. Sweden - 4’01

HOLOGRAM. Director: Elida Jondal

Hologram explores an inner struggle of resisting and fighting against losing control. Through movement in dark, intimate and urban spaces, the film follows a body shifting from resistance to letting go, slowly becoming numb and manipulated by itself. Sweden – 3’27

NO DEFINITE SHAPE. Director: Hanna Kortus

No Definite Shape explores the ambivalence between solid and liquid states. Using the figure of a mermaid - half fish, half human - the film examines how the female* body, is shaped by external forces and societal expectations.Sweden – 5’49

THE LAKE. Director: Aliki Tsakoumi

A dark, earthy reinterpretation of Swan Lake. A swan’s human nature slowly surfaces, pulling it toward a strange transformation. Sweden – 1’29

A Peak paRticle Director: Anna Borràs

A Peak paRticle – the Boreali movie.
APP is part of Boreali production.
This one relates to the particle collisions creating this peak in sound, color, shape and texture: the Aurora Borealis.
Breaking down the inside and core of this phenomenon.
It lives and it captures these moments through the energetic and magical atmosphere created.
APP is a multimedia experience where dance, immersive sound, 2D, visual effects and lights connects to a synchronized 360 audio from Vincenzo Lamagna and Bora Ju. A full journey inside the dancing and crackling northern lights over the white winter Swedish landscape.
“The performance invites for movement, sensorial exploration, the reminiscence of a magical unique trip to what the inside of this phenomenon is about” Sweden 7’54

MELODYBOX. Director: Teresia Vigil Lundahl

This a film about when Stockholm became silent. Melodybox was a wonderful conserhall in Hägersten once upon a time. Now the city will build houses instead. The culture is getting silent but still some time for dancing. Sweden 5’00

FAKE - BYGONE TIMES. Directors: Alfons Karabuda & Helene Karabuda

Is a contemporary dance film where memory becomes movement and landscapes become emotion.
Set between the vast stillness of a desert and the quiet echoes of an old Swedish monastery, the dancer traces the fragile line between what was and what remains.
Nothing here is staged as real, yet nothing is entirely fake.
This is not a romance—yet, it is a dialogue of bodies and time.
An abstract story told without words, where each gesture becomes a fragment of history and every silence reveals something forgotten.
A film about distance, longing, and the whisper of moments we carry with us—long after they are gone. Sweden – 4’08

TRAVEL NOTES ON GRIEF. Director: Aija Olsson

A short reflection on the process of grief - be it personal or collective - through circles of pain and escape. Originally created for Swedish Church All Saints' Day memorial service - Allhelgona - (1. nov 2025) involving the members of local congregation's youth group. Sweden 4’28

Today, Wednesday April 29, 18:00–19:00 at Kungsholmens Kulturhus, we present the Festival Night featuring a screening of...
29/04/2026

Today, Wednesday April 29, 18:00–19:00 at Kungsholmens Kulturhus, we present the Festival Night featuring a screening of International Selection and at 19.30 -20.30 the Swedish Selection.

Take a look of the Intenational Selection!

THE BALLAD OF A HOME. Director: Keely Song & Robert Machoian. USA – 8’27

KIELO. Directors: Janina Rajakangas & Sinem Kayacan

Kielo finds it hard to sit still in class. She takes a break venturing into the corridors of her imagination. Finland – 4’00

STILL MOVING. Director: Jonny White

Is a poetic short film exploring ageing and identity through contemporary dance. Through the eyes of Dawn, a 60-year-old contemporary dancer, the film explores how dance carries the echoes of who we were, and the grace of who we are becoming.UK – 4’00

POOL. Director: Nicole Pfister

Two dancers move between dream and reality. Floating and gliding, they transform a space where emptiness meets reality and becomes illusion. “POOL” is a dance between elegance and absurdity, floating and falling, dreaming and awakening.. Switzerland – 4’42

CE QUI NOUS LIE. Director: Damien Bourletsis

What if, within the breath of one body, the echo of another was already
resonating?
In a vital surge where every movement becomes a cry, nine dancers unveil their
inner struggle across shifting landscapes: sea, cliff, city, dance studio, ancient
theatre. Nine singular territories.
Each surrenders to raw improvisation — a moment of questioning rooted in
their intimate space — where movement becomes the language of urgency: to
be, to resist, to exist.
Bodies answer, intertwine, and merge in an organic continuity, weaving bridges
between their solitary battles.
Living echoes of an invisible geometry, uniting bodies beyond forms and
boundaries.
What if what seemed isolated was already part of a vaster, elusive movement? France – 4’45

UNSPOKEN. Director: Luca Perrin

Two men meet in silence. Through dance, they explore the fragile line between desire and restraint, closeness and distance between the fire within and the silence imposed by the world.
Their bodies speak where words cannot. Each gesture becomes a confession, each breath an act of resistance.
Unspoken is a visual poem about intimacy, fear, and the quiet courage it takes to love when love must remain unseen. Switzerland – 5’03

I AM GOING HOME. Director: Emanuel Malak Mansour

A lyrical journey through grief, where dance, music, and the sea unveil the hidden tides of denial, sorrow, and rage. Lost between memory and illusion, a young man searches for his departed friend. A tribute to absence, and to the healing power of movement and nature. France – 9’55

’THE GIFT’. Director: Mikki Sindhunata

Alesya (34) lives alone in a remote house and has made a ritual of spending her birthday in complete solitude. But this year, the day takes an unexpected turn when a mysterious box appears at her doorstep.
Inside is something she cannot explain: a living, sentient hybrid being. Suspicious at first, Alesya allows it to stay. What begins as an uneasy coexistence slowly develops into an intimate and ambiguous relationship, blurring the boundaries between human and object, closeness and control.
As the being settles into her space, it begins to disrupt the routines that have long protected Alesya from the outside world. In its quiet presence, emotions she has carefully kept at a distance begin to surface.
The Gift is a slow, sensorial exploration of isolation, vulnerability, and the complicated human need for connection. Netherlands – 11’00

NA TRÍ CÉILITHE. Director: Rhys Ryan

Blending memory and movement, Na Trí Céilithe revisits the vibrant Gaelic concerts held by Melbourne’s Irish diaspora in the early twentieth century – gatherings where music and dance became vital expressions of cultural identity. With no archival footage to draw on, the film responds with striking originality, reinterpreting céilí dances through a contemporary lens. Heritage and modernity converge in this lyrical exploration of reimagined Irishness. Australia – 14’51

Join us tomorrow, Wednesday April 29, 15:00–17:00 at Kungsholmens Kulturhus for a screening of international dance films...
28/04/2026

Join us tomorrow, Wednesday April 29, 15:00–17:00 at Kungsholmens Kulturhus for a screening of international dance films presented on LOOP as part of the festival programme.

WHAT HOLD US. Director: Meg Stuart

A group of people float in a body of water, clustering and dispersing into shifting constellations. Cut off from context, this fluid landscape has its own temporality. Seen from above, the scene is tender without becoming sentimental: bodies drifting toward and away from each other like landmasses in motion. In this soft, utopian flow, What Holds Us is a reflection on connection, longing, and the delicate ways in which we find one another.

MOVING THROUGH. Directors: Kacper Bozek & Aleksandra Kus

The dance video features a dancer moving through an urban space, blending the art of dance with the dynamics of the cityscape and nature. Her movements flow seamlessly with the surroundings, creating a harmonious narrative of freedom, expression, and the connection between humans, the city, and the natural world. Each gesture and step highlights the contrast between reality and imagination. Time constantly chases her, confined within 60 seconds. Every shot offers a moment to reflect on how movement can be interpreted as a metaphor for the rush of life. Poland 1’00

AVALANCHE. Director: Silja Tuovinen

Avalanche draws inspiration from a climate change scenario where the northern part of the world heats up and suffers a loss of below zero, snow-filled winters. The one-take film Avalanche traces emotional textures triggered by climate collapse, in a world where snow is history. Avalanche places gaze specifically on how massive environmental loss and climate grief can impact human psyche and disturb the bodily experience of the world. At the heart of the film is the main characters’ crackling sanity and fragile, fumbling bodies. Snow is merely a mirage that, however, creates a real sense of both comfort and distress. Finland – 10’00

G E M I N I. Director: Ian Plouffe

This screen-dance explores themes of becoming and making terms with oneself. A reflection of Haley Heynderickx’s song Gemini- a young woman travels through her own internal landscape to emerge embracing her shadow and unclouded by self doubt. USA – 4’55

STONES: WHISPERS FROM THE WORKHOUSE. Director: Catherine Gallant

Is a site-responsive dance for the camera. It is an evocative and impressionistic rendering of sensations and images informed by harrowing stories of workhouses, laundries, and industrial schools in Ireland and the US. Dancers trace the austere outlines of the spare stone-filled interior yard and adjoining fields which become the backdrop for embodied narratives of loss, longing, and hope. Hands and voices whisper of the lives that were forever changed there. Flesh and tears haunt the stones with dreams and shattered hopes of climbing to freedom from grueling labor. The ghost-filled air surrounds the dancers as they wrap themselves in transparent net fabric which is both isolating and protective against the forces at work against them. USA – 11’40

LOVE UNFOLDING. Director: Peter Litwinowicz
A visual love letter in motion, this dance animation explores the joy, spontaneity, and head-spinning excitement of love’s first spark. USA – 5’42

MADELINE (I AM NOT). Director: Allison Beda

A joyfully subversive punk rock dance film poem about identity and connection (or lack thereof) set in troubled times, that loops endlessly. MADELINE(I AM NOT) is an interpretation of the poem about a woman “Madeline” by Gherasim Luca, translated by Michael Tweed and is (or is not) also a portrait of the artist Allison Beda.

A dancer who isn’t
A choreography that wasn’t
A document of a guerilla-stye spectacle which happened live, on the street, but which also didn’t.
A poem about one woman, used as a self-portrait of another. Canada – 1’00

BUILDING AND DWELLING. Director: Arjan Gebraad

“So when I think of autumn, I think of somebody with hands who does not want me to die” – Toni Morisson: The bluest eye.
Three ways of building. Three ways of dwelling. A cure for the loneliness is finding each other, building a place we call home. I want to be able to walk through the city and not be afraid. I want to able to dwell and not feel lonely. I want this city to be my friend and that’s why I need others.
Netherlands – 6’42

WE’VE WORKED SO MUCH. Directors: Teodora Grano & Bruno Leggieri

In a deserted factory, the bodies of concrete mixers come to life through the unexpected resonance of singing voices. Sound and touch reawaken the metal, uncovering buried stories of motherhood—where the told part is not a neutral space.
The notion of labor is redefined through these colossal metallic bodies of resonance—concrete mixers treated as productive organs, sites of a life’s work.
Human and non-human bodies alike are approached as generative sites, entangled in a shared choreography of effort, memory, and transformation.
Through a visual poem of words, dance and matters, the colossal forms of the cement mixers become transformative spaces—thresholds between the materiality of metal and the carnal presence of the dancing body. Italy – 9’42

MER - OF OCEANS AND BODIES. Director: Katrina Piacek & Sarah Rose

Is a hydrofeminist experimental dance film that explores the interwoven experiences of femme bodies and oceans under extractivism. This work takes on an hydrofeminist perspective, exploring the interwoven experiences of femme bodies and oceans. It investigates the patriarchal logic of exploitation and its effects on the fertility of oceans and bodies, blurring the binary between them as symbols of fertility. Investigating the correlation between the moon's effect on ocean tides and femme reproductive cycles, this piece explores how patriarchal development and exploitation confuse and corrupt the cycles between nature and bodies and how we can explore reimagine our relationships with bodies of water through movement.. Canada – 1’46

DANCING GRAINS. Director: Ziyu Gong
Inspired by floaters in the eyes, ‘Dancing Grains’ is directed and performed by Adam Ziyu Gong. It combines contemporary dance with animation, recreating the relationship between the creator and the floaters from struggle to liberation. China – 2’43

Join us on Tuesday, April 28, from 14:00–15:00 at SKH, Brinellvägen 58 (Seminarierum G), for a presentation of internati...
27/04/2026

Join us on Tuesday, April 28, from 14:00–15:00 at SKH, Brinellvägen 58 (Seminarierum G), for a presentation of international films.

FRAMES. Director: Claire MArshall

Explores the surveillance, scrutiny, and framing of women in a post-feminist context as it works to dismantle or disaggregate the coherent body so that a whole person (a woman) becomes dissected, fragmented into a composite of datasets. Australia – 12’30

REVOLVE. Director: Claire Marshall

Featuring dancer Erin O’Rourke, Revolve is an abstract narrative that explores the notions of cyclism, in which the perspective is that time, history, or events are cyclical rather than linear, emphasising the recurrence of patterns, cycles, or events that occur over time. Australia – 11’59

ARMS OF GRAVITY. Director: Charlotte Griffin

Featuring dancer Erin O’Rourke, Revolve is an abstract narrative that explores the notions of cyclism, in which the perspective is that time, history, or events are cyclical rather than linear, emphasising the recurrence of patterns, cycles, or events that occur over time. USA – 5’47

CHOREOMANIC RITES OF A DOUBLE-SHIFT NURSE. Director: Vladimir Markovic

An experimental dance film that reimagines choreomania – the medieval phenomenon of “dancing madness” – as a response to the current healthcare crisis. The choreography is inspired by a silent variant of kolo - a circular, collective Balkan folk dance, in which the dancers are closely connected to one another. Germany – 4’39

WOMEN OF WATER. Director: Editta Braun

A play about showing and concealing, moving and being moved. A ballet for isolated limbs, a trio for dancers flowing, floating, swimming and gliding. Carried by Thierry Zaboitzeff's marvellous sounds and tones, breathtaking through unprecedented perspectives, the piece writes a new, purely female story of creation out of the water. Austria – 9’28

NEW BORN, OLD FAITH. Director: Kelechi Emmanuel Jr Obi

New Born, Old Faith is a story of transition, the evolution of my spirit from rebellion to self-determination. Nigeria – 5’46

BORN IN TO YOU. Director: Emma Evelein

A poetic short film exploring the essence of belonging and human connection. Set in an industrial world, two contrasting, newly born beings meet and form a deep, spiritual bond. Through expressive choreography and design, their evolving relationship, marked by vulnerability, trust, and growth, unfolds into emotional and physical maturity. The film’s abstract visuals and movement celebrate how closeness and trust allow us to discover ourselves and truly belong. Netherlands – 6’00

THE BATHERS. Director: Anouk Barrère

"The Bathers" celebrates the freedom of the female body and invites us to break free from the temporal constraints that govern our lives. Through a dance performance, particularly Dancehall, the four protagonists claim the right to freely dispose of their bodies and their existence. After all, why accept the end of summer when it can last throughout the year, carried by dance France – 8’16

18/04/2026

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